More from Books

Saturday

Lloyd Evans

It will never be buried

Why a book at all? This guide to email etiquette, written by a pair of New York Times hacks, ought to exist as a viral attachment bouncing around the world from computer to computer. It kicks off with Jo Moore’s notorious and oft-misquoted email. Here’s the exact wording: ‘It is now a very good day to get out anything we want to bury. Councillors’ expenses?’ It’s the details that make this sorry little haiku so grisly. The verb ‘bury’ is spectacularly tasteless and the macabre contrast between the epoch-shifting events unfolding in New York and the parochial timbre of councillors’ expenses gives it a final gruesome seal of insensitivity. The timing, 14.

Stephen Romer

No Interruptions

I cannot wholly decideabout my father’s resolve not to speak or seek out textsor make arrangements except perhaps to the pillowand the blankets. Was it for him, or for us,or was he ‘in denial’ when he preferred to drift and dozeto music or ambient conversation as if some unusual actwould make the thing too real? That adherence to routine,The Times and the radio, was it because the stream of timeremained too precious to interruptearly, as when he waited for the concert toendbefore unfolding himself from thecar?

Victoria Glendinning

Tasty Woolf rissoles

When I was a child, an aunt gave my mother a cookery book called 100 Ways with Mince. This made a huge impression on me, because of my mother’s irritation — it was not her idea of a present — but even more so because of the enormity of the title. It sprang into my mind for the first time for ages as I embarked upon Virginia Woolf: The Platform of Time. In the larders of literature, as well as the left-overs of major works, there are generally minor meaty morsels lurking in saucers at the back of the shelf. Ever since Virginia Woolf died in 1941 her literary remains, large and small, have been continuously collected and published, whether in book form or in specialist journals.

Leanda De-Lisle

The return of the maypole

The return of the king follows a death. As the Lord Protector of the three kingdoms draws his last breath a great storm rises up, blowing down houses, trees and ships at sea. To Charles Fitzroy it is as if the elements themselves were celebrating Oliver Cromwell’s passing. But it was expected that tempests should mark the death of great rulers and in 1658 the violent winds must have appeared less a celebration than a warning of coming bloodshed. There was no more dangerous a time in a nation’s life than the passing of a ruler when the succession was in doubt. Although Cromwell was not a king in name, the idea of monarchy had survived the trial and execution of Charles I.

Christian House

Fighting naked on the beaches

Few have done more than Noble Frankland to dissipate the myths and propaganda that fog our understanding of modern warfare. After serving as a navigator in Bomber Command during the second world war, Frankland went on to become a historian in the Cabinet Office, Director of the Imperial War Museum and adviser to the Thames Television series The World at War. He has proved to be a consummate pathfinder, leading the public through the murky details of 20th-century hostilities. So it’s surprising to find him suddenly embracing the wild fantasies inherent in fiction. Luckily his keen intellect is still evident in his debut novel The Unseen War, as is an eye for the more absurd aspects of political and military power.

John Bercow

Women of no importance

The Kite Runner, said to be the first Afghan novel to be written in English, told an epic tale of individuals whose lives were lived across two continents amidst relentless political upheaval. Its author, Khaled Hosseini, stunned the critics with the extraordinary quality of that debut novel which has sold over eight million copies and will shortly be the basis of a film. All too often, the sequel to a fine book can disappoint. A Thousand Splendid Suns does not. The story revolves around two women, Mariam and Laila, born a generation apart, whose lives come to be interwoven. Mariam is the illegitimate child of Nana and Jalil.

Kate Grimond

A fickle jade

Strix would have been 100 on 31 May. Before he had decided on a screech owl as his nom de plume, he had been Moth, and occasionally Scadavay and Apemantus. He had joined The Spectator in 1931 as a bumptious young man with a first in English from Oxford, where he had also been editor of Isis and president of the OUDS. His name was Peter Fleming and his association with The Spectator lasted for nearly 40 years, though it is as a travel writer that he is now remembered by aficionados. ‘A relaxed and somehow amateurish atmosphere pervaded No. 99 Gower Street in 1931,’ he wrote, ‘and it was comparatively easy to introduce such revolutionary innovations as the appointment of a film critic (me).

