More from Books

Thursday

Andy Miller

A brief, witty look at the coming of the e-book

Paul Fournel is a novelist, former publisher and French cultural attaché in London, and the provisionally definitive secretary and president of the select literary collective known as Oulipo, whose fellows have included Raymond Queneau, Georges Perec and Italo Calvino. Members of Oulipo remain members after their deaths. In this respect, it is the French literary equivalent of the Hotel California, a comparison I suspect its followers would neither welcome nor necessarily understand. But playful and defiant obscurantism is all part of Oulipo’s raison d’être. Dear Reader is set in the world of publishing and tells the tale of a middle-aged editor, Robert Dubois, struggling to adapt to the rise of the e-book; the surname is no accident.

Ian Thomson

Death wears bling: the glory of London’s Caribbean funerals

Death is big business in parts of the Caribbean. In the Jamaican capital of Kingston, funeral homes with their plastic white Doric columns and gold-encrusted ‘caskets’ are like a poor man’s dream of heaven. The dwindling belief in an afterlife — the consolation that we might ever join our loved ones — has taken much of the old-time religion out of the West Indian funeral. Wealthier Jamaicans may lavish up to US $30,000 on a Cadillac hearse. Now even death wears bling. Fortunately, mortuary tradition survives in the Neo-African ‘Nine Night’ ceremony, where for nine nights the body remains in the deceased person’s home or ‘dead yard’ and hymn-singing mourners see to its safe departure to the next world.

Michael Bywater

The book that made me (almost) believe in bitcoin

Bitcoins are digital money ‘mined’ from satanically difficult mathematical problems. Madness, obviously. But five years ago, while the rest of us were saying ‘Huh. Geeks. Money in cyberspace’, or ‘Y’what?’ a young doctor I know bought a few quids’ worth for fun. Sold it later for £800. Now she’s out on a hillside in the driving rain with her hawk. Bitcoin paid for the hawk. As for cyberspace, that’s where all money is anyway. Bitcoins simply take it a step further. It might be the first step on one of the most important journeys in economic history. It’s a strange, compelling tale, and three things lie at its heart.

Jane Ridley

Move over Downton: Margot and the Asquiths’ marital soap opera

You might be forgiven for thinking that there is no need for yet another book about Margot Asquith. Her War Diary was published only a few months ago: surely we have had enough about this woman, extraordinary though she was. Anne de Courcy’s new book shows that this is not the case at all. Instead of using Margot’s voluminous diaries to illustrate the politics of the Asquith government, as most writers have done, she writes the story from Margot’s point of view. The result is a gripping read. When the rising Liberal politician Herbert Henry Asquith married Margot Tennant in 1894 he was a 42-year-old widower and she was 30.

Anthony Thwaite

Language

And when I landed in America, aged ten, I knew the language was the same. And yet At once the alien words confronted me Like tests I must perform before I passed: Gotten and cootie and the way they said ’erb, and the different gas, and turning on The faucet. That first Christmas, presents wrapped In something called excelsior, just bits Of wood-shavings.       I learned fast, but still baulked Later at sniggerings over those secret words Too bad to be explained: jamrag — a pad Of cotton-wool I saw, stained, on the road; And, inexplicably worse, the taunt Thrown at a boy just down the way from me — ‘He’s just a ferry — keep away from him.’ How could a kind of boat be a boy too, And one to be avoided?

Lee Langley

Women in the various hells of Algiers

On the surface Harraga is the story of two ill-matched women colliding dramatically, with life-changing consequences. What emerges, in throwaway fragments, is a picture of Algeria’s chequered past and present; a history of conquest and occupation. It’s a sugar-coated pill with a burning, bitter core. Boualem Sansal is an Algerian writer recently nominated for the Nobel Prize in Literature. His novels have been translated into 18 languages and won international awards. In his own country, his books are banned. Before becoming a writer at the age of 50, he enjoyed an enviable life as general director of Algeria’s ministry of industry and restructuring, until open criticism of the regime cost him his job. He still lives in Algeria, though officially ostracised.

