More from Books

An agonising vigil

Memoirs about giving birth, a subject once shrouded in mystery, have become so popular that another may seem otiose. We are all produced in variations of anxiety, pain and delight: what is the point of labouring labour? Two years ago, the novelist Francesca Segal gave birth to twins ten weeks prematurely. Her account of their struggle to survive in the neo-natal units of two London hospitals could be mawkish, banal and of no interest to anyone save those who have experienced a similar ordeal. That it is, in fact, as gripping as a thriller and as moving as a love story is testament to her exquisite writing and deep humanity.

Three’s a crowd | 6 June 2019

‘I am very, very pleased,’ murmured Queen Victoria in 1895, when she dubbed Henry Irving, Britain’s first theatrical knight. He and Ellen Terry, who so often played opposite him, were international celebrities. Bram Stoker was their intimate friend and associate. He managed Irving’s Lyceum Theatre for 27 years and spent much of his career in their shadow. More than 100 years after his death, however, Stoker’s name is almost certainly more widely known than theirs, solely because of his most famous creation, Dracula (who is believed to have been partly modelled on his employer). In Shadowplay, Joseph O’Connor focuses on the three-cornered relationship between Stoker and the two actors.

The loveliest girl in Vienna

It must be rare for a popular song to have such a lasting influence on a posthumous reputation. However, this is the case with Tom Lehrer’s deliciously satirical tribute, ‘Alma’. Reading Alma Mahler’s obituary in 1964 — the ‘juiciest, spiciest, raciest’ he’d ever come across — Lehrer was amazed by her matrimonial CV and proceeded to immortalise it in a catchy lyric. Not only had Alma been married three times, to the composer Gustav Mahler, to Walter Gropius, the founder of Bauhaus, and, finally, to Franz Werfel, author of the runaway bestseller The Song of Bernadette, she’d also managed to bag as lovers some of the top creative men in the Europe of her time.

Life at the Globe | 6 June 2019

IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON   This column concludes my brief series about Shakespeare and the Globe, linked to the summer season of history plays — from Richard II to Henry V — sponsored by Merian. It’s been a pleasure to write. And one of the special pleasures it has offered is the chance to explore what Oxford’s Professor of Shakespeare Studies, Emma Smith, identifies in her book This Is Shakespeare as the Stratford man’s outstanding quality: what she calls his ‘gappiness’. That is what academics more usually call indeterminacy. (I can see why she prefers ‘gappiness’.

A combustible combo

Once upon a time there was the arche-typal Manchester band — half of which came from Macclesfield, in leafy Cheshire, and a quarter of which grew up in Salford, a city in its own right, full of fans of a famous football club equally confused about its true home. This combustible combo was Joy Division — or it was after they dropped Warsaw, because of its Nazi connotations, adopting instead a moniker given to the brothels in Nazi concentration camps. Not a mass of contradictions, then. Bathed in such muddy waters, Joy Division remains a band in need of serious re-evaluation 40 years after the release of their debut LP, Unknown Pleasures.

Shaggy dog stories

What is it that distinguishes humans from other animals? The default answer nowadays is tediously misanthropic, but a more interesting distinction is that humans keep pets. Why this should be is the subject of this book. Jacky Colliss Harvey investigates the men and women who have owned, doted on, and in some cases mistreated their pets, in literature, painting, the movies and history. This begins 26,000 years ago, when a boy and his dog went exploring in bear caves in the south of France. The evidence was discovered in petrified tracks at Chauvet in the Ardèche in 1994.

Changed utterly | 30 May 2019

All cities are shapeshifters, but London is special. London is a palimpsest of places gone but not lost. Even as it is taken apart and rebuilt reaching to the skies, London remains rooted in the lay of the land, shore ditches, hills and fields still giving their names to the neighbourhoods upon them, and all bisected by the great snaky tidal river. Born in Burnt Oak, Robert Elms grew up on one of those hills — Notting — and he would be sad but not remotely surprised that a Google search today cites first the film and then offers the question: ‘Is Notting Hill a real place?’ It was, he would say. Or, once upon a time, it was. Today, ‘it is international, aspirational, like a living Patek Philippe advert’.

The dawn of Romanticism

Several years ago, I was interviewing the garden writer and designer Sarah Raven at her home in Sussex when a tall, tanned figure bounded up from the woods towards us. It was Adam Nicolson, her husband, and he carried an axe over his shoulder. A few months later, an email arrived from Nicolson, inviting me to come with him and a gang of his friends on a ‘moon walk’ in the Quantocks. I couldn’t make it, but realise now that the night walk was part of the research for his extraordinary and engrossing record of the time William and Dorothy Wordsworth spent in Somerset with Samuel Taylor Coleridge. This ‘year of marvels’ (from June 1797 to September 1798) would end with the publication of the first great work of Romanticism, the Lyrical Ballads.

