More from Books

Rekindling life in a dead frame

Why re-write Frankenstein or The Modern Prometheus as The Casebook of Victor Frankenstein? The rewriting of well-known novels generally depends upon two techniques. The first involves recasting the narrator: telling the tale from a different point of view, usually that of the historical underdog (women, servants, woodworm, etc). The second is to update the novel, reinventing it in modern dress. Peter Ackroyd’s narrator, however, is exactly the same as Mary Shelley’s (give or take the now forgot framing device): Victor Frankenstein’s narration is interspersed, just as in the original, with long interludes from a monster endowed with preternatural Romantic magniloquence, though Ackroyd’s monster learned his English from Robinson Crusoe rather than Paradise Lost.

The châtelaine and the wanderer

Towards the end of this hugely enjoyable volume of letters, selected and edited by the skilful Charlotte Mosley from half a century of correspondence (1954-2007), Deborah Devonshire, by now in her mid-eighties, writes a postcard from Chatsworth to her friend, Patrick Leigh Fermor, aged 90, who lives in Greece. ‘Did you know’, she asks ‘That the Vikings called Constantinople Micklegarth? Well, they did. Much love, Debo.’ To which he replies: ‘I did know, and have written fruity paragraphs about it in that book called Mani.

Brave new writing

Fifty years ago, Alan Sillitoe’s first novel, Saturday Night and Sunday Morning, changed the history of English fiction. Richard Bradford explains how. Alan Sillitoe is 80 this year and his debut novel Saturday Night and Sunday Morning was published in October 1958, almost exactly half a century ago. The novel evolved from a set of stories written between 1952 and 1958 when he lived in France, Majorca and mainland Spain, but it draws its energy and raw material from his previous experiences in Nottingham: a childhood that would have appalled Orwell and been improved upon by Dickens, followed by semi-skilled work in local factories. It was like nothing written before and it changed the history of the English novel. Before reaching Jeffrey Simmons, chief commissioning editor of W. H.

The peculiarities of a realist

Fine just the way it is: Wyoming stories by Annie Proulx The realism of Annie Proulx’s fiction is an extraordinary phenomenon. Realism in a novel has never been the same thing as plausibility, and her novels and short stories are full of bizarre and unforeseen events. The violent extremity of a great deal of her narratives sometimes verges on the territory of urban myth rather than anything recognizable as everyday life, and she enjoys characters considerably beyond the ordinary territory of the grotesque.

Worldly and otherworldly

In ‘The Arrest of Oscar Wilde at the Cadogan Hotel’, John Betjeman has Wilde whimper to Robert Ross: ‘So you’ve brought me the latest Yellow Book:/ And Buchan has got in it now:/ Approval of what is approved of/ Is as false as a well-kept vow.’ It is a marvellous scene, but not quite accurate. As a thousand Buchanites will clamour, Wilde was arrested in April 1895 and Buchan’s first story appeared in Aubrey Beardsley’s gorgeous fin-de-siècle magazine only the following January. Meanwhile, just a glance at this illustrated new selection of stories shows that John Buchan was the opposite of conventional.

Who is selling what to whom?

Powers of Persuasion: The Story of British Advertising by Winston Fletcher The impression you get from reading this book, which covers post-war advertising until the present, is of a chaotic, self-serving, occasionally brilliant, but ultimately shallow business. It is full of accounts of crassness, of overstated promise, of meaningless awards, fly-by-night companies, promotion of the semi-talented and clashing egos. It’s quite comprehensive and at times entertaining, as we hear of the hubris of the ridiculous Saatchis, the naivete of politicians and the endless attempts by ad agencies to carve out a little philosophical niche for themselves, be it the derided USP or the idea of account management.

Sweden’s magic, its women – and its fish

Fishing in Utopia: Sweden and the Future that Disappeared by Andrew Brown Sweden holds a powerful allure for British men, which I used to see for myself every Friday in a departure lounge of Heathrow airport. I was part of a group of weekend commuters who met for a beer, en route to see our girlfriends in Stockholm, in Terminal 3. Every so often one of our number would disappear, being swallowed up by this beautiful country for good. There would be no goodbye or explanations. It was taken for granted each one of us, sooner or later, would succumb. But not Andrew Brown. After eight years as a Swede, where he not only dreamed in Swedish but learned to distinguish trees by the smell, his marriage collapsed and he returned to Britain.

Night thoughts in an unhappy home

Man in the Dark by Paul Auster August Brill is a widower whose leg has been smashed by a car. He lies awake at night in the house he shares with his daughter, Miriam, and his granddaughter, Katya, in Vermont. Katya’s boyfriend, Titus, has been murdered, and Miriam ‘has slept alone for the past five years’. It is an unhappy, sleepless household, and Brill tells himself a story to manage the darkness until morning, when he will resume watching old movies with Katya. The story is about a man called Brick, who goes to bed with his wife in New York ‘and when I wake up I’m lying in a hole in the middle of goddamned nowhere’. He is in military uniform. Another soldier helps him out, but even so it is very hard for him to work out what is happening.