Melanie McDonagh

The best children’s books of 2014

If it’s all right with you, I’d like to launch a campaign please. Right here. You may be wanting me to cut to the chase and just recommend some children’s books, but bear with me. I’m on the case. My campaign is to have pictures in books again. Adult books too, but obviously books for children. There are some wonderful illustrators out there, contemporary ones, for all ages, and the scandalous thing is, they are usually limited to the age range, 0–7. If you want to remind yourself what we’re missing, make for the House of Illustration in London’s King’s Cross; that should do it. Or try Chris Beetles’s annual, brilliant exhibition, The Illustrators, on now at his St James’s gallery.

Charlotte Moore

Sabina Spielrein: from psychiatric patient to psychoanalyst

Sabina Spielrein was a psychiatrist and psychoanalyst with groundbreaking ideas about the role of the reproductive drive in human psychology and the link between Darwinism and psychoanalytic theory. She was a pioneer of play therapy for children, and the first hospitalised psychiatric patient to progress to practising psycho-analysis. She worked with, among others, Freud, Jung and Piaget; she was regarded as Freud’s standard-bearer. Yet she is remembered, if at all, as Jung’s mistress, a hysteric with a taste for spanking; David Cronenburg’s film A Dangerous Method, with Keira Knightley as Spielrein, has provided the only readily available version of her.

Dorian Lynskey

Jerry Lee Lewis: interrogating ‘The Killer’

‘I ain’t never pretended to be anything,’ says the man they call the Killer. ‘I’ve lived my life to the fullest, and I had a good time doin’ it. And I ain’t never wanted to be no teddy bear.’ Jerry Lee Lewis is still recording and performing at the age of 79, but his legend rests on what he did in the couple of years after he turned 21. In 1957, ‘Whole Lot of Shakin’ Going On’ and ‘Great Balls of Fire’ made him a $10,000-a-night sensation who sold more tickets than Elvis or Sinatra. Sam Phillips of Sun Records called him ‘the most talented man I ever worked with, black or white’.

Michael Beloff

How did English football get so ugly?

Bill Shankly, the manager of Liverpool FC in the club’s halcyon days of the1960s and 1970s, once said: ‘Football isn’t just a matter of life and death, it’s far more important than that.’ But as David Goldblatt shows in this penetrating study, it was a sport then in apparently terminal decline.The deaths in the next decade of so many fans at Bradford from fire, and at Hillsborough from suffocation, exposed both its obsolete infrastructure and and anachronistic governance. It had few friends in high places and no ready access to funds. In 1963 the maximum wage of £100 per week had been abolished.

Kieron Winn

First Day of Spring in Bath

Quick-flowing creamy light and all cohering: Faux fanes in gardens, Nash and Wesley’s shades, Gold, gaily weighty houses, rocketing sky, And open hillside turning as I turn, All witnessed through ancestral engineering, Small canny bones and inward fine parades We had no part in, choiceless ear and eye Meting out pleasure I could never earn.

James Walton

The darkest secret about commuting: some of us enjoy it

In the early days of Victorian railways, train journeys were (rightly) considered so dangerous that ticket offices sold life insurance as well as tickets. There were no onboard toilets until the 1890s, meaning that passengers either had to cross their legs or buy a ‘secret travelling lavatory’, consisting of a rubber tube and bag hidden inside the clothes. Some traditions, though, were already well-established. ‘The real disgrace of England,’ wrote Anthony Trollope in 1869, ‘is the railway sandwich.’ These three facts all come from the first chapter of Iain Gately’s exploration of commuting. They also serve as a neat summary both of what’s best and what’s most odd about Rush Hour as a whole.

Thursday

Mary Keen

Is there anything new left in gardening books?

‘Whither the novel’ was a great dinner party topic in the 1960s. It is a question less aired these days, when novels come in strange and varied forms. From Paul Kingsnorth’s The Wake, set in the 11th century andwritten in cod Olde Englisshe, to the versifying of Constantine Phipps (much chosen as ‘book of the year’), there is plenty to please us all. Gardening books, however, have now reached the whithering stage. Samey, samey, samey is what they are, and this year even that most traditional of booksellers, Heywood Hill, has lamented the lack of anything new in the horticultural line. There are the inevitable huge picture books, the horticultural porn. The largest of these is Madison Cox’s The Gardener’s Garden (Phaidon £49.

