Stick to making your schmaltzy films, Mr Curtis
Richard Curtis’s films — rose-tinted, upper-middle-class parodies of modern Britain — are bad enough, says Stephen Pollard. But his politics are even worse There are few film-makers whose name instantly conjures up a style, an atmosphere, a set of recognisable characters, even a plot. Richard Curtis is one of them. From Four Weddings and a Funeral and Notting Hill to Love Actually and Bridget Jones’s Diary, the label ‘Richard Curtis’ on a film tells you straightaway pretty much all you need to know. For myself, I’d rather boil my eyeballs than spend another second of my life being sucked in to his film-making-by-numbers Disney-Britain.