More from Books

His own worst enemy | 27 July 2017

One fail-safe test of a writer’s reputation is to see how many times his or her books get taken out of the London Library. Here, alas, John Lodwick (1916–1959) scores particularly badly. If The Butterfly Net (‘filled with a lot of booksy talk and worldly philosophising,’ Angus Wilson pronounced in 1954) has run to all of five borrowers in the last five years, then The Starless Night (1955) seems not to have left the shelves since 1991. All this suggests that the title of Geoffrey Elliott’s valiant attempt to reconstruct Lodwick’s lost, vagrant and sometimes violent life is painfully accurate.

Down – if not out – in Paris

Virginie Despentes remains best known in this country for her 1993 debut novel, Baise-Moi, about two abused young women who set off on an orgiastically murderous road-trip round France. In 2000, she became notorious when she collaborated on the hardcore film of the book, which ran into certification problems, with Alexander Walker fulminating about the complete collapse of public decency. Despentes has now published some 15 novels altogether, celebrated in France as grunge or ‘trash’ fiction — and a polemical, erratically feminist, memoir, King Kong Theory, describing her own experience of rape and prostitution, and calling for a new aggression in female sexuality.

Towering extravagance

The Shard is an unnecessary building. Nobody apart from its developer asked for it to be built. Nobody was crying out for a big spike of concrete, steel and glass filled with a mix of superluxury hotel, ultraprime apartments and loads of speculative offices right above London Bridge station, with an expensive viewing gallery as a sop to public accessibility. Had it never happened, we would not regard the air it did not fill as a waste of atmosphere. The Shard is merely a gigantic financial speculation, majority-funded by Qatari money. And yet it is a very good piece of architecture. Its veteran Italian architect, Renzo Piano, succeeded in designing a (by London standards) startlingly tall tower that is not like other very tall towers.

A choice of short stories

It can’t be easy to switch between editing others people’s fiction and writing your own: how do you suspend that intuitive critical impulse? Gordon Lish, who is best known as the editor of Raymond Carver’s short stories but has also written plenty of fiction in his own right, is familiar with this dilemma, and in White Plains (Little Island Press, £18.99) he has fun with it. These stories are replete with parenthetical um-ing and ah-ing over synonyms, punctuation and grammatical solecisms — a prolix testament to the agonies of prose composition: ‘Losing tone here, not retaining purchase on stance here, falling to pieces with the coward’s frolic along the phraseological here.

By Patten or design?

My old friend Richard Ingrams was said always to write The Spectator’s television reviews sitting in the next-door room to the TV set. I’m more assiduous: I have actually read this book under review. And Chris Patten’s latest memoir is a very enjoyable read — the account of a life of considerable privilege. Born into a middle-class family in suburban London, Patten won an exhibition to Balliol before — after a brief dalliance with US politics — he became a Conservative apparatchik and, in due course, an MP.

The infamous four

Most books about British traitors feature those who spied for Russia before and during the Cold War, making it easy to forget that we also spawned a few who worked for the Germans in the second world war. This book concerns four of them: John Amery, wastrel son of a Conservative cabinet minister; William Joyce, the Irish-American Nazi propagandist better known as Lord Haw-Haw; Harold Cole, soldier and petty criminal who sent 150 or more Resistance members to their deaths; and Eric Pleasants, a circus strong-man who disavowed national loyalties while donning German uniform. Their motives were mixed but, treachery apart, they had one thing in common: an insistence on their own rightness and thus their entitlement to whatever they wanted at the expense of all others.

Playing Stalin for laughs

Christopher Wilson’s new novel is much easier to enjoy than to categorise. And ‘enjoy’ is definitely the right word, even though The Zoo tackles subject matter that should, by rights, make for a punishingly bleak read. The narrator is 12-year-old Yuri, whose misfortunes start with the fact that he’s growing up in Moscow in 1953 — and that a road accident when he was six damaged his brain, leaving him with a curious set of symptoms that couldn’t be worse suited to life under Stalin: a total lack of guile, a tendency to ask awkward questions and a face so angelically trustworthy that everybody tells him their deepest secrets.

Something in the water

‘It was a shock, and an epiphany,’ says Fiona Sampson, to realise that many of her favourite places were built on and out of limestone: the cosy Cotswold village of Coleshill, the shambolic hamlet of Le Chambon in the Dordogne, the limestone Karst region of western Slovenia, and the honeycombed hills of Jerusalem and the Holy Land. ‘Surely, I thought, this has to be more than mere coincidence.’ From a strictly demographic point of view, it isn’t even much of a coincidence: about one quarter of the world’s population lives in limestone country or depends on it for its water. But the mind of a poet can feed on the slightest chance connection.

The new age of the refugee

After years of estrangement in a foreign land, what can immigrants expect to find on their return home? The remembered warmth and blazing beauty of Jamaica have remained with some British West Indians for over half a century of exile. Yet 100 changes will have occurred since they left. Long brooding over the loss of one’s homeland can exaggerate its charm and sweetness. The first mass immigration to British shores occurred in the late 19th century, when Ashkenazim arrived by the thousand after escaping the pogroms in Tsarist Russia. Many changed their names and even their accents. The trappings of orthodoxy — beards, sidelocks — left them vulnerable to anti-Semitic abuse as they settled in cramped London streets north of Whitechapel Road.

