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Is it possible to retain one’s dignity in the face of annihilation?

Before the second world war, the Croydon-born cricketer C.B. Fry was offered the throne of Albania. It’s not certain why. Possibly because his splendid party piece involved leaping from a stationary position backwards on to a mantelpiece. Or because, historically, the Balkan nation has been so inexplicably Anglophile as to appreciate the pratfalling funnyman Norman Wisdom. Sadly Fry declined the role and it was later taken by the fabulously named if catastrophic ruler King Zog (real name Ahmed Muhtar Zogolli). Had Fry accepted, history, that capricious monster mixed of chance and fate, would have been very different. In reality, Zog was toppled in 1939 by Mussolini’s invading fascists, who turned Albania into an Italian protectorate before it fell under the Nazi yoke.

Nostalgia for snooker’s glory days

Forty or so years ago, when I was at university, my friends Richard, Terence, Harry and I would often go to the Oxford Union to play snooker. There were two immaculate snooker tables in a large room at the top of the building and almost no one ever went there except for us. Unfortunately, our enthusiasm was not matched by concomitant talent. On one occasion it took us 34 minutes to pot a single ball. At a certain point in that endless non-break, Terence had an easy pot to a distant hole. Saying ‘I was going to pot the ball, but instead I’m going to do this’, he hit the ball with such misapplied force that it leapt in the air, off the table altogether and very nearly out of the door. Our frames would take hours.

Honeymoon from hell: Venetian Vespers, by John Banville, reviewed

‘I am by trade a man of letters,’ Evelyn Dolman tells us as the curtain rises on Venetian Vespers. ‘I had a middling reputation in the period coming to be known, in our increasingly Frenchified age, as the fin de siècle, that is, the 1890s.’ If his writing mostly appears in the review sections, his marriage to Laura Rensselaer, the daughter of an American oil baron, is front-page stuff. But Laura has proved to be a distant, phantasmal partner. Even during the Dolmans’ sole night of physical intimacy, ‘it was as if, clasping me to her breast, she were at the same time looking aside and past my shoulder’. It moreover transpires that T. Willard Rensselaer, dead in mysterious circumstances, has cut his daughter out of his will.

Hiding from the Nazis in wartime Italy

When memories come back to you, wrote W.G. Sebald in Austerlitz, his digressive novel about history and how it is remembered, their dreamlike quality sometimes makes you ‘feel as if you were looking at the past through a glass mountain’. Malcolm Gaskill’s exploration of the wartime adventures of his great-uncle Ralph, captured in Italian-occupied Libya in 1942, came from just such a memory, a ‘haunting’ dream experienced by his mother about her long-dead uncle. Finding a diary kept by Ralph while a prisoner, and fascinated by the ‘imperfections of memory’, Gaskill set off on a seven- year forage into the past that took him from archive to archive, retracing Ralph’s several attempts to escape.

Dark secrets of the British housewife

Women and their guilty secrets; women and their innocent secrets; women and men’s secrets; women and state secrets; DNA tests busting women’s secrets – in her enticingly titled The Book of Revelations: Women and their Secrets, Juliet Nicolson comes at her subject from all possible angles. There is also a strongly feminist emphasis on wronged women across generations (Nicolson’s family included) who have somehow been coerced into keeping dark secrets by abusive men – or sometimes by abusive women. One such abusive woman was Phyllis Eliot, the headmistress of West Heath School, near Sevenoaks in Kent, during the late 1950s and early 1960s. Known as ‘P’, she used to kiss every girl goodnight in bed.

Why would your dead daughter climb out of her grave to harm you?

Yarnton, Oxfordshire. A teenage girl is dumped face down in a pit, her legs bent and tethered. Around her lie the crania, jawbones and ribs of several children. Taken alone, this scene of 9th-century carnage puzzles as much as it horrifies. When placed in the wider context of a seemingly universal need to ensure that the dead stay in their graves, it’s highly suggestive. The subtitle of the medieval historian John Blair’s Killing the Dead is a tease, since vampire fiction is almost an afterthought. Folklore and imaginative literature are carefully separated from archaeological evidence.

A portrait of alienation: The Loneliness of Sonia and Sunny, by Kiran Desai, reviewed

Twenty years on from winning the Booker Prize with The Inheritance of Loss, Kiran Desai returns with a vast masterpiece of a love story which has been longlisted for this year’s prize. Our two protagonists, Sonia and Sunny, come from wealthy neighbouring families in Allahabad, but both are in America when the novel begins. Sonia is in Vermont, working for the college library while finishing her studies, and Sunny is in New York, as a reporter for the Associated Press. When Sonia flees a coercive relationship after suffering depression and Sunny agrees to help a childhood friend choose a bride, they both return to India, where they encounter one another on a train from Delhi to Allahabad.

The mystery of Rapa Nui’s moai may be solved

Boris Johnson claims that in his first year at Oxford he attended just one lecture. Delivered in the crepuscular gloom of the Pitt Rivers Museum, it was about Rapa Nui, the tiny Pacific island 2,200 miles from mainland Chile. As a boy, Johnson had read the Norwegian adventurer Thor Heyerdahl’s Aku-Aku: The Secret of Easter Island and had become obsessed. No wonder. For although Rapa Nui – or Easter Island – is only half the size of the Isle of Wight, it has a haunting history teeming with questions. Who first discovered this speck in the Pacific? How did they get there? How did they manage to settle in this place battered by subtropical seas, rat-infested, with no permanent freshwater streams and whose only abundant resource was stone? Were they cannibals?

Is China riding for a fall?