Saturday

Philip Hensher

An unpromising land

The enjoyment you take in this novel will depend on what sort of animal you think the novel is. If you think novels are moral journeys, examinations of the troubles of the world, you will enjoy it as an ingenious example of the ‘alternate world’ fantasy. If you think they are principally aesthetic objects made out of language, you will enjoy it mostly as a dazzling game with styles and genres. Either way, there’s no denying the high hilarity and wit, in the largest sense, of this exceptional book. Michael Chabon’s conceit is that the state of Israel was briefly founded, but was destroyed almost immediately, chased into the sea in 1948. The Jews of the world found a homeland instead in Alaska.

Richard Beeston

The voice of moderation

Abu Suleiman looks back on his time in al-Qaeda as a reformed drug addict in Britain might consider his past life as a junkie. Speaking English, learnt from his American jailers at Guantanamo Bay, the young Saudi is now a respectable member of society and has a wife and a job as a stock market analyst in Riyadh to prove it. Like other Muslim men recruited by militant Islam to the cause of jihad, he knows that he is lucky to be alive, and fortunate to be given a second chance. Most others who made the trek to join Osama bin Laden in Afghanistan or his associates in Iraq have been captured, killed or ended their lives as suicide bombers. The story of what happened to his generation of young Muslim men across the world over the past decade and a half is only now being told.

Pd James

Fearless freedom fighter

Sara Paretsky is one of the most respected and influential crime novelists of today, and this poignant and compelling personal testimony explains both the influences which made her a writer and the kind of writer she became. She was born in 1947 in Ames, Iowa, and grew up in Lawrence, Kansas, the only daughter in a Jewish family of five children. It was a world in which white Republican Protestants were the decision-makers, any questioning of their social mores provoking an aggressive reaction. Both parents were well educated and highly intelligent, both actively worked for social justice, but paradoxically kept their only daughter in emotional and educational subjection.

Francis King

Deep, dark truths revealed

A few nights ago I was at a dinner party at which all those present knew each other far better than I knew them. For what seemed an interminable time their sole topic of conversation was the tempestuous relationship of a couple of whom I had never even heard. The story, in as far as I could piece it together, was fascinating; but with its oblique references to long-past events and to people merely indicated by their first names, it also exasperated me. I had the same experience during my reading of this novel. When we meet one of the two main characters, Lewis, he is looking down on a lake from his high perch on a builder’s ladder. All at once he suffers a hallucination of an arm raised out of the lake, a forefinger pointing. Subsequently there are references to a Manny and a Carl.

Noble Frankland

Last but not least

Of six million Russian soldiers captured by the Germans, only one million are still alive in 1945, two million German women raped by Russian soldiers in the last months of the war, countless millions of Jews and others done to death in German concentration camps, 12 million displaced persons wandering about in Germany at the end of the war not knowing where to go. Such are a few of the statistics of Hitler’s legacy inherited by Europe in May 1945. These figures perhaps have become familiar, but how often do those to whom they have become familiar pause to consider what they really mean? Huge figures such as these have a self-defeating quality rather like those about money that are bandied about by chancellors of the exchequer; five billion more for this, five billion less for that.

Matthew Dennison

Uncomfortable home truths

In a large house in north London, thick with the fug of kosher cooking and unspoken secrets, lives a lopsided family. The Rubins are envied — and enviable, surely? Claudia Rubin is a rabbi. She is also a writer, media personality and, par excellence, mother. She dominates her gentle, disappointed biographer husband Nor- man and their four ill-assorted children: an emotional, intellectual, motherly leviathan. Her standards are exactingly high — ‘For Claudia, good enough has never been good enough’ — but the veneer of family perfection Rabbi Rubin takes pride in sharing with the outside world is built on shaky foundations. The obligations and responsibilities of love have ousted simple affection.

