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Forbidden love and the beautiful game

Nowadays, most of us living in the liberal West agree that there can never be anything morally wrong with love between consenting adults. This is good for society but bad for novelists. The tale of the grand passion that runs foul of societal mores is a staple of literature. What is Madame Bovary if Emma can slam divorce papers on Charles’s desk after her first few sexts with Rodolphe? Writers who want to do the love versus society theme have to get creative. Ross Raisin has hit on the sterling idea of heading for the world of professional football. Not a single one of Britain’s 5,000 full-time players is openly gay — though statistically about 500 of them must be. Tom, the hero of Raisin’s new novel, is one of them.

The mysteries of colour

When Australia imposed generic packaging in its war on cigarettes, there was consumer research into the most deterrent colour. Pantone 448 was chosen, a sort of sludgy green-brown. When it was described as ‘olive’, Oz’s federation of olive growers formally complained. Certainly, colours move us. Interior designers know that yellow makes people angry, while in the US Naval Correctional Center in Seattle, what’s known as Baker-Miller Pink (after the officers who created it) has been found to pacify stroppy recidivists. Additionally, as Diana Vreeland averred, pink is the navy blue of India. Racing drivers think green unlucky, even if it is the British national colour in motorsport. We sometimes see red and that means we are angry, but red is also the colour of love.

Reason and faith

Roy Hattersley would never have been born had it not been that his mother ran away with the parish priest who instructed her in the Catholic faith before her marriage to a collier — the priest conducted the wedding; a fortnight later they eloped. This deplorable episode had one happy consequence: the birth of Roy, who never knew the reason for his father’s ease with Latin until after he died. So Roy is in a way a small part of his latest book, The Catholics, a history of the church and its people in Britain since the Reformation. He is an atheist but says, ‘Religion in general — belief in the unbelievable — fascinates me.

Secrets of the secretaries

The minister’s private secretary wrote to another cabinet minister about the previous day’s cabinet meeting: They cannot agree about what occurred. There must have been some decision, as Bright’s resignation shows. My chief has told me to ask you what the devil was decided, for he be damned if he knows. Will you ask Mr G. [Gladstone] in more conventional and less pungent terms? That was in 1882. Twenty years later, the fog still reigned. Sir Robert Morant, the driving force behind Balfour’s 1902 Education Act, wrote: Impossible to find out after a cabinet meeting what has actually been the decision. Salisbury does not seem to know or care, and the various ministers who do care give me contradictory versions.

Descent into hell

In my work as a reviewer, a small, steady proportion of all the books publishers send me concern the Holocaust. With middle age has come a curious foreshortening of my perspective on modern history so that, paradoxically, the Nazis’ inhumanity has begun to seem less distant in time and, therefore, more horrible still. Fortunately I can reassure myself that, objectively, it happened long ago and that even the atrocities of eastern Europe and Rwanda are now a couple of decades safely in the past. Such consolations vanish when confronted by The Raqqa Diaries, which is shockingly of the present. It is a terrible reminder that we are unwise to impute any kind of teleology to history.

Night of the living dead

On 5 February 1862, the night Abraham Lincoln and his wife gave a lavish reception in the White House, with the civil war swelling outside and their 11-year-old son Willie dying of typhoid fever upstairs, what was the state of the moon? Was it a ‘fat green crescent’? Or was it ‘yellow-red, as if reflecting the light of some earthly fire’? According to George Saunders’s hugely ambitious Lincoln in the Bardo, his first novel after four peerless collections of short stories, neither of the above descriptions might be true, but when read in their tragic context, either can impart symbolic meaning. And meaning, as this novel so cleverly demonstrates, is not the same as truth. Lincoln takes place on a single night, 17 days after the party.

Father, son and holy ghost

No disrespect to any of the present incumbents, but Karl Miller (1931–2014) was a literary editor in an age when such jobs mattered. Between the late 1950s and the early 1970s he not only ran the books pages of two weekly magazines — The Spectator, and the Paul Johnson-era New Statesman — before moving on to edit the Listener, but did so with a conviction that their cultural stance was quite as important as the political material that crowded out the front end. The virus that had propelled him into literary journalism burned away for nearly 60 years, and his last book review appeared in these pages four days before his death.

Carve their names with pride

‘Women,’ Captain Selwyn Jepson, SOE’s senior recruiting officer, once wrote, ‘have a far greater capacity for cool and lonely courage than men.’ This questionable assumption is not actually the reason why the women were recruited. That was down to their ability to move around enemy-occupied territory carrying messages, arms or heavy wireless sets without arousing as much suspicion as able-bodied men. But lonely courage was an essential virtue for the female agents, who had to face long weeks of keeping a low profile, with very little support, in between hours of terrifying activity. Most of them only met each other during training or, in several cases, in detention after capture.

