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The sweetness pictures can add to life

This is the tribute of a child to a parent, especially commendable when the very concept of fatherhood is threatened; rarer still, the co-authors are themselves artists in their separate fields. Peter Mann is responsible for the pleasing design and photographs, and Sargy Mann has answered his son’s questions to provide an autobiographical text which largely concerns visual perception, ‘not at all straightforward even when you can see’, as Peter Mann says. Jean Renoir’s Renoir, My Father is the prototype. Sargy Mann selected and discussed 27 paintings or series of paintings covering his career and Peter Mann has photographed them as they hang today in private houses. This novel idea is also indebted to Renoir, who told his son: You don’t look at a painting.

Work and sex

Ordinary mortals marrying into the upper reaches of the Royal Family are usually in for a rough ride. Their best chance seems to be to come from one of those families which privately consider that they are every bit as good as the House of Windsor: Lady Elizabeth Bowes-Lyon, Lady Alice Montagu-Douglas-Scott (though the formula proved a conspicuous failure in the case of Lady Diana Spencer). Otherwise they must decide whether they will opt for the deferential role, sidling through life perpetually two steps behind their royal spouse, or try to retain an independent career and existence. To do the latter successfully calls not merely for strength of character but a high degree of tact and patience and a capacity for unobtrusiveness.

The man who could not tell the truth

This has to be one of the most courageous books ever written. Literary biography is a foolhardy venture anyway, a writer’s life being usually his own raw material, so he has usually written his own version, or versions, of this, however fragmentary, and, what is much worse, written it well, otherwise there would be no biographer. But what if he hasn’t told the truth, and not just once or twice, but not ever? In 1985 Norman Lewis published his autobiography Jackdaw’s Cake, which I had looked forward to more than any book published in my lifetime.

A gift for friendship

This magnificent edition of Benjamin Britten’s letters reaches its fourth volume under the auspices of a new publisher, the Boydell Press (despite subsidy, Faber simply couldn’t make it pay), and the first thing to say is that the standards of production, design and copy-editing have not suffered (misspellings of names such as John Lanigan, Roderic Dunnett and Geoffrey Willans were the only errors that I picked up), while the scholarly quality of the annotation continues to be quite superb — meticulous, imaginative, and illuminating.

Love lies bleeding | 14 June 2008

Andrew Taylor reviews the fourth novel in Susan Hill’s crime series The Vows of Silence is the fourth novel in Susan Hill’s crime series. Like its predecessors, it is concerned with murder and its investigation in and around a cathedral city known as Lafferton, and with the lives of those concerned. The central character of the series, Detective Chief Superintendent Simon Serrailler, is now working for the Serious Incident Flying Taskforce. Serrailler is a civilised but solitary man who finds personal relationships difficult even with his family — with the exception of his sister Cat, a local GP, her husband and young children. His sense of isolation is increased by the presence of a new colleague whom he finds it hard to like.

Inspirational individuals

My 85-year-old neighbour bows to passing magpies, casts spells, and gleefully claims to be ‘a mad old bat’. Eccentric you might say. But she also speaks Mandarin Chinese and sports on her desk a photograph of herself in 1945 carrying a rifle on a hillside above Kunming in southern China where she helped SOE run one of the most successful blackmarket operations of the second world war. So it would be truer to say that she has never cared much for being one of the crowd. Egregious is really the word. Reading this oral history of the Special Operations Executive, it is clear that being egregious was the one quality that everyone who served in SOE had to possess. Almost all other forms of warfare involved merging individuality into the unit.

Can a novelist write too well?

At least a couple of times, probably more often, Anthony Burgess declared that Evelyn Waugh wrote ‘too well for a novelist’. ‘Sour grapes’ you may say, remembering that in his own novels Burgess often wrote in clumsy and slapdash style, and that he was perhaps himself a better reviewer than novelist. But it wasn’t just sour grapes. There was an argument behind the opinion. He believed that writing a novel ‘should be, for its author, a journey into the unknown, and the prose should convey the difficulties of the journey’. Compare [he suggested] Ford Madox Ford’s Parade’s End with Waugh’s Sword of Honour.

Goats and donkeys

The Goat, they called him; and goatish he certainly was. He was stubborn, self-willed, exceptionally adept at climbing upward over rocky ground — and then there was the other thing, the thing that gives rise to this book. If there was a single force in his life to rival David Lloyd George’s ambition it was his sex drive. From the very outset of his political career, and from the very outset of his marriage, the former was the hostage of the latter. (How little, Spectator readers, things change!) Yet, miraculously, the roof never came down. After his second marriage to his mistress of three decades was saluted in the press, his principal private secretary A. J. Sylvester recorded in his diary: ‘He has lived a life of duplicity. He has got clean away with it.

Less mighty than the sword

Caroline Moorehead on Daoud Hari's memoir of Darfur When Daoud Hari was a boy, the villages of northern Darfur were peaceful places. He had a camel called Kelgi, to which he was much attached, and a vast clan of Zaghawa traditional tribal herdsmen as cousins. Sent away to school in El Fasher, he developed a taste for Charlotte Brontë and Charles Dickens and as a young man he left home to travel in Chad and Libya. It is what he saw when he returned that forms the heart of his remarkable memoir, The Translator. It was 2003. Crossing back into Darfur from Chad, he found the border full of frantic people, fleeing the violence that had broken out between rebel groups and the Sudanese army, helped by the Janjaweed raiders they support.

