Now the war on poverty can begin
Iain Duncan Smith comes striding into his office with the look of a man who still can’t quite believe his luck. Even the very un-Conservative artwork on the walls of his office can’t dampen his spirits. He explains that it was the choice of his predecessor (‘what was her name? Ed Balls’s wife…’). Yvette Cooper’s choice of paintings, it seems, is not long for this world. ‘I’ll have to get some pictures of battle scenes,’ he says — looking at his aides with a mischievous grin. They, too, seem unable to believe that they have finally made it to the Department for Work and Pensions. It is an unlikely nirvana.