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Still giving peace a chance

Tibetans were once fabled warriors. Their empire, at the summit of its power in the eighth century, extended to northern India, western China and central Asia. The Arabs, making inroads into central Asia, were in awe of them. And China, according to an inscription commissioned to memorialise Tibet’s conquest of the Tang Chinese capital of Changan in 763, ‘shivered with fear’ at their mention. But the Tibet annexed by Mao Zedong in the 20th century bore no trace of its imperial past. When the People’s Liberation Army struck in 1950, Tibet, having metamorphosed over a millennium into a reclusive hagiarchy, possessed neither the vocabulary to parley with the communists nor the strength to resist them. Its response to this worldly threat was to retreat into ritual.

Riding the storm

Clover Stroud opens her memoir with the crippling bout of post-natal depression that hit after the birth of her fourth child. ‘I felt like a fist. Dash was always naked, plastered bare to my breast, sucking from me as my body dripped milk and tears.’ She even contemplates harming the baby then killing herself, guilelessly telling the health visitor: ‘But isn’t that normal?’ We spiral back in time to the cataclysmic events that spurred Stroud’s distress. Stroud’s life was idyllic up to the age of 16. Home was a rambling country house in the village of Minety, Wiltshire, filled with adorable siblings and presided over by her father Rick, a TV executive, and her exuberant earth mother Charlotte.

The lure of the desert

The great deserts of the world hold a compelling attraction for a rare breed of men who are ‘unwise and curiously planned’. Once under the spell of that seemingly infinite arena of sand and stone, many are helplessly hooked. It is an arena where the sun burns down relentlessly during the day, to be replaced at night by a hauntingly beautiful backdrop of brilliant stars. Where the moon shines with a light which softens the austere outline of rocks and hills and casts a diffused greyness over the desert sands.

Whited sepulchre

‘How often’, wrote Sigmund Freud in 1914, ‘have I mounted the steep steps from the unlovely Corso Cavour to the lonely piazza where the church stands, and have essayed to support the angry scorn of the heroic glance.’ The gaze that the founder of psychoanalysis struggled to withstand belonged to Michelangelo’s Moses, centrepiece of the tomb of Julius II in the basilica of San Pietro in Vincoli. Michelangelo’s Moses has indeed a look of formidable authority. The prophet possesses, in addition, the physique of a body-builder, a beard that cascades like Niagara Falls and a pair of knees for which the best adjective is also ‘heroic’.

Satirising the artful Hoxha

Blood, they say, is quick on the knife in Albania, where Balkan-style revenge killings, known as giakmarrje (‘blood-takings’), settle ancient scores and land disputes. The great engine of vengeance — the old idea of purification by blood — was explored by the Albanian novelist Ismail Kadare in his first novel, General of the Dead Army. Published in communist Albania in 1963, the novel told of an Italian army officer who returns to the Balkan outpost after the second world war in order to bury his fallen compatriots. It remains a magnificent allegory of life and death under totalitarian dictatorship.

Agonised questions

It’s terribly difficult to write a novel about soul-searching, and Elif Shafak has come up with a rather clever device to do so: Peri grows up in Istanbul listening to her parents fighting about religion. Solemn, naive and tortured, she gets a place at Oxford, where she makes friends with Mona, who wears a headscarf and feels persecuted, and Shirin, who enjoys drinking and sex and says things like ‘We Muslims are going through an identity crisis. Especially the women…Eat your heart out Jean-Paul Sartre! Get a load of this! We have an existential crisis like you’ve never seen!’ They all study under the handsome and wayward Professor Azur, who gives seminars about God. The scene is set for a romantic crisis.

Big skies and frozen wastes

We know our way around Raymond Carver’s blue-collar cityscapes and Updike’s urban angst and despair. Rick Bass opens a window onto a wilder America — the far reaches of Montana, Alabama, Texas, Missouri… But to say his stories are about rural life would be like saying Moby-Dick is about whaling. Lauded by American critics and freighted with prizes, Bass is scarcely known in Britain. Praise to Pushkin Press for introducing us to an astonishing literary voice. Life in Bass’s world is often challenging: his people live close to the land; they fish, shoot birds, hunt elk, moose and deer to stock the larder. But while forests, prairies, rivers and lakes form the settings, the vagaries of the human heart ignore boundaries.

In hot water

It’s good to be back in Spook Street, home of the nation’s secret service. From a handful of locations across London, its dedicated employees struggle ceaselessly against the nation’s enemies, when not otherwise engaged in scratching each other’s backs or scratching each other’s eyes out. Spook Street is Mick Herron’s fourth novel in the series, and like its predecessors its focus is the activities of the ‘slow horses’, the Service’s rejects.

Day of infamy

On 7 December 1941, without declaration of war, 350 Japanese carrier-borne aircraft struck at the US Pacific Fleet at anchor in Pearl Harbor, Hawaii — in President Franklin D. Roosevelt’s ringing words, ‘a date that will live in infamy’. For the 75th anniversary, Craig Nelson, a New York Times journalist, has, says his publisher, produced ‘a definitive account’. I disagree. Indeed, if this book were a motor car (or ‘automobile’, for it is a re-print of the US edition, with American usage and spelling), it would have to be recalled for extensive safety modifications and replacement parts.