A long and happy life

Jason Goowin reviews the memoirs of John Julius Norwich In 1957 John Julius Cooper (later Norwich) was keeping open house in Beirut, ‘the Clapham Junction of the world’s air routes’.Guests were given dinner on the terrace, where the Coopers liked to watch their faces ‘as, promptly at ten minutes past nine, an immense, luminous grapefruit appeared from behind Sannine and climbed slowly up into the eastern sky’. JJ’s passions — for history, for Venice, for music — have always been enlivened by a sense of theatre: his books are erudite and entertaining.

God bless America

The Most Noble Adventure contains a striking pair of photographs of the business district in Hamburg. The first, taken in 1945, shows shattered buildings, clouds of smoke and a virtually empty street. Five years later, the same scene is transformed. The damage has largely been repaired and the sidewalks are filled with well-dressed pedestrians. Was this extraordinary recovery, representative of what was happening all over Western Europe, a result of the Marshall Plan which pumped billions of dollars of American aid into a war-torn Europe? Or was it bound to happen sooner or later, once Europeans recovered their nerve and their will?

The autobiography of a fig leaf

There are going to be plenty more of these, no doubt, even though the Blair administration doesn’t strike one as having been a government full of natural diary- keepers or memoir writers. Still, the incentive of publishers’ lucre presses strongly on those recently deprived of office — John Prescott, in this memoir, remarks guilelessly that he had no idea, until he stood down, quite how expensive London property was. Mrs Blair and now John Prescott have probably been wise to dash into print with books, however atrocious in execution and deplorable in intention, before too much time elapses.

Drawing a blank

I can’t remember. How many times have we all made a similar response and thought no more about it? But what if those three words start to recur rather more often? Panic. And what if you are under 60 years of age and you know that a family member has already been diagnosed with early-onset Alzheimer’s (EOA)? Total panic. The Story of Forgetting is surprisingly upbeat considering that dementia — and the early-onset type, too — is at the heart of the story.

The decline of the West

‘This is a work of non-fiction,’ Alexandra Fuller writes. ‘But I have taken narrative liberties with the text.’ She presents a fictionalised account of the life and early death of one man to personify the tragedy of a whole generation in the modern American West, which is no place for John Wayne heroics. With the force of an emotional novel, this dramatised biography is a polemic against the energy industry’s spoliation of the high plains of Wyoming and the dangerous exploitation of the men who drill there for oil and gas. The book is a panegyric to an austerely beautiful land and a lament for the pioneer cowboys’ descendants, now economically compelled to risk their lives as roughnecks on the oil rigs. Fuller was born in England in 1969.

The revolutionary, the president, the playwright

Victor Sebestyen reviews Václav Havel's new book A troika of heroic Slavic statesmen played the key roles in the last great drama of European history — the collapse of Soviet Communism. They were Mikhail Gorbachev, Lech Walesa and Václav Havel. All are still feted in Western capitals and can command high fees on the international lecture circuit. All are treated with disdain bordering on contempt in their own countries, where nowadays they can barely get themselves interviewed on local TV. Of the three, Havel, naturally, is the best able to write about how all political careers end in failure, however many magnificent and unexpected victories there may be along the way. Havel describes To the Castle and Back as ‘this strange little book of mine’.

All the best tunes

On a damp spring evening in 1955, Ian Fleming returned home to find his wife, Ann, hosting a salon at their house in Victoria Square. Raucous laughter was emanating from the drawing-room downstairs. One by one, the cream of London’s literati — Cyril Connolly among them — were reading aloud passages from the Bond novels and collapsing in fits of giggles. As humiliations go, this is hard to top. Fleming may have been modest about his abilities as a writer (in a letter to Sir Winston Churchill he described Live and Let Die as ‘an unashamed thriller’ whose ‘only merit is that it makes no demands on the mind of the reader’), but that modesty was entirely false.

The intelligentsia head south

Adam Thorpe set his previous novel, Between Each Breath, in Hampstead. He moves in his latest to the liberal intelligentsia’s summer hunting ground, the south of France. Nick and Sarah Mallinson, two not quite successful enough Cambridge historians, decamp on their sabbatical to Languedoc with their three young daughters. Their house is rented from the Sandlers, a mercenary pair of art dealers; the husband, Alan, took advantage of the invasion of Iraq to bag a number of archaeological artefacts by dubious means. Intent on completing neglected books and home-educating their children, the Mallinsons’ time dissipates into distraction and peacekeeping between warring kids.

Sound and fury, signifying nothing

In exile on St Helena, Napoleon brooded on the cause of the failure of his bid for the mastery of Europe. He confessed that ‘accursed Spain was the primary cause of my misfortunes’. Ronald Fraser’s book of over 500 pages may be seen as a commentary on this confession. Fraser made his name as the oral historian of Francoism and its opponents. Without the voices of the living, for his description of Spain from 1808 to 1814 Fraser has ransacked the archival sources and contemporary accounts. It is a fine example of what he calls history as seen from below. Whereas after Austerlitz the Austrian state survived defeat, and resistance in the Tyrol and in Naples were ‘minor surmountable regional affairs’, Spain was an exception.

Trouble and strife | 4 June 2008

William Leith on Dietmar Rothermund's account of India If anybody knows about modern India, it’s Dietmar Rothermund. He’s the Professor Emeritus of South Asian history at the University of Heidelberg. He is, as he puts it himself, ‘a witness who has watched India for nearly half a century’. He first visited the place in 1960, and managed to interview Jalaharlal Nehru, India’s first prime minister, twice. ‘I am convinced that India has a great future,’ he says. I’ll get back to that in a minute. In contrast to Rothermund, I knew virtually nothing about modern India until I opened his book. I’d seen the Attenborough film, with Ben Kingsley as Gandhi.