More from Books

Thursday

Richard Davenporthines

An infinite spirit

Can American publishers be dissuaded from foisting absurd, bombastic subtitles on their books as if readers are all Trumpers avid for tawdry, over-simplified stunts? Howard Bloch is a professor at Yale whose previous books have had medieval French literature, the Bayeux tapestry and medieval misogyny as their subject matter. He has taken an entertaining diversion in his career by writing a relaxed and accessible book about Mallarmé’s poem of 1897, ‘Un coup de dés jamais n’abolira le hasard’ (‘One toss of the dice will never abolish chance’) and its place in belle époque Paris. The professor’s erudition and light touch need no Barnum-style booming.

Thursday

Hari Kunzru

The trapper and the trapped

The Hungarian novelist László Krasznahorkai has only lately become known to Anglophone audiences, through the masterly translations of George Szirtes and Ottilie Mulzet. Work written and published in the 1980s, during the corrupt and cynical last days of so-called ‘goulash communism’ under János Kádár, began to circulate in English in the early 2000s. In Sátántangó, War and War and The Melancholy of Resistance, readers were introduced to nightmarish, purgatorial worlds shot through with millennarian anxiety and a hopeless mystical yearning for the divine.

Clinton Heylin

The Band’s Barnacle Man

The recent spate of rock memoirs has proved one of the less rewarding sub- genres in the post-digital Gutenberg galaxy. Obeying few rules of a good read, they usually suggest a variant on Frank Zappa’s biting assessment of rock journalists: ‘People who can’t write, ghosting for people who can’t talk, targeting people who can’t read.’ So it’s refreshing to find that Bruce Springsteen and Robbie Robertson, the two notable rock memoirists this festive season, have both dispensed with the ghostly intermediary, dusted off their PCs, loaded a thesaurus programme and writ large. Doorstop large.

Dominic Green

A hellish paradise

‘Short of writing a thesis in many volumes,’ Patrick Leigh Fermor wrote in his preface to The Traveller’s Tree, ‘only a haphazard, almost a picaresque, approach can suggest the peculiar mood and tempo of the Caribbean and the turbulent past from which they spring.’ Island People, Joshua Jelly-Schapiro’s first book, is an academic picaresque. This unlikely hybrid might be the ideal vehicle for a trip around the ‘American lake’; the Caribbean’s cultures and peoples are also hybrids, legacies of unlikely crossings. The masters, slaves, indentured labourers and merchant middlemen of the Caribbean were the first truly modern societies, drawn and dragged to a hellish paradise solely to serve a global economy.

James Mcnamara

The legacy of Vietnam

At first glance, Robert Olen Butler’s Perfume River seems like an application for a National Book Award. Its protagonist, Robert, a 70-year-old history professor, lives in comfortable ennui with his semiotician wife, Darla: tenure, sabbaticals, staring through separate study windows in their sprawling Florida home. It’s a life of carefully brewed coffee and uninterrupted research. All is well, save for the growing distance in the marriage, man and wife siloed into their respective Kindle-glows at night. But a chance meeting with Bob — a homeless man Robert assumes to be a veteran — reveals the reason for the disconnect: Robert’s unacknowledged guilt about his war in Vietnam.

Mark Bostridge

Embarrassing Victorian bodies

The fetishisation of the Victorians shows no sign of abating. Over the past 16 years, since the centenary of the passing of the Victorian age, we have been treated to a never-ending stream of books about the monarch herself, the houses her subjects lived in, the railways they built and travelled on, their sexual peccadillos, the sensational murders that seized the headlines, and so on ad infinitum. Now we have a study devoted to that ultimate fetishistic object: the human body. According to Kathryn Hughes, biographical writing about the Victorians has been indifferent to their vital signs of life, movement, smell, touch and taste, behaving as if our ancestors were abstractions rather than men and women full of puff and fat who probably stank to high heaven.

Christopher Howse

Piety and wit

During the second world war, while one brother was editing Punch as a national institution (‘Working with him was a little like helping to edit the Journal of Hellenic Studies,’ said a colleague), and another brother, given to asking questions like ‘Which way does a clock go round?’, was breaking codes at Bletchley (as an interlude to piecing together fragments of the Greek low-life mime writer Herodas), Ronald Knox was translating the Bible. He did this at Aldenham Park, where he lived as a weekend guest who stayed for ten years, thanks to the hospitality of Lord Acton (whose grandfather was the historian) and more particularly Daphne, Lady Acton (whose grandfather had discovered argon), with whom he was sort of in love.