From alpha to omega

Mary Norris’s book about her love affair with Greece and the Greek language starts with a terrific chapter about alphabets. That may sound like an oxymoron, but I was fascinated to learn why the Y and the Z come at the end of our alphabet. When the Romans were adapting the Greek alphabet, they ditched these letters because they didn’t need them. Later, when they started using Greek words, they wanted them back, so they tacked them on at the end. Equally, it’s nice to know how it comes about that, in England, we pronounce the letter Z as Zed — unlike in America, where Zed’s dead (and they say Zee, baby). It’s a throwback to a time we would have called it Zeta, after the Greek letter. Obvious, once you know.

The thoughts of Chairman Gonzalo

Few Peruvians today are interested in ‘the Shining Path years’, which left no traces besides 70,000 mutilated bodies and a wrecked country. Modern Lima, by and large, is a thriving city of five-star restaurants, shopping malls and newish Toyotas. Yet between 1980 and 1992 it was a vile and violent place, under siege from a revolutionary movement that modelled itself on Mao, Pol Pot and Enver Hoxha, and which venerated its leader as these men’s planetary heir. If anything, Sendero Luminoso was a precursor of Isis, with its child-suicide bombs, its rigid code of secrecy and its cultish devotion to a short, bearded, chubby figurehead who believed that ‘violence is a universal law’.

Tell us what we want

We live in a logic-obsessed world, from computer modelling of the economy to businesses run by spreadsheets. But we also know, from decades of behavioural economics and evolutionary psychology research, humans are not robots. The social world is not a machine but a complex system. In Alchemy: The Surprising Power of Ideas that Don’t Make Sense, Rory Sutherland, vice chairman of Ogilvy and columnist for The Spectator, explains how to crack the magic underlying our humanity. Humans evolved to justify their instinctive decisions to others, not to prove what is right and wrong. Those who could defend their actions were more likely to survive. We use reason sparingly, selectively and self-servingly. We search for evidence to support our existing world view.

Ranting and raving

Q: What’s worse than listening to someone ranting hysterically about Donald Trump? A: Listening to Bret Easton Ellis ranting hysterically about people ranting about Trump. I gave him a fair hearing, I really did. Some of what Ellis has to say in White, his first work of non-fiction, is not stupid. It’s true that teeth-gnashing over Trump’s presidency can seem alarmingly out of touch with the realities of modern America. I share his concern that aesthetics are increasingly, regrettably, being sidelined in favour of ideology. His film criticism is unfailingly lucid and intelligent. I wish there had been more of it. Ellis is used to being pilloried for his tweets, podcasts and journalism.

Bach to the rescue

One of the great joys of the 18th-century novella La petite maison is the way Jean-François de Bastide matches the proportions and shape of the book to the architecture of the exquisite country house at the story’s heart. Zuzana Ružicková, the outstanding Czech harpsichordist who died in 2017 while working with Wendy Holden on this touching memoir, analyses Bach, a composer she more or less made her own in the second half of the 20th century,  in very similar terms: I have a tectonic rather than a visual memory, and as the melodies begin to build, in my mind I imagine a building... I instinctively know how it is built.

Brutish Brits

Damian Barr explains the upsetting genesis of his impressive debut novel, You Will Be Safe Here, in his acknowledgements: This story began with a picture of a boy in a newspaper. That boy was Raymond Buys and he’d been killed in a camp not unlike New Dawn. He was just 15. This book is dedicated to him. So the novel opens with a prologue in which a boy, Willem, is left at the New Dawn camp, south of Johannesburg, in 2010. Then Part One takes us back to 1901, to the diary entries of Mrs Sarah van der Watt, about to be taken from her farm — which she watches burn under the British scorched earth policy — to a concentration camp near Bloemfontein.

Life at the Globe | 23 May 2019

IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON   ‘Small Latin and less Greek’ was Ben Jonson’s verdict on Shakespeare the linguist. But as Henry V (the latest play in the Globe’s Merian-sponsored summer season) shows, he knew a bit of French, too. As well as all that blood-and-thunder stuff on the battlefield, the play contains — in Act Three, Scene Four — the only scene wholly in French anywhere in the plays; as well as his dirtiest joke. Princess Katharine, offered in marriage to King Harry to appease him after the Dauphin’s consignment of tennis balls failed to amuse, is learning English with her lady’s maid Alice.

Grave meditations

In 2012 OUP published Geoffrey Hill’s Collected Poems; they could have waited, because they’re now going to need another edition. Between 2012 and his death, aged 84, in 2016, Hill wrote another 271 poems, and here they are — although, given his productivity since the mid-1990s, I wouldn’t be surprised if there were plenty more. But the poems in The Book of Baruch by the Gnostic Justin look as though they are part of a deliberate and ordered sequence, all of them using the same form, of irregular lines, occasional internal rhymes and Hill’s characteristic style, hopping over centuries with semi-cryptic allusions, barks of rage and mordant humour. I say ‘semi-cryptic’ because sometimes it is hard to follow his trains of thought.