More from Books

Tuesday

Stuart Jeffries

Where will the extremes of OOO philosophy lead?

The world divides between creeps and jerks. History can be seen as a long, unedifying creep, or what one of Alan Bennett’s characters called ‘one fucking thing after another’. Alternatively, it might be seen as consisting of jerks – that’s to say, big events that revolutionise the world (the invention of the printing press, the advent of steam, the French Revolution, Hiroshima, Tim Berners-Lee’s creation of the world wide web). The latter position is essentially that of the philosopher Alain Badiou. The French Maoist maintains that the significance of events that stand out from the usual blah of history can only be grasped retroactively – vindicating Zhou Enlai’s reply when asked in 1972 about the significance of the French Revolution: ‘Too early to say.

Francesca Peacock

A commentary on the grim present: Glyph, by Ali Smith, reviewed

Glyph (whose sibling, Gliff, was published last year) is Ali Smith’s 14th novel and her fifth since 2016, when her ‘Seasonal Quartet’ saw the beginning of her project to use fiction to comment on contemporary events. It takes as its subject two sisters. Petra and Patricia (‘Patch’) negotiate their difficult childhood by retreating into a story world. Not that their escape is all unicorns and rainbows. The two stories they most often return to involve a horse blinded in the Great War and a man’s corpse flattened towards the end of the second world war. They call this flattened man ‘Glyph’: it’s ‘the sound he makes when he breathes out’. We soon skate from this grim past to the grim present.

Dylan Neri

How mastering friction transformed humanity

The fundamental purpose of science is to view the world from a different perspective. In the age of modern science, however, in which each academic discipline represents a world in itself, this is hard to remember. The field of ‘tribology’ would appear to be a perfect example. But such opacity is merely a front for the study of friction. And, according to Jennifer R. Vail, friction is ‘the unsung hero of the material world’. Why? Because ‘the way we experience the world, whether through greater efficiency, flight or space exploration, has been shaped by our understanding of friction’. Indeed, ‘our relationship with friction dates back to one of humanity’s greatest discoveries: fire’. How’s that?

Tuesday

Miriam Balanescu

A satirical masterpiece: Blinding, by Mircea Cartarescu, reviewed

Before the 1989 revolution, Romania had seen nearly a century of polarisation – a fascist regime swiftly replaced by a communist one. In Blinding, Mircea Cartarescu’s first instalment of an ambitious, surrealist trilogy, that duality, along with other antagonisms central to existence, is represented by the motif of a butterfly. The novel was originally published in Romanian in 1996, and the title refers to the epiphany which, it’s suggested, can be achieved if life’s opposites are reconciled. We first meet the narrator, twentysomething Mircea, languishing in a squalid studio flat in Bucharest, his rapidly industrialising home city. He is writing his own ‘endless book’, his aim being absolute self-knowledge.

Mark Cocker

Will we ever stop predicting the end of civilisation?

In the sphere of British environmentalism, Paul Kingsnorth is admired as a maverick in thought and deed. Starting out as a journalist with the Ecologist magazine, he co-founded the Dark Mountain Project, an online portal devoted to stories about the more-than-human world in a time of ecological collapse. On resigning from both, he retreated as a self-proclaimed ‘recovering environmentalist’ to an Irish smallholding, where he has embraced the Romanian Orthodox church. Against the Machine, his tenth book, is billed as a summary of his intensifying disillusionment with events in the past 30 years. It is a serious work leavened with sardonic humour and is by turns rich in unsettling ideas and deeply pessimistic.

Mark Piesing

Who will rule the Arctic?

In 2007, two Russian submersibles descended from the ice at the North Pole to plant a small Russian flag on the sea floor more than two miles down. While the aquanauts were greeted as heroes in Russia, the reaction of other Arctic nations was somewhat less positive. ‘This isn’t the 15th century,’ complained the Canadian foreign minister. ‘You can’t go around the world and just plant flags.’ In response to the protests, President Putin – then Time magazine’s ‘Person of the Year’ – reassured the world: ‘Don’t worry. Everything will be all right.

Lee Langley

Time for a reckoning: Vigil, by George Saunders, reviewed

George Saunders is at his most lively in the company of the dead. At ease with ghosts. In the 2022 Booker-winning Lincoln in the Bardo, Abraham Lincoln mourns his young son in a graveyard surrounded by a clamorous crowd of the newly deceased trying to be helpful. Grief, handled with sweet humour. But Saunders has not always been so gentle. His acclaimed first collection of stories, CivilWarLand in Bad Decline (1997), featured a landscape of grotesque theme parks populated by corpses, enslaved humans and ghosts. Even then, compassion edged in, rubbing shoulders with absurdist humour.  Saunders is a cradle Catholic, and the liturgy frequently surfaces in his stories; but his Catholicism has a humanist face, a vein of kindness running through his work. He is now a student of Buddhism.