The West gets China wrong. Spectator readers know the country as a vampire state feasting on foreign intellectual property and spewing out phony economic data in its thirst for wealth and power. It certainly is these things – but it also isn’t. It is more complex, and telling only half the story is ultimately self-defeating. While there is plenty to appal us about modern China, there is also much that we can learn from it. In Breakneck, Dan Wang reveals both sides of the ledger. ‘Too many outsiders see only the enrichment or the repression,’ he complains. His ‘big idea’ is that China is an engineering state, building at breakneck speed, whereas the United States is a ‘lawyerly society’ that has forgotten how to get stuff done.

My husband first and last – by Lalla Romano

In 1984 Innocenzo Monti died after a short illness. He and the writer Lalla Romano had been married since 1932 and had met in the late 1920s in her native Piedmont. Romano – a poet, painter and the author of 19 novels – wrote the story of their life together in her 1987 book Nei mari estremi, rendered as In Farthest Seas by the translator Brian Robert Moore. The structure of the book – an auto-fictional memoir – is bifurcated. The opening, shorter, part deals with the first four years of the relationship, from the moment of their first encounter (he was ‘wearing hiking boots, we were in the mountains’), to their early sexual explorations. ‘Discomfort, effort, labour’ is luckily replaced by ‘bliss’ that was ‘beautiful, even a little exalting’.

The short, restless life of Robert Louis Stevenson

The discriminating Argentinian novelist Jorge Luis Borges once revealed his fondness for ‘hourglasses, maps, 18th-century typography, etymologies, the taste of coffee, and the prose of Stevenson’ – a list that was quirky and eclectic, adjectives that neatly encapsulate Robert Louis Stevenson himself. The story has often been told – but it’s a good one – of how the wiry, velvet-jacketed Stevenson emerged from Edinburgh’s haute bourgeoisie to become a hugely successful writer, before ending his shortish, sickly life on the Pacific island of Samoa in 1894, a revered expatriate married to a wilful American woman a decade his senior.

The concept of ‘the West’ seems to mean anything you like

A hundred years ago, T.S. Eliot wrote to Geoffrey Faber, for whose publishing company he had just started work, complaining: ‘The Defence of the West… is a subject about which everyone thinks he has something to say.’ Plus ça change? Back then, people were coming to terms with a war that had shown the West to be neither as unified nor as civilised as had been assumed. A century on, American isolationism, demographic decline, mass immigration, Islamism and a slow but decisive shift in global economic gravity are giving commentators the opportunity to bloviate endlessly about the decline/suicide/end/decay/of the West. But what exactly it is that we are defending or lamenting is far from clear. Georgios Varouxakis’s The West attempts to answer that question.

Horoscopes and horror – the reign of Septimius Severus

Rome’s first African emperor, Septimius Severus, was renowned during his reign (193-211 AD) for the mass killings of his rivals (ruthlessness even by ancient standards); for his genocide against the Scots (a rare recourse, despite Rome’s bad reputation as imperialists); and his budget-stretching generosity to his soldiers. He had an unusually glamorous Syrian wife, Julia Domna, who indulged her pet philosophers and her husband’s superstitions while setting a hairstyle trend. He had women Christians thrown to wild animals. His two sons, Caracalla and Geta, notoriously hated each other.

Art and radicalism in 1930s Britain

What is art for? How can it, should it, relate to the political framework of its time? How far can it shade into ‘propaganda of the imagination’? These are some of the questions threading through Andy Friend’s compelling account of the first decade of the Artists International Association, or AIA, a vital but under-explored British movement welding art and politics against the growing threat of international fascism.  The story opens in 1933 in the candlelit rooms of Misha Black above Seven Dials, Covent Garden, where a dozen impecunious jobbing artists met to discuss a sensational report from the Soviet Union.

On the trail of a missing masterpiece: What We Can Know, by Ian McEwan, reviewed

Ian McEwan delivers pleasure on the page with the ticktock reliability of an expensive Swiss watch. Even the lesser novels are immaculately written and cleverly plotted, full of provocative ideas, captivating characters and compelling incidents. In the better novels, he achieves a kind of elevated self-awareness, a supercharged intelligence that gives the fiction what feels like literary autonomy. My favourites, Black Dogs (1992) and Atonement (2001), seem to take on a life of their own. I imagine McEwan serenely blessing their emancipation. What We Can Know is not lesser, and the pleasures – bookish pleasures, especially –are in abundant supply. As the title implies, McEwan is testing the limits of human knowledge.

Ignorance, madness or folly – what exactly constitutes stupidity?

Best remembered now in the English-speaking world as a lyricist, Friedrich Schiller is often quoted for his line: ‘Against stupidity the gods themselves struggle in vain.’ I was waiting for that observation in A Short History of Stupidity. It didn’t appear, but Stuart Jeffries assembles an impressive team of thinkers who have come to the same conclusion. You can’t win: imbecility will always ace you. The great crime for Socrates was ignorance – something often mistaken for stupidity There is of course the question of what exactly constitutes stupidity. It’s a hard thing to pin down and the definition strays into many areas. Jeffries offers a learned, picturesque ramble through world civilisation in an attempt to come up with some answers.

Sebastian Faulks looks back on youth and lost idealism

I must say, calling a book Fires Which Burned Brightly promises much. At best, from the jaded reviewer’s point of view, an autobiography of delusional self-aggrandisement; at worst, a wild mismatch between the, well, incendiary language of the title and the potentially humdrum contents. It might have been dreamed up by a master satirist intending to inflict maximum damage to the reputation of that noted gentleman of letters, Sebastian Faulks. I once invented a novelist named Julian Sensitive, whose only claim to fame was an autobiographical novel called, after T.S. Eliot’s Prufrock, ‘My Trousers Rolled’. That was a crude joke compared with the hilarity inspired byFaulks’s title.