Comfort the suffering

If a single book could help you to be kinder and more compassionate, could expand and deepen your understanding of other people (and possibly yourself) and make you less afraid of dying in the process, you would surely be eager to acquire it at once. Well look no further, for Grief Works is that book. The King Lears among us — whose every third thought is the grave — will need no persuading that a collection of essays about surviving bereavement is an enthralling read. For those of a more timid or sunny disposition, ask yourself this: when someone you love dies, how will you manage? The odds of avoiding grief are not in anyone’s favour. In Britain half a million people die each year and it’s estimated that each death affects at least five people.

Nothing matters very much

Nothing will come of nothing, said Lear, because he wasn’t familiar with quantum physics. According to our current best theories, a region of space that contains nothing at all is still seething with pairs of virtual particles popping in and out of existence for no good reason. Meanwhile, it is possible to be mathematically sure that an entire universe contains nothing whatsoever, but then if you go looking for stuff in a particular part of this same universe you could find a wheelbarrow. But what did I mean by ‘a region of space’? It turns out that all sorts of assumptions are baked into such a phrase depending on what cosmology I have — and similarly with the ideas of ‘stuff’ and its alleged opposite, ‘nothing’.

Worming out the truth

In Delmore Schwartz’s story ‘In Dreams Begin Responsibilities’, a young man dreams he is watching his father and mother’s engagement onscreen from a seat in a cinema. Weeping at the certain knowledge of the pain to come, he’s patted on the back by a woman. ‘There, there,’ she says, ‘all of this is just a movie.’ In a way, this moment distils the challenge of all oneiric narratives — it’s a fiction within a fiction, one in which anything can happen, but without real-world consequences. In this dark, brilliantly controlled debut, the Argentinian Samanta Schweblin uses the fabric of a dream to weave a novel in which everything is at stake and at risk: identity, love and existence.

It’s in the memes

The greatest of Bach’s 224 cantatas is BWV 109, ‘Ich glaube, lieber Herr, hilf meinem Unglauben’. Its subject — the title translates as Mark 9:24, ‘I believe, dear Lord, help my unbelief’ — is that strange cognitive dissonance of believing something yet not believing it at the same time. Daniel Dennett’s new book, From Bacteria to Bach and Back, is aimed at those who suffer from this intermittent unbelief, though not about God — Dennett is, after all, one of modern philosophy’s most prominent atheists — but about his specialist subject: evolution by natural selection. Of course, most educated people nowadays accept Darwin’s great insight.

Short – but far from sweet

Like his Pulitzer Prize-winning first novel, The Sympathisers, the stories in Viet Thanh Nguyen’s The Refugees are set largely among the Vietnamese diaspora on the west coast of America, where Nguyen himself lives, having fled to the US from Vietnam with his family in 1975. They mostly feature characters juggling the lives they’ve made in their adopted culture with their memories of — and loyalties to — the old land. In one story, set in the Reagan era, a penny-pinching woman who runs her family’s New Saigon grocery store is reluctantly moved to donate money to the futile guerrilla war against communism back in Vietnam.

Undone by love

On the Whitsun weekend of 1935 an art student called Denton Welch was knocked off his bicycle by a car and suffered catastrophic injuries, including a fractured spine. Although he made a remarkable partial recovery, he subsequently endured regular bouts of disabling illness, and would die in 1948 aged only 33. Welch continued to paint after the accident, but also began writing the autobiographical fiction for which he is now best known, publishing his first novel, Maiden Voyage, in 1943. By this time he was living in a chauffeur’s flat over a garage in rural Kent.

Dead poet’s society

Alex Salmond, former first minister of Scotland, once claimed that he could always tell Scottish fiction from English. Novels, he said, reveal fundamental differences in the values of the Scots and the English. I wonder then what he would make of Annalena McAfee’s book, Hame — about the most Scottish work of fiction that any English novelist could possibly write. So committed is the former Guardian journalist authentically to explore every aspect of life north of the Border that she learnt to speak Braid Scots — from Lallans to Doric dialects — and crafted poetry in them. Surely that makes her more Scottish than most born-and-bred Caledonians? For what drives Hame is this question of national identity and whether (like gender?) it is simply a construct.

Conning the connoisseurs

Rogues’ Gallery describes itself as a history of art and its dealers, and Philip Hook, who has worked at the top of Sotheby’s for decades, is well versed in his subject. Sadly for the prurient, this is not an exposé of the excesses of the market from one of its high priests; and Hook says that where possible he has avoided writing about the living. It is hard not to feel a bit disappointed. For an alarming moment in the introduction, it seemed as if he was preparing to write an academic treatise about how dealers influence art and taste.

All human life is there

This book kept reminding me of Robin Williams in One Hour Photo. Just as his character spied on customers’ private lives while developing their pictures, so Chris Paling gets to know the readers at the library where he works. Unlike Williams he doesn’t follow them home at the end of the day (in fact some of the female librarians have the opposite problem), but Paling’s anonymous, functional role lets him observe without being observed. He sees the woman with two small children who takes out Is Daddy Coming Back in a Minute?, explaining sudden death to children in words they can understand. The ‘effete, shaven-headed man in a well-cut suit’ who angrily discusses his new shrink on his mobile phone.