Andrew Taylor

A cold case from the Cold War

It is a chastening thought that Boris Johnson’s responsibilities now include MI6. Alan Judd’s latest novel is particularly interesting about the relationship between our intelligence services on the one hand and our politicians (and their special advisers) on the other. Deep Blue is the fourth of his spy novels to have Charles Thoroughgood as its central character. (Charles also appears in Judd’s very first novel, A Breed of Heroes, but as a young army officer in Northern Ireland rather than as a spy.) He is now running MI6, a thankless job, particularly as the service is fighting for funds and (worst of all) cast out of central London to an office in Croydon. He’s growing old, too, an analogue spy in a digital world.

Kate Womersley

Thoughts on the human condition

This past autumn has felt more uncomfortable than usual to be a woman looking at men looking at women. From Hillary Clinton’s ‘overheating’ episode (‘Does she have Parkinson’s? Is she wearing a catheter?!’) to Donald Trump’s assessment of female limbs as if they were building materials, election season finished with the male members of our new first family peering over the voting booth to check on their wives. Siri Hustvedt has long been interested in how the way we look at the world privileges certain political, gendered, artistic and scientific agendas, while excluding others. These dynamics are at play between a reader and a writer, a doctor and a patient, a neuroscientist and the brain she studies.

Wynn Wheldon

An apologia for adultery

What to make of this unexpectedly startling novel? Though you may be lured into a false sense of familiarity by mentions in the blurb of Trollopes J and A, and the comfortable middle-class settings (Sussex, Notting Hill), it turns out to be a diatribe against male selfishness, a meditation on approaching death, and an apologia for adultery. And that’s among other things. Set in the week beginning 6 May 2015 — the day before David Cameron’s unexpected general election triumph — it concerns three marriages well into maturity, each requiring a reappraisal of its sexual politics. Some of this, reading as a middle-aged male nearing 60, as is one of the characters, is close to the bone, if I may so put it.

Peter Tatchell

A matter of life and death | 19 January 2017

This month, 30 years ago, I wrote a draft of what was to become soon afterwards the first comprehensive human rights charter for people with HIV. It was born out of an urgency to stop the global drift by governments to panic and repression. In March 1987, a handful of us founded the UK Aids Vigil Organisation to campaign for the protections set out in the charter, lobby the World Health Ministers Summit in London and host a parallel HIV human rights conference, one of the first such conferences held anywhere. Our modest efforts were a mere footnote to a much bigger and more important story, which is told by David France in How To Survive a Plague.

Helen R Brown

Wild, wild women

Who is the least likely candidate for an animated princess movie? That’s the question former DreamWorks animator Jason Porath asked his colleagues over lunch a few years back. Over the hour they kept one-upping each other with increasingly inappropriate heroines. Nabokov’s Lolita came out on top. Throughout the conversation, Porath kept throwing out the names of obscure warrior women he’d read about on Wikipedia binges. He suggested the female samurai Tomoe Gozeno, Josefina Guerrero, the ‘Leper Spy of the Philippines’, and Mariya Oktyabrskaya, the Soviet widow who sank her life savings into a tank she drove into frontline battle against the Nazis. But none of his colleagues had heard of them and he felt that needed to change.

Harry Mount

Bridges and troubled waters

During David Cameron’s years as prime minister, an unobtrusive figure could be seen slipping out of the back entrance to Downing Street. At the end of each day, Julian Glover, then Cameron’s chief speechwriter, made his way across St James’s Park to the Institution of Civil Engineers, a Palladian palace off Parliament Square. There, burrowing around in the archives, he wrote the biography of the institution’s first president: Thomas Telford, one of Britain’s forgotten great men. In his 77 years, Telford built a huge chunk of the infrastructure of Georgian and early Victorian Britain: 17 canals, 37 docks and harbours and 93 bridges and aqueducts. His friend the poet Robert Southey called him ‘Pontifex Maximus’.