Reading between the lines | 26 January 2017

Writing to her sister Cassandra about Pride and Prejudice in January 1813, Jane Austen declared, in a parody of Walter Scott: ‘I do not write for such dull Elves/As have not a great deal of Ingenuity themselves.’ That identification of the good Austen reader as one continually on the qui vive, ready to piece out the novels’ nudges, winks and silences, also underpins Helena Kelly’s ambitiously revisionist new study of Austen — a study that is by turns illuminating, provocative and infuriating. ‘We’re missing something,’ she argues with reference to Northanger Abbey.

A scandalous scramble

Empires in the Sun might conjure up romantic visions for some, but this book’s essence is distilled in its subtitle, ‘The Struggle for the Mastery of Africa’. Lawrence James’s panoramic survey of imperial and then neo-colonial subjugation of the African continent between 1830 and 1990 is a timely reminder, if any were needed, of the devastating consequences of chauvinistic nationalism and expansionism. Violence, inflicted on a continent wracked by the slave trade, internal wars and epidemics, is the dominant theme: empire-building is always brutal. France’s conquest and settlement of Algeria, the first European colony in Africa in modern times, sets the scene.

Dangerous liaisons | 26 January 2017

In a Kashmiri apple orchard, a young fugitive from the Indian army’s cruel oppressions spots a snake that has ‘mistaken its tail for a separate creature’ and started to devour itself. Imran, a.k.a. ‘Moscow’, will later break away from the equally barbaric Islamist insurgents who prey on his rage and grief, flee to Pakistan, and there meet the other protagonists of this fifth novel by Nadeem Aslam. Although The Golden Legend has plenty of passages of exposition and argument, Aslam shines above all as the fabricator of radiant images that tell a story in themselves.

Boy wonder

Back in 1978, a young and already successful Steven Spielberg told a bunch of would-be moviemakers at the American Film Institute not to ‘worry if critics like… Molly Haskell don’t like your movies’. Four decades on, and just in time to mark his 70th birthday, Haskell has written a biography of Spielberg for Yale’s series of Jewish Lives. Since the series is essentially celebratory, and since Haskell is one of the hanging judges of feminist film criticism, this is an interesting commission. But is it a wise one? Whatever you think of Spielberg’s work, its emphasis on motherhood and apple pie hardly makes it feminist fodder. Little wonder Haskell hesitated before agreeing to the project.

Do you know who I am?

Anyone looking for a groundbreaking ethnography of the global political elite —the elusive social grouping that western electorates are currently lining up to slap in the face — is likely to be disappointed by this book. In the course of these ‘Misadventures’ it is often stated that, for example, ‘At the UN, the bullshit meter is off the charts,’ or ‘the State Department is… full of self-importance and hot air… with very little tangible output.

Before the bling

If you read the first volume of John Romer’s A History of Egypt, which traces events along the Nile from prehistory to the pyramid age, you will understand why he thinks Egyptology is not a science. It is hard, perhaps impossible, to be exact about anything when most of your knowledge is based on deduction and when new discoveries can overturn accepted theories. In the 1,000 years covered in this second volume, starting around 2600 BC, would it be easier for Romer to present facts and express certainty — to be scientific? One of the surprises of the pyramid age, as Romer explains very clearly here, is the lack of information concerning what people believed in and even how they lived.

A losing streak

In backgammon, a blot is a single checker, sitting alone and unprotected. This is a sly title for this sly novel (which was published in the US as the more literal A Gambler’s Anatomy). The hero, Alexander Bruno, is a single, exposed man, and a professional backgammon player. He also suffers from an eye condition: there is a floating blank space in his line of vision, which means that he cannot see that which he looks directly at. Lastly, as a term drawn from the specific vocabulary of the game, the title suggests Lethem’s deep interest in the conventions and insider language of obsessions and professions. As the novel opens, Alexander Bruno is on his way to play backgammon with a rich German industrialist in the outskirts of Berlin. On the ferry, he flirts with a German girl.

The empathy trap

Being against empathy sounds like being against flowers or sparrows. Surely empathy is a good thing? Isn’t one of the main problems with the world that there isn’t enough of the stuff going around? Paul Bloom of Yale University is here to argue otherwise. As he explains, while empathy can be a good thing in certain circumstances, in general it is a poor moral guide. ‘It grounds foolish judgments and often motivates indifference and cruelty.’ As always this depends on definitions. And as Bloom says from the outset, ‘The act of feeling what you think others are feeling —whatever one chooses to call this — is different from being compassionate, from being kind, and most of all, from being good.

Lord of the Arctic

According to the author of this beautifully illustrated, hugely engaging book, if we were ever to choose a fellow mammal to serve as symbol for our time, then the polar bear would probably make any shortlist. Standing ten feet tall on their hind legs and weighing as much as a ton, the males are the world’s largest terrestrial predators and the only ones to seek human flesh actively. This extraordinary whale- and walrus-wrestling monster is proof positive that wildness persists on our planet, despite the onslaughts of the Anthropocene. For all its nightmare-haunting power, however, the aspect of the polar bear that really makes it an icon of the age is its vulnerability.