Ironically, they rode a tandem bike,that warring pair, though any two less like to live in tandem would be hard to find.He rode in front. She took the seat behind. They quarrelled as they puffed up Devon hills.‘You pedalling?’ ‘Of course!’ ‘I swear it feels as if you’re not,’ he snarled. He spoke his mind.She
The ability to manufacture discontent from whatever materials are to hand is one of the most consistent characteristics of human nature. In Hubbub, pithy historian Emily Cockayne roams the seamy, stinky and squelchy side of English life: ‘The experiences presented here are unashamedly skewed towards the negative . . . . I am deliberately not
Why do the French call an April Fool a poisson d’avril and a 1 April dupe a victime d’un poisson d’avril? I have always assumed it is because the victimes take the bait and swallow the hook; but Martin Wainwright tells us that the April Fish derives its name from ‘the dim-witted, bulging look of
One point in Robert Mugabe’s favour, despite the Zimbabwean patriarch’s brutally protracted autumn, is that he was never planted in power by a CIA-supported coup d’état. As Larry Devlin’s self-congratulatory yet revealing memoir makes clear, the same cannot be said of Zaire’s esteemed dictator, Joseph Désiré Mobutu, otherwise known as Mobutu Sese Seko. Army chief
Old men with dogs roam the neglected parkWhere they once played as boys. Now take a peepInto the lounge of Number Twenty ThreeThe Meads. Four sturdy youngsters sitBefore a slick computer, playing games.A milky, midget, artifical skyHolds them enraptured. Sterile bullets flashAnd flicker, stuttering across the screen,While Mother whisks around her microwavePreparing instant meals from plastic
The narrative trademark — or gimmick — of Joshua Ferris’s first novel, Then We Came to the End, is contained in the title: the book is told in the first person plural, which gives this story of Chicago office workers its initial powerful, even oracular, thrust. ‘We were fractious and overpaid,’ the book begins. ‘Our
This is a book about the failure of two marriages. One is destroyed by a past that refuses to slacken its grip, though the marriage itself has to limp on; the other is wrecked by a future impossible to avoid. They are seen through the eyes of four different people, two from one family, two from
South of the River is a stadium-sized novel of over 500 pages. It has the scope and ambition of an American McNovel — Don DeLillo’s Underworld, say, or The Corrections by Jonathan Franzen. At first it appears to be in narrative disarray, the plot leaping backwards and forwards in time. A theme soon emerges, however,
The Moghul monarchs’ way of life was an extravaganza of such breathtaking splendour that in comparison the Sun King’s Versailles seems understated. Both Shah Jahan and Louis XIV came to the throne in 1643 and their courts had much in common: architectural grandeur, luxury, a love of jewels and a flair for excess. What was
When David Rose visited Columbus, Georgia, to write a story about capital punishment in the United States, it drew him inexorably into a decade-long battle for justice on behalf of Carlton Gary, a black man on death row, convicted 20 years ago of a series of rape/murders of elderly white women committed some eight years
If you missed the exhibition of Glitter and Doom which ended last month at the Metropolitan Museum of Art in New York, this handsome hardback catalogue is a good armchair substitute. It contains three very readable essays — by no means typical of exhibition catalogues — and a wealth of colour illustrations. Sabine Rewald, the
‘Popular science’: for some readers this remains a problematic category. I’m sure proper scientists look askance at civilians reading such books on public transport, imagining their own abstruse specialities dumbed down for the hard-of-thinking. And the vast mass of arts graduates, who hate and fear science, remembering the bad trousers and unfortunate hairstyles of science
Auden, discussing Troilus and Cressida, remarked that major writers set themselves new challenges, and so risk failure, while minor ones are content to do the same thing as before and so risk nothing. There’s something in this, though, like many of his pronouncements, it’s too sweeping to be altogether true. (Besides which, the major/minor categorisation is
Grace Waterhouse ‘knew in general terms that [she] was marrying a hero’. Grace is the central character of this, Thomas Keneally’s 24th novel. In old age she looks back to the second world war and tries to disentangle the circumstances of her widowhood: her husband Leo’s capture and beheading at the hands of the Japanese.
Imperial Life in the Emerald City is the best account I have read of why the American occupation of Iraq has gone so drastically wrong. It is an exceptional piece of work, well researched, well written and well judged. Having lived the Iraqi story for over 30 years, from advising Saddam’s government on Iraqi-American relations
The title of Peter Godwin’s beautifully written and magnificently poignant memoir is taken from Zulu lore, which states that solar eclipses are caused by a celestial crocodile eating the sun. Within the covers we are offered twin eclipses, one caused by life ebbing away from Godwin’s father, the other by the darkness of Robert Mugabe’s
I wish I could be fun at parties too: Slap men across their backs and flirt with girls, Tell ribald tales, play games with young blonde curls, Shout, ‘Murphy, man, remember at the zoo!’ Instead I drink too much and hog the loo, Avoid the crowd and wince at insults hurled, Trip over doctors’ shoes,
Novelists do not always make the best critics, and vice versa. But there are writers — Henry James, Virginia Woolf and John Updike spring to mind — who are similarly gifted in both fields. Such cases are interesting because of the questions they raise about the relationship between the novels and the criticism. How similar
The 17th century was the heyday of the English ghost. Up and down the kingdom during those ‘distracted times’ of the Gunpowder Plot, Civil War and Commonwealth, spectres, revenants and phantoms were at their most restless and fretful. Church bells rang without human agency, invisible armies clattered to and fro in the darkness, drummers sounded
Until fairly recently, the name Thyssen-Bornemisza held generally positive associations — with vibrant German industrialism, responsible capitalism, pan-European cosmopolitanism, artistic connoisseurship and philanthropy, all tinged with a pleasant whiff of Hungarian nobility. Just how deeply erroneous these are revealed to have been is staggering. August Thyssen, who created the family fortune in the second half