Catherine Brown

Vita in her ivory tower: a portrait of a lonely, lovelorn aristocrat who yearned to be mistress of her own ancestral home

Visitors to the National Trust’s Sissinghurst — the decayed Elizabethan castle transformed by Vita Sackville-West in the early 1930s — are regaled by picturesque extracts from Vita’s landscape poems, and moving professions of love to and from her husband Harold Nicolson. Matthew Dennison’s title, Behind the Mask, indicates his ambition to get beyond such projections to something more real. But the metaphor is unfortunate. There was no single image that Vita adopted or which others imposed on her — nor a single real self which has been concealed until now. Dennison knows this.

Graham Robb

Is France now the sick man of Europe? It is if it’s taking Eric Zemmour seriously

For the Figaro journalist and TV commentator Eric Zemmour, whose Le Suicide français has been topping the bestseller lists in France, France is ‘the sick man of Europe’. The land of liberty was once admired by the whole world. Then came May ’68, feminism, immigration, consumerism and homosexuality. On the surface, nothing has changed; espressos are still being plonked down on zinc counters, and ‘the legs of Parisian women still turn heads’. But ‘the soul has gone’. Gays and Muslims are taking over, and France is ‘dissolving in the icy waters of individualism and self-hatred’. The blurb calls Le Suicide français an ‘analyse’, but there is nothing analytical about it.

Cory Doctorow

The Anonymous ghost in the machine

Why would you send an anthropologist — as this book’s author, Gabriella Coleman, is — to study Anonymous, the indescribable hacktivist phenomenon whose operations (‘ops’) and giddy, menacing, profane video-manifestos have seized the media and the public consciousness from 2006 to the present day? Because Anonymous is, above all, an anthropological phenomenon. At first glance, you might think that the Anonymous story — the Guy Fawkes-mask-wearing, meme-spewing, terrifying, hilarious non-collective that hacked the church of scientology, the government of Tunisia, the Serious Organised Crime Agency, and the Pentagon (for starters) — is a story about computer security, or youthful alienation, or political activism.

David Ekserdjian

The Duke of Wellington also invades Christmas art books

Art books fall naturally into various categories, of which the most common is probably the monograph. Judith Zilczer’s A Way of Living: The Art of Willem de Kooning (Phaidon, £59.95, Spectator Bookshop, £53.95) examines its hero’s career from his extraordinarily accomplished — and resolutely conventional — teenage productions, by way of his glorious middle years, on to the final works, which were created when he was suffering from Alzheimer’s. Lavishly illustrated not only with works by the artist, but also with photographs of him and his friends, it does full justice to his towering — if not always entirely lovable — achievement.

Mark Mason

Did anyone ever really love Bob Hope?

Why does everything these days have to be a superlative? Why must writers scream for our attention, yelling that the guy in their book blows everyone else out of the water? Bob Hope, claims Richard Zoglin in this biography, was the most important entertainer of the 20th century. In fact, he adds, you could argue that Hope was ‘the only important entertainer’. Can Zoglin really believe this? Is he really telling Chaplin, Sinatra, Elvis, Monroe et al to roll over? Even if you made the ‘only important …’ boast about one of those people it would sound absurd. Making it about Bob Hope sets you up for a 486-page fall. It isn’t that Hope’s story lacks importance.

Sophia Waugh

God, aliens and a novel with a mission

They say never work with children and animals. They could just as well say don’t write about aliens and God. A raft of readers hate sci-fi, and probably more sheer away at the very idea of a novel about a missionary. And yet… And yet The Book of Strange New Things works. It is in many ways extraordinary; its narrative drive, its lack of sentimentality, its occasional (emotional) brutality, its humour (albeit rare) all add up to a novel which is both intelligent, thought-provoking and as readable as a potboiler. Peter, ex-junkie, loving husband, cat-lover, sets off on a journey. The novel opens with his farewell to his wife, and we gather that he will be gone a while and that he might be in danger.