Thursday

Hakim Adi

A shameful whitewash

I have been researching and writing about black British history for over 30 years but never before have I been fortunate enough to review a 600-page book on the subject, published to accompany a recent major BBC documentary. The book and the four-part series give some indication of the extent of a history which David Olusoga presents as ‘forgotten’: the subject, he argues, has been largely excluded from the mainstream narrative of British history. Why it should be forgotten, and who might have forgotten it should give us all pause for reflection, since the denial of black British history by those who should know better could be considered tantamount to racism.

Houman Barekat

Perfect Sunday evening schmaltz

Set in rural England in 1911, Tim Pears’s latest novel tells of a friendship between 12-year-old Leo, a precocious carter, and Lottie, the daughter of the master of the farm on which he and his father work. The Horseman is the first instalment of what will be a trilogy, and it is perhaps for this reason that the pacing of its plot feels somewhat preambular: Leo and Lottie bond sporadically over a shared love of animals, but little else of note happens until the very end. It is the setting rather than the story that is foregrounded in these pages.

John Niven

Sweat-drenching, muscle-aching stuff

‘John, we need your autobiography.’ ‘I thought I’d express my life experience in song.’ ‘That’ll be fine.’ This would be an odd agreement, and one the world would (rightly) be less than thankful for. But though not everyone plays music, we all have a relationship with prose. And recent years have seen a trend in rock memoirs away from the traditional ‘as told to’ (the method responsible for the footballer’s hagiography that often, in Martin Amis’s phrase, ‘runs the full gamut of human emotions from “gutted” to “chuffed”’) and towards autobiography proper: books written by the artists. That can be a problem.

Clare Mulley

Licence to kill | 12 January 2017

As I read the last chapter of this book, news broke that the Russian ambassador to Ankara, Andrey Karlov, had been shot multiple times at close range by an off-duty Turkish police officer. Despite shocking live footage of the incident, it was unclear immediately whether this was political assassination or terrorist attack, or who was ultimately behind it. The assassin was quickly ‘neutralised’. Speaking from the Kremlin, Putin praised the slain ambassador, ordered security at Russian embassies to be stepped up, and said he wanted to know who had ‘directed’ the gunman’s hand. This is the crucial question. Not who the killer was, but for whom he was acting and with what intent.

Nigel Jones

The puppet queen

It is easy to see why the bare century of the Tudor dynasty’s rule has drawn so much attention from contemporary women historians. Without breaking sweat, I can think of at least ten — four of whom garland this book with advance praise — who have written biographies or studies of the Welsh upstarts, leaving aside the acclaimed fictional efforts of Hilary Mantel. For of the six Tudor monarchs who steered England’s destinies through the tumultuous 16th century, three were female. The half-sisters Elizabeth and Mary — who both loom large in Nicola Tallis’s stunning debut — need no introduction, but the third, Lady Jane Grey, the subject of her searching biography, has until now remained in the shadows.

Sarah Ditum

Body language

Others goes straight to the head. Things start like this: with an article on a website called ‘Women and Film’, by someone called Meadow Mori. Meadow reveals that when she was fresh from her LA high school, she had an affair with a mountain-sized filmmaker, who ‘sounds like the voice of America’, and whose career was marked by genius and frustration. It is, of course, Orson Welles; but there’s more here than scrupulous cinematic referentiality. Is Meadow’s relationship with the F is for Fake filmmaker a truth or an untruth? And if it’s an untruth, does that make it a lie? A lie of invention, a lie about yourself, should not be called a lie, she says in the essay. Perhaps it is a kind of wish-story.

Juliet Nicolson

The best Brontë

Fans of the novels and poems written by the sibling inhabitants of Haworth Parsonage always have a Top Brontë. Fame-seeking Charlotte and mysteriously reclusive Emily usually grab the limelight. My father reread Emily’s only novel every five years, annotating his student copy of Wuthering Heights and monitoring his opinions depending on how his own love life was going. He shared his choice with the playwright and journalist Samantha Ellis, until the day she read Anne’s final letter, and was taken aback as its sudden significance ‘catches at my heart’, making her wonder about the less wowed, less known, youngest sister. This wonderful biography begins at a disadvantage. All but five of Anne’s letters are missing.