More from Books

Tuesday

Stuart Evers

Doppelgangers galore: The Novices of Lerna, by Angel Bonomini, reviewed

Resurrection has become its own literary genre. Though hardly a new phenomenon (Moby-Dick, for example, was out of print at the time of Herman Melville’s death), the success of such ‘forgotten’ classics as Suite Française, Stoner and Alone in Berlin proved that an author’s death and/or obscurity were no barrier for readers. So publishers from Faber to Virago, from the British Library to Penguin Modern Classics are hunting through back catalogues looking for writer recommendations, searching for the next unjustly lost voice. In Angel Bonomini, Peninsula Press has found an ideal candidate. How can such a powerful story have remained un-rediscovered for so long?

Thomas P. Lambert

Reliving the terror of the Bataclan massacre

On Friday 13 November 2015 France suffered the deadliest terrorist attack in its history. In quick succession, gunmen and suicide bombers struck the outer concourse of Paris’s Stade de France; then the pretty canal-side cafés and restaurants of the tenth arrondissement; then, most notoriously, the Bataclan theatre, where the doors were blocked and, over the course of an hour, 90 people massacred. The subsequent trial was not just a gargantuan administrative undertaking (20 defendants faced around 2,000 plaintiffs, and the proceedings occupied the purpose-built courtroom for the best part of a year); it was a cultural phenomenon.

Rose Prince

Turkish delights: the best of the year’s cookbooks

‘Recipes are like magic potions. They promise transformations,’ says Bee Wilson in her introduction to Sylvia Plath’s Tomato Soup Cake (Faber, £12.99), a collection of classic authors’ recipes. You have to pray that tinned tomato soup will indeed be transformed into something nice-tasting, or that Noel Streatfeild’s filets de boeuf aux bananas will not be as revolting as it sounds. Not much hope of that, I’m afraid – but this is more of a book to enjoy reading without tasting. Some of the writers confess to failing miserably in the food department. ‘I am a very bad cooker, as the children put it,’ warns Beryl Bainbridge, as she launches into a heartless recipe for violently boiled mince.

Oliver Balch

Freedom fighters of the ‘forgotten continent’

On 18 May 1781, Tupac Amaru II’s rebellion came to an abrupt and grisly end. Seized by Spanish forces, the Peruvian muleteer-turned-popular-revolutionary knew the game was up. Still, he refused to go quietly. After Tupac’s captors’ horses failed to wrench off his limbs, the executioner reached for his axe. ‘You kill only me,’ legend has Tupac shouting as the blade descended. ‘But tomorrow I will return as millions.’ As Laurence Blair’s Patria assiduously demonstrates, death rarely has the last word in the ‘forgotten continent’ of South America. In the case of Tupac, his narrative of a ‘Peru for Peruvians’, free from colonial oppression, would later be resurrected in radical leftist movements from Uruguay to Venezuela.

Thursday

Henry Jeffreys

From public bar to cocktail bar: books for the discerning drinker

One of the joys of getting older is the appreciation of the solitary pint. But what to do as you sip your hard-earned beer? Usually after a suitable period of contemplation I’ll start fiddling with my phone. Not Adrian Tierney-Jones; he writes books, and his latest, A Pub for All Seasons (Headline, £20), is a poetic meditation on the public house, its history and place in our culture with some memoir deftly thrown in. Most of all it’s an appreciation of what makes a pub great: the layers accumulated by decades – centuries, sometimes – of human interaction. ‘The perfect pub,’ he writes, ‘is a kind of metaphysical palimpsest which we should try to imagine as a constantly evolving space.

Tuesday

Francesca Peacock

Waifs and strays: Gliff, by Ali Smith, reviewed

‘Gliff’ is a word which can mean ‘a short moment’, ‘a wallop’, and ‘a post-ejaculatory sex act’; to ‘dispel snow’, ‘to frighten’, and to ‘escape something quickly’. It’s ‘really excitingly polysemous’, says one of Ali Smith’s characters. It’s certainly an apt title for a book which can’t seem to define itself. At its centre are two children, Briar and Rose, who have been abandoned. Their mother is absent, caring for a sick sister, and their other responsible adult leaves to find her. The children exist in a stock dystopian world (people are surveilled by CCTV cameras and zombified by screens) with a twist: they repeatedly wake up to find that a red line has been painted around their house or camper van. They are on a list of ‘Unverifiables’.

Michael Moorcock

The mystery of Area X: Absolution, by Jeff VanderMeer, reviewed

I have to confess that I am not a fan of horror fiction. I have a stack of unread H.P. Lovecrafts sent to me by enthusiasts. M.R. James scares me silly. Even Elizabeth Bowen’s ghost stories remain neglected among her other much-loved books. I have, however, been impressed over the years by writers usually identified as belonging to the movement described in the late 1990s by M. John Harrison as the New Weird, which marries chiefly supernatural themes to realism or naturalism. As a stylist, Harrison remains the greatest of these writers. They included Angela Carter, China Miéville and Jeffrey Ford. The movement is naturally associated with the science fiction New Wave, whose best known practitioner was J.G.