Alex Diggins

A flying visit: Palaver, by Bryan Washington, reviewed

I’ve never been to Tokyo, but sometimes I wonder: why bother with the plane ticket? The imagined Tokyo is more real than the actual city. For westerners, it is a place whose USP is its unreality: its irreducible strangeness, its intense Japaneseness. It’s a city where lonely souls go to bump against other lonely souls and everything is lost in translation. To spoil this fantasy with too much daylight would be to miss the point. On the surface, Bryan Washington’s Palaver isn’t in a hurry to push against these clichés. It follows an estranged mother and son who meet again in Japan many years after he has left the humidity and homophobia of Texas.

Dorian Lynskey

What triggered punk rock’s swastika fetish?

When she was an 11-year-old schoolgirl, the writer Gitta Sereny passed through Nuremburg while a Nazi rally was in full swing. She recalled being awed by ‘the joyful faces all around, the rhythm of the sounds, the solemnity of the silences, the colours of the flags, the magic of the lights’. She understood nothing of the political message. Nor, of course, could she have known where it would all lead. It was pure showbusiness. Reading her words in Daniel Rachel’s survey of certain musicians’ thorny fascination with the iconography of the Third Reich, two thoughts occur. One: it is no wonder that as early as the 1950s, rock’n’roll shows reminded some observers of Nuremburg.

Boyd Tonkin

An intellectual farce: Rapture of the Deep, by Robert Irwin, reviewed

If Robert Irwin had not existed, then Dan Brown, or better still Umberto Eco, would surely have had to invent him. In his Memoirs of a Dervish, the roller-blading, pinball-playing polymath reported: ‘It was in my first year in Oxford that I decided that I wanted to become a Muslim saint.’ Irwin, who died in 2024, first pursued that esoteric life goal in a Sufi monastery in Algeria. He returned to become not just a vastly erudite scholar of Arab Muslim culture but a madcap maverick of a novelist as well. As a writer, he loved paradox, surprise and reversal.

Sarah Ditum

How ‘bad’ does a mother have to be to lose custody of her children?

I’m lucky. I’ve only visited a family court once, and that was as a journalist rather than a party to a case. One detail stuck with me. On the wall in the waiting area was a poster preparing attendees for the layout of the courtroom: the judge goes here, the barristers go here, and you go here and wait for your fate – for your children’s fate – to be decided. It was a reminder that, however much family courts have become friendlier in recent years (notably, family court judges stopped wearing wigs in 2008), these are still places that confound and alienate those hoping for justice. That is, whatever ‘justice’ means when the issue at stake is the division of a child between warring parents.

Tuesday

Stuart Kelly

The serious business of games: Seven, by Joanna Kavenna, reviewed

Joanna Kavenna is very serious about games. Her novels have a certain playful quality, even her debut Inglorious, where the humour and allusions are Mittel-european. More markedly ludic are her Lewis Carroll-esque fantasy about quantum physics, A Field Guide to Getting Lost and the Philip K. Dickish tech-dystopia of Zed. In Seven, however, it’s not just the style but the subject. As if to make clear that games are neither childish nor mere distractions, there is a pointed reference to Johan Huizinga’s study Homo Ludens¸ published on the eve of the second world war. The narrator here is working for a formidable philosopher in Oslo, whose current project is entitled ‘Thinking outside the Box about Thinking outside the Box’. (‘I’m serious,’ the narrator archly notes.

Lynn Barber

A young Englishwoman is caught up in the Russian Revolution

This vivid account of a young English-woman caught up in the Russian Revolution was first published in 1919 as Under Cossack and Bolshevik, but it’s possibly even more gripping today. Rhoda Power, a political science graduate, was 26 when she was hired as a tutor to a 16-year-old Russian girl, Natasha Sabaroff, living in Rostov-on-Don. Going to Russia had for years been one of her dreams, so off she sailed from Newcastle to Bergen through U-boat-infested seas; and, indeed, future sailings were cancelled after four ships were torpedoed. But she arrived safely in Bergen, where the Cook’s man put her on a train to Petrograd (St Petersburg), which she spent four happy days exploring before taking the three-day train journey on to Rostov.