Latest crime fiction

Wolfgang Herrndorf’s Sand (Pushkin Press, £14.99) is set in 1972 and moves back and forth between a North African city and a small unruly town surrounding an oasis. One man is on the run through the desert regions: he has no name, no memory and no clue as to why he’s being pursued by at least three different parties, all intent on doing him harm. Other characters inter-mingle with this tale of woe: ineffectual detectives, a glamorous sales agent, a commune of hippies, and a paranoid spy whose sense of purpose evaporates in the midday heat. The sun bakes the streets, the sand, people’s faces. And their minds. The amnesiac really does suffer, painfully at times, running blindly from one problem to the next.

Beyond the pale

You can tell everything you need to know about what Victoria Lomasko thinks of her homeland by the titles of this book’s two sections: ‘Invisible’ and ‘Angry’. A graphic artist from Serpukhov, just south of Moscow, Lomasko spent eight years documenting people from all walks of life across Russia, producing drawing and commentary about the ‘Russia that is hardly ever seen’. Many of her fellow citizens feel invisible. Almost all of them are angry. The effect of seeing this in cartoon form is disturbing, impressive and fascinating. The subject matter she is dealing with is almost unbearable: juvenile prison wards, sex workers, protesters affected by Russia’s homophobic laws.

China syndrome | 13 July 2017

Every day on his way to work at Harvard, Professor Allison wondered how the reconstruction of the bridge over Boston’s Charles River could take years while in China bigger bridges are replaced in days. His book tells the extraordinary story of China’s transformation since Deng abandoned Mao’s catastrophic Stalinism, and considers whether the story will end in war between China and America. China erects skyscrapers in weeks while Parliament delays Heathrow expansion for over a decade. The EU discusses dumb rules made 60 years ago while China produces a Greece-sized economy every 16 weeks. China’s economy doubles roughly every seven years; it is already the size of America’s and will likely dwarf it in 20 years.

Self’s obsessions

This 600-page, single-paragraph novel shuttles back and forth across time between the perspectives of an elderly and confused psychiatrist, a tank commander in Iraq, an autistic computer genius, the autistic computer genius’s mother and a closeted MI6 spy who thinks his cock is talking to him — which, for this stage in Will Self’s writing career, is pretty much situation normal. Readers of Umbrella (2012) and Shark (2014) will know the score already, as this is the third instalment in a loose trilogy following Self’s recurring psychotherapist Zack Busner as well as several generations of a family called Death (De’Ath for the posh ones).

Voices of exile

During the military dictatorships of the 1970s, exile for many Latin American writers was not so much a state of being as a vocation. Some were given early warning of what might befall them if they stayed. The polemicist Eduardo Galeano remembered receiving an evening telephone call from the Argentine Anticommunist Alliance: ‘We’re going to kill you, you bastards.’ ‘The schedule for calling in threats, sir, is from six to eight,’ I answer. I hang up and congratulate myself... But I want to stand up and I can’t: my legs are limp rags. Other writers were not so lucky. Antonio di Benedetto was rounded up in the first wave of arrests in 1976 and sent to prison, where he was tortured over a period of 18 months.

Always the Superbrat

John McEnroe’s father calls. In fact, he calls McEnroe’s manager’s phone, presumably because dad doesn’t have a direct line to the great man himself. John Sr, who is tennis-mad, has a request: can he come with his son to a veterans’ tournament in Belgium? McEnroe is horrified. Having dad around is a major drag. ‘I was about to say absolutely not,’ he writes — when his old rival Björn Borg, who happens to be dining with him, interjects: ‘Let me speak to him.’ Borg, who had lost his own father three years earlier, tells McEnroe Sr: ‘Don’t worry, JP, if John doesn’t bring you to Knokke-Heist, I will.

Crossing the pond

What led a person in 17th-century England to get on a ship bound for the Americas? James Evans attempts to answer that question by exploring both the push and pull factors involved. His descriptions are vivid, so the reader can imagine the life choices that would lead to one finding oneself heaving up over the side of a small ship somewhere in the mid-Atlantic, or watching the burial at sea of a fellow passenger, and hoping to God one had made the right choice. God, of course, was a big part of the choice for many of them. The Mayflower pilgrims, who landed at Plymouth Rock in 1620, are the quintessential ‘religious liberty’ seekers, so many of whom headed across the Atlantic.

In defiance of Il Duce

The details of Mussolini’s fascism are perhaps not quite as familiar in this country as they might be. Even quite well-meaning people have a tendency to treat him as, in part, a joke. Just how horrible the period was needs to be explained with reference to individual lives. Caroline Moorehead’s book about the Rosselli family, who were central to the principled resistance, has a valuable and sobering subject. They were intellectual and idealistic Jews. The matriarch, Amelia, from an eminent Venetian family, had married a clever and dissolute man. They had three sons together before Amelia had enough of his philandering, and left him with the children. She settled in Florence, and made a place for herself in radical Italian society.

Mother Medea

Medea’s continuing hold over spinners of tall tales from Euripides to Chaucer to Pasolini needs little explanation; she’s an archetype with everything going for her. As a fratricide and murderer of her own children, among assorted other acts of blood lust, her acts of brutality are so transgressive and symbolic that they offer themselves up to psychoanalytic deconstruction; as a woman abandoned and betrayed by Jason, for whom she has arguably risked everything, she presents herself neatly as a sacrifice thrown to the god of male ambition, arrogance and insecurity.