Lynn Barber

Truly inspirational: the hospital diary of Hanif Kureishi

You’d think a book about a paralysed man lying in hospital for a year would be bound to be depressing. It never is. Hanif Kureishi is such an exhilarating writer that you read agog even when he’s describing having his nappies changed or fingers stuck up his bottom. It all started on Boxing Day 2022 when he was sitting watching television in his girlfriend Isabella’s flat in Rome. He wasn’t drunk, he wasn’t stoned, but suddenly he felt a bit dizzy, put his head between his knees and fell off the sofa. In doing so, he somehow broke his neck and became tetraplegic. As a result, he cannot move his arms or legs, he cannot feed himself or scratch his nose or hold a pen. If he cries, he cannot wipe away his tears.

Guy Stagg

The many passions of Ronald Blythe

In Regency Britain, balls were often timed to coincide with full moons. Provided there was no cloud cover, moonlight made it safer to send out carriages. When Ronald Blythe accepted social invitations, he also took the lunar calendar into account – because a full moon was ‘best for a merry bicyclist wheeling homeward along unlit and potholed lanes’. This vignette captures much of Blythe’s magic. He was born in Suffolk in 1922 and his life and his writing became vessels for centuries of rural wisdom. With his death last year, that link to the distant rhythms of the English countryside was lost, but Ian Collins’s biography attempts to preserve the magic.

Suzi Feay

Out of the depths: Dante’s Purgatorio, by Philip Terry, reviewed

Many readers of Dante get no further than the Inferno. The inscription over the gates of Hell, the demon-haunted circles, the howling winds that buffet the lovers Paolo and Francesca, even the poet’s grim profile and bonnet, are part of the world’s literary and artistic heritage. Several translators also stop at the point that the dazed poet and his guide Virgil emerge from the bowels of the Earth into the astonishing starlight. It’s no surprise that Inferno seizes the imagination, but it’s only a third of the story; and possibly for Dante himself just the part you have to plunge through before you get to the good bits. Philip Terry’s witty, transgressive canto-by-canto Dante’s Inferno came out in 2014.

Caroline Moorehead

You didn’t mess with them – the doughty matriarchs of the intelligence world

As Hilary Mantel memorably noted, history represents what people try to hide, and researching it is a question of ferreting out what they want you not to discover. Claire Hubbard-Hall’s plan to unearth the identities and lives of the legions of women who have worked unheralded in the British secret services was bold: looking for secrets in a doubly secret world. Miss Pettigrew was a ‘formidable grey-haired lady with a square jaw of the battleship type’ The first bureau was founded in 1909. It is perhaps not altogether surprising to learn that neither MI5 nor MI6 were very good to the female employees on whom they came increasingly to depend.

Oliver Soden

A geriatric Lord of the Flies: Killing Time, by Alan Bennett, reviewed

Somewhere, there must be a PhD: Flashing: Exhibitionistic Disorder in the Oeuvre of Alan Bennett. It’s there in the first of his Talking Heads monologues (‘He’s been had up for exposing himself in Sainsbury’s doorway – as mother said, Tesco, you could understand it’) and in the last, Waiting for the Telegram, which opened with Thora Hird, one-time presenter of Songs of Praise, saying: ‘I saw this feller’s what-do-you-call-it today.’ It takes three pages for a what-do-you-call-it to appear in Killing Time, Bennett’s new novella, which is set in Hill Topp House old people’s home. Mr Woodruff, a resident, is indefatigable, his self-exposure a running motif as ‘not for the first time, he tried to show Audrey his willy’.

Harry Mount

All human life – and death – is here: the British parish church

In ‘Church Going’, the poem that gives this charming book its title, Philip Larkin talks about ‘one of the crew that tap and jot and know what rood-lofts were... Some ruin-bibber, randy for antique’. Well, Andrew Ziminski is king of the ruin-bibbers, randy for antique churches. He doesn’t just know what a rood-loft is; he’s also repaired loads of them. For 35 years, he has been a church conservator. In his first book, The Stonemason, he brilliantly explained his job. In this sequel, he takes us all round the church, from gravestones to altar cloths, and explains every conceivable aspect of the great parish church. Guides like this have been done before, but not by someone who actually repairs churches.