Keith Miller

Bookshop blues: Service, by John Tottenham, reviewed

A friendly admonition for the thwarted or struggling writer in your life: that tempting little job at the local bookshop might not be the best way to keep the show on the road until the Muse comes through. Would-be actors who take a front-of-house gig at the National Theatre aren’t constantly buttonholed by strangers raving about how brilliant Andrew Scott’s Hamlet was. Plus, of course, their more successful contemporaries will generally be elsewhere of an evening, doing shows of their own.

Helen Brown

The madness of Prince Rogers Nelson

In June 1993, the Artist Who’d Just Decided He Didn’t Want to be Called Prince Any More handed his passport to his long-suffering tour manager Skip Johnson and told him to get the name on it changed to the squiggly symbol with which he’d decided to rebrand himself. It is ironic that he felt ‘oppressed’ by a name bestowed on him by others while insisting on renaming most of his colleagues and lovers. The passport incident is one of the more comical demands listed in the exhausting catalogue of employee grievances that make up John McKie’s sprawling biography of Minnesota’s own Prince Rogers Nelson, the virtuosic visionary who died, aged 57, of an accidental Fentanyl overdose in 2016.

Malcolm Forbes

From riches to rags: The Effingers, by Gabriele Tergit, reviewed

Sometimes the term ‘lost masterpiece’ proves to be little more than a publisher’s puff. At other times, however, a long-buried book that is dug up, dusted down and branded a classic is worthy of the accolade. That applies to Gabriele Tergit’s The Effingers. Originally published – and then promptly overlooked – in the author’s native Germany in 1951 and recently rediscovered and reappraised there, the novel, a vivid chronicle of German Jewish life over the course of 70 years, now appears in English for the first time. Opening in 1878, Tergit charts the progress of siblings Paul and Karl Effinger as they leave their provincial hometown in the south of Germany to make their fortunes in Berlin.

Frank Lawton

What is it about Bob Dylan that sends writers mad?

Ron Rosenbaum is a man of galactic learning. Theology, neuroscience, American history, psychology, Shakespeare, cosmology, ‘all of Dickens’, nuclear weapons, quantum theory, iron ore – nothing escapes his hungry eye. Except, perhaps, Bob Dylan. Which is unfortunate, given that he’s written a book about him. What is it about Dylan that sends writers mad? Christopher Ricks’s usual mellifluousness succumbs to a pun-overdose; Clinton Heylin’s blindingly completist biographies are as impenetrable as their subject; Sean Wilentz lurches from the unlikely to the banal. With Things Have Changed, Ron Rosenbaum, the de facto ‘Dylan correspondent’ for the Village Voice in the early 1970s, proves that even ‘being there’ confers no immunity.

Rose George

Does running 42 Lakeland fells in less than 24 hours really bring ‘serenity’?

‘We continue to grapple as a species,’ writes Carl Morris, ‘with a knotty philosophical divide between anthropocentric and biocentric approaches to the natural world. Our bodies are both transcendent – seemingly beyond nature and capable of rationalised enhancement – but also immanent – that is within nature and therefore subject to the same frailties and limitations.’ What is he addressing? Space travel? Diving to the bottom of the Mariana Trench without oxygen? Not quite. He is talking about the process of human locomotion. He is talking about running. Stay with me. Books about running can be as dull as a ten-mile road race in the Illinois flatlands, and I say that as a keen fell runner. This book isn’t.

Dennis Duncan

The scourge of plagiarism reaches crisis point

‘Talent borrows, genius steals.’ Do you like it? I just came up with it. No, honestly. Any resemblance to the work of anyone else is purely coincidental. The idea that taking someone else’s words and passing them off as one’s own constitutes a form of theft goes back to antiquity. Aeschines, one of Socrates’s disciples, was said to have read out dialogues appropriated from his master, to which one philosophically informed heckler blurted out: ‘Oh! you thief; where did you get that?’ But, as I learned from Roger Kreuz’s Strikingly Similar, it was the Roman poet Martial who gave us our modern word for this crime. Plagiarius means kidnapper.

Juliet Nicolson

The anxious gaiety of Britain’s interwar years

However many times one absorbs the brevity of the interlude between the first catastrophic worldwide conflict of the 20th century and the next, it was the not-knowingness of that timetable that allowed society to cope. In the 20 years between world wars that shattered several generations, Britain’s full emotional recovery was never really accomplished. But with his eye for the political and the cultural, for the game-changing and the deliciously absurd, for comedy and for tragedy, Alwyn Turner demonstrates the irrepressible optimism of humanity, whatever the circumstances: ‘Highbrows and lowbrows [lived] cheek by jowl, rubbing along with politicians, priests and pressmen.