Lee Langley

A romantic looks back

The unending journey of this book takes Mark Tully from slums to skyscrapers as he explores the past, present and future not only of the subcontinent but of society, both eastern and western; how democracy is facing up to fundamentalism — Hindu, Muslim and an atheism he scathingly labels ‘aggressive secularism’. The Dawkins camp would not be welcome in his compound. There was a time when Tully was the most famous Englishman in India — ‘What does Tully Sahib say?’ the man on the village charpoy would ask when political or economic upheaval loomed. Tully’s mellifluous voice filled the airwaves for the 22 years he ran the BBC’s New Delhi bureau, trusted and loved by his millions of listeners.

Caroline Baum

The wild one

You can hardly blame a woman of 102 for being a bit hazy when it comes to giving directions. ‘Drive to the Italian border,’ said Lesley Blanch on the telephone, after initially attempting to discourage my visit. ‘When you get there, make a U-turn and I’m the first on the right.’ And so she was, tucked away in a house high above Menton on the French Riv- iera. ‘It is always useful to be near a frontier, in case you need to make a dash for it.’ There were countless times when she crossed frontiers that most people would have trouble finding on a map, not fleeing but restlessly searching for romance, experience and adventure.

Allan Massie

Ordering the steps of the Dance . . .

Writing a novel is a voyage into unknown territory. (Reading one is also, of course.) The author explores possibilities. To some extent even those novels which seem far removed from autobiography represent the author’s imaginary, or alternative, life, characters owing more in the last resort to him than to any identifiable models. He is a puppet-master, ordering the steps of the dance. Nevertheless he is likely, in the writing, often to be taken by surprise. ‘How do I know what I mean till I see what I’ve said?’  What to the reader seems right, even inevitable, might have taken a different course. The truth of this is well illustrated by  the jottings Anthony Powell made, published posthumously as A Writer’s Notebook.

Saturday

Boris Volodarsky With Oleg Gordievsky

Untangling the web of deception

This is perhaps the most amazing non-fiction spy book that has ever appeared during or after the Cold War. There is little doubt that all intelligence historians interested in the past 50 years of espionage games played by the CIA and the KGB will read it as we did — in one take: A day in the 1990s must count as one of the extreme low points of CIA counter- intelligence. When this KGB provocateur and deceiver concluded a lecture to CIA staff personnel in their Langley auditorium, the audience — all professional American intelligence officers — rose as one, eager-faced and thrilled, to give Yuri Nosenko a standing ovation. What a wonderful grand finale!

Philip French

An affair to remember

New movie festivals spring up every year and pictures can achieve fame and reach large, if not especially lucrative, audiences by playing on the worldwide festival circuit without ever getting into normal commercial cinemas. But pace John Huston, who over half a century ago described Edinburgh as ‘the only film festival worth a damn’ (a tribute the organisers repeat annually), there are still only three that truly matter, and all began with political motivations. Mussolini launched the world’s first film festival in Venice in 1932 to advertise his Fascist regime.

Jane Ridley

When friends fall out

Political biography is in the doldrums. No one wants to read 800 pages or so of cradle-to-grave dead politics, especially if it’s familiar stuff and has all been written about before. The detail is too much, and the potted narrative of forgotten political manoeuvring tends to overwhelm the life. One way out of this dilemma is to write about relationships. Friendship in politics is the hidden key to the top — can you think of an anorak who made it as prime minister? Even the nerdish ones had friends — the younger Pitt had Wilberforce, Bonar Law had Beaverbrook; but once our hero climbs to the top of the greasy pole the dynamics change and old relationships fall apart.

Michael Glover

Haunted by the past

This curious and wearisomely long novel, the third of a trilogy, and set in Ashford, Kent, is partly an exercise in the fantastical impregnated by the historically serendipitous, and partly a crudely shaped slab of kitchen-sink realism, complete with passages of high comedy. These two elements strain to come together, to knit into some seamless whole, but, ultimately, they remain yawningly apart from, and on occasions almost entirely invisible to, each other. What is more, these looming elements of the fantastical never become sufficiently realised, or even sufficiently comprehensible, for the reader to be able to weigh — or even properly to register — their emotional impact upon each other.