Richard Davenport-Hines

‘I like it when my pupils run the world’: a celebration of Jeremy Catto

Jeremy Catto’s first sexual experiences were with a greengrocer’s son, but he lost interest in the boy after discovering that his family used tea bags rather than tea leaves. As a youth he marched with the Oxford branch of the Committee for Nuclear Disarmament, but bearing aloft a banner calling for the restoration of the Bourbon monarchy in France. In middle age, he caused consternation by changing into his pyjamas on an overnight flight to Singapore: ‘But it’s my bedtime!’ he cried when there were complaints. Catto, evidently, was a fine example of that quick-witted type, with a dauntless and uncompromising way of making arbitrary choices, known as the English eccentric. ‘The best bankers are historians, not economists,’ said Catto.

Daisy Dunn

They weren’t all scheming poisoners: the maligned women of imperial Rome

Unfortunately, She Was a Nymphomaniac must be one of the most eye-catching book titles of the year. I assumed it was just a riff on John Ford’s 17th-century tragedy ’Tis Pity She’s a Whore, but apparently it came directly from the mouth of a modern tour guide in a museum in Rome. The man was describing Julia, the daughter of the first Roman emperor Augustus, when Joan Smith stepped in. ‘Julia,’ she corrected him, ‘was not a nymphomaniac.’ The rattled guide, who conceded that he was merely following the (biased) ancient sources, may be relieved to learn that he has not been singled out. Smith, the author of the barnstorming Misogynies, takes many others to task for insensitivity in her new history of 23 women of the Julio-Claudian dynasty.

Anne de Courcy

Wondrous treasure troves: the Jewish country houses of Europe

The words ‘country houses’ immediately make one think of England, yet only five of the 15 featured in this hefty, impressively illustrated book are in Britain. It is a compilation of essays: part histories of various Jewish families, part architectural descriptions and part stories of the chateaux, mansions, villas and, of course, country houses all over Europe, owned and sometimes built by these families. Each chapter is by a different author. The swimming pool was surrounded by such a profusion of lilies that the scent at night was overpowering  These homes had different functions. Some, like that of the German-born painter Max Liebermann, were built as traditional country retreats – his palatial town house was next to Berlin’s Brandenburg Gate.

Wednesday

James Ball

Conspiracy theories are as old as witch hunts 

To millions of people across America, Hillary Clinton sits atop a global network of satanic child-traffickers and is battling an underground resistance led by Donald Trump to maintain her malign influence. That is the core tenet of the QAnon movement, a conspiracy theory that originated in obscure corners of the internet before being seized upon by members of the Republican elite for their political advantage. Did the Clintons get rich while undertaking a life of public service? Absolutely QAnon is at the heart of Gabriel Gatehouse’s The Coming Storm. But the book begins with a conspiracy theory from centuries earlier, about witches in medieval Europe.

Nat Segnit

From street urchin to superstar: the unlikely career of Al Pacino

Ellen Barkin, Al Pacino’s lover-cum-prime- suspect in his comeback movie Sea of Love (1989), once dismissed the artifice of the British acting tradition (by way of an oddly ill-tempered pop at Nigel Havers) by comparing it with the immersive naturalism of the greats of post-war American cinema: Marlon Brando, Meryl Streep, Robert De Niro and Al Pacino. It’s a questionable claim, especially given that in Pacino Barkin had perhaps the least naturalistic co-star imaginable. He is forever searching for the off-beat, the syncopation that will spring the line open Pacino is – albeit in his own highly idiosyncratic way – no less theatrical an actor than John Gielgud, more invested in the musicality of his line readings than in fidelity to the real.

Suzi Feay

An otherworldly London: The Great When, by Alan Moore, reviewed

Is occult knowledge even possible in the age of the internet? If a recondite author obsessed you back in the day, it took hours of fossicking in far-flung dusty bookshops to feed your hunger. Oh, the joys of hunting down a shabby collection of Arthur Machen weirdiana! Now a few keystrokes will do the job. The magic has been lost. Magic is Alan Moore’s business, and he’s also a Machen devotee. The graphic novelist is well known for issuing his illustrators with exceptionally detailed written instructions for series such as The League of Extraordinary Gentlemen and From Hell, which perhaps accounts for the throbbing prose style of this fantasy novel.

Michael Arditti

Doctor in trouble: Time of the Child, by Niall Williams, reviewed

In the early 1960s, glimmers of change start to appear in the Irish ‘backwater’ parish of Faha. A smuggled copy of Edna O’Brien’s banned The Country Girls is read surreptitiously by the doctor’s daughter, Ronnie Troy; a photograph of John F. Kennedy, the first Catholic president of the USA, hangs proudly on the postmistress’s wall. But in the main the rhythm of life persists much as it has for generations. Like Ronnie, Niall Williams clearly feels that Faha represents ‘the full of humanity, in its ordinary clothes’, since Time of the Child is his third visit to the fictitious County Clare village, following History of the Rain and This is Happiness. Indeed, Noel Crowe, the protagonist of the latter, remains a potent, albeit unseen, presence here.