On home ground

Neil Clark on Cyril Hare’s Tragedy at Law, first published in 1942. ‘The best detective story that has appeared for some time and at the end of the year will tundoubtedly stand as one of the class leaders in the English school’ was how The Spectator described Cyril Hare’s Tragedy at Law, when it first appeared in 1942. ‘A detective masterpiece’ was the New Statesman’s verdict. Others were even more generous in their praise: the crime writer and critic, Julian Symons, included the book in his survey of ‘best, anywhere, ever’. Tragedy at Law is a detective story like no other. There can’t be any other murder mystery in which the killer strikes so late — on the 221st page out of 252.

On a wing and a prayer | 27 August 2008

The Balloon Factory by Alexander Frater This is a curiously enjoyable book. Its structure is very odd for it is basically two books bolted together across 100 years: the first is the high drama of the dawn of powered flight in Britain as young men, and some not so young, fall out of the skies; the second is tea time, as Alexander Frater completes a stately trundle, interrupted by his own flying lessons, around the locations, and nearby hotels, where these events took place, but so few remember that they did. The effect is remarkable, for it puts into historical context the story of flight, seven-eighths of the entry about which in the 1911 Encyclopaedia Britannica is to do with birds.

A new angle on autism

When Roy Richard Grinker’s daughter Isabel was diagnosed with autism in 1994, the condition was considered rare. It was thought to affect three in every 10,000 children. Now, the rate is closer to one in 100. Many see this rise as evidence of a catastrophic epidemic. Grinker, controversially, sees it as a cause for optimism. Grinker is an American anthropologist. Unstrange Minds is both a memoir of life with Isabel and a survey of the way autism is interpreted worldwide. His view is that autism has always existed in every society and that the numbers have probably been fairly constant.

Like father like son

Phillip II of Macedonia by Ian Worthington Alexander the Great, it goes without saying, was a man not much given to modesty. In 334 BC, as he was preparing to embark on his invasion of Asia, his mother, the sinister witch-queen Olympias, whispered in his ear ‘the secret of his birth’, revealing that he was in fact the son of a god, of Zeus himself — and Alexander believed her. Three years later, in Egypt, he travelled hundreds of miles out of his way to consult the desert oracle of Siwah and the priest, it is said, ‘left him in no doubt that he was indeed the son of Zeus’. By 324, with a record of victory behind him second to none, he went the whole hog, and openly demanded divine honours, before promptly dying the following year.

The Circus

The Circus by Noel Daniel You’d have to be a strong man yourself just to lift this amazing collection of photographs and circus posters. It covers the years 1870 to 1950 and is quite eye-watering. Buy this book and you’ll never have to watch television ever again. You sir, the man at the back in the pink suit, are you strong enough to lift this tome? Roll up! Roll up! See the dog-faced woman!

Muddying the waters

This fitfully involving, but for the most part irritating, melodrama is Tim Parks’s 14th novel, and not one of his best. Set almost entirely in India, it begins with the funeral of one Albert James, a trailblazing anthropologist whose elliptical, wide-ranging theories never really took root, and it ends with the death of his widow, Helen, an aid worker, some months later. Parks concerns himself with the interior lives of his characters as they negotiate grief and curiosity about the dead man’s unfinished research (Parks admits in a note that James was loosely inspired by the social scientist Gregory Bateson). But none of them ever quite comes into focus — including the main character, John.

Really not happy at all

Bits of Me are Falling Apart by William Leith Some years ago, a young scribbler named William Leith began a column for the Independent on Sunday that divided opinion among readers and, indeed, other young scribblers like me. Instead of writing about the world outside, as columnists had previously felt obliged to, he wrote about himself and his collapsing life in simple, unadorned prose. I remember reading it every week to the sound of my own grinding teeth, partly because I couldn’t see the point of it, but mainly because at the time I was consumed by professional jealousy of any contemporary who was clearly doing better than I was. I completely missed the boldness, even fearlessness, in his writing.

Life and Letters | 23 August 2008

Ten, eleven weeks ago I had an email from Simon Gray to say that the tumour on his lung hadn’t grown; so he was all right till his next scan in four months time. Now he is dead and I wonder if they didn’t tell him the truth then, or if the thing took a sudden spurt. The latter, surely; he wasn’t someone to conceal bad news from. ‘I am always eager to acknowledge the worst,’ he wrote in the last published volume of his diaries, ‘and often in advance of the evidence.’ A day or two later came another email. ‘Now that I know I’m not going to die for four months I’ll have to find something to write. Any ideas?

Our modest contribution

St Petersburg and the British: The City Through the Eyes of British Visitors and Residents by Anthony Cross To early English visitors St Petersburg seemed an ‘abstract’, artificial city with no roots in the past. It was the creation of one man, Peter the Great, determined to replace Moscow as the capital of his empire by a new city on the banks of the Neva ‘where there was nothing to be seen but marsh and water’. By 1774, for Sir Nathaniel Wraxall, the first tourist to publish an account of St Petersburg, a settlement of mean wooden houses in 1703 had been transformed into ‘one of the most magnificent cities on earth’.

In his own words

Ever Dirk: The Bogarde Letters by John Coldstream (editor) The art of letter-writing being in terminal decline and with precious little romance in emails or mobile-phone texts, this fascinating collection of Dirk Bogarde’s letters is a rare gift to those who think nostalgically of a less mechanical way of life. Puffing on 60 cigarettes a day, Dirk bashed out some two million words in missives to friends, fans and professional colleagues. This enigmatic and complex man was a natural letter- writer, his thoughts and emotions fragmented onto the page like mercury from a broken thermometer.