Spectator Life

I don’t know about you but I’m a rather a fan of Batman or The Batman, if you prefer to give him the definite article as the new film does. It’s also rather heartening to see so many fine British actors earning a pretty penny portraying him – Robert Pattinson dons the cowl in the new film, hot on the heels of Christian Bale. And it’s not just Gotham’s bone crushing vigilante that our acting schools are clearly adept at preparing actors for: Brits Tom Holland Andrew Garfield have both slung webs as Spider-man and of course Henry Cavill has done the blue leotard proud playing Superman four times.

Sunday was fairly typical. The police picked up Mum, 73, wandering in distress near Halifax bus station, cold, disorientated and lost. Son, 15, was walking with a friend in north London when two older boys stopped them and demanded to know if they were dealing drugs before scrolling through their phones to check. Daughter, 18 was determined to go see her boyfriend despite feeling ill and Dad, 77, sat in a pub on the Yorkshire Moors nursing a pint of ale and a failing heart. While all this was going on, I was mopping floors, cleaning dishes, hanging out washing, and trying to write a book. When Son, 15 arrived home panting because he’d run all the way home, my wife and I spent some time calming him down and reassuring him that such incidents are rare.

The sexiest scene in Adrian Lyne’s new film, Deep Water, starring Ana de Armas and Ben Affleck, may be de Armas eating an apple—a distant echo of the iconic food scene in Lyne’s 9 ½ Weeks (1986). Based on Patricia Highsmith’s 1957 novel, in which an openly adulterous wife suspects her husband of drowning her latest lover, the plot has more to do with power than pleasure. The 81-year-old Lyne, who hit paydirt with Fatal Attraction (1987) and Indecent Proposal (1993), has re-emerged after a two-decade hiatus since Unfaithful (2002). Sadly, the hotly anticipated return of the erotic thriller is neither erotic nor thrilling, which may explain why it was pulled from theatrical release.

Michael Gove has announced that members of the public will be able to offer rooms and accommodation to named refugees through a government portal – Homes for Ukraine – which was launched on Monday. Gove said that he was confident there would be no shortage of people coming forward, although he gave a somewhat roundabout answer as to whether he himself would be hosting a refugee. The British public, however, appear to be very open to becoming hosts, with one in three saying they would offer a room, according to a poll conducted by The Observer. When Gove launched the scheme in the House of Commons yesterday, Lisa Nandy was quick to criticise the government’s policy of asking volunteers to name Ukrainians who they wished to host.

After the two oddest years in the history of the red carpet, when Covid restrictions saw stars accepting gongs from their sofas via Zoom, glitzy prizegivings as we (used to) know them are back. Last night’s BAFTA ceremony, from the Royal Albert Hall, marked the opening salvo of a two-week run-in of the biggies, as the Oscars follows at the end of the month. It was, reassuringly for fans and teeth-grindingly for detractors, the customary heady cocktail of self-absorption and virtue-signalling, along with acknowledgment of some very fine pieces of cinema. As well as Kenneth Branagh’s Belfast. In recent years, awards ceremonies have tied themselves in all sorts of knots over their hosts.

The tragic ongoing events in Ukraine have highlighted the plight of refugees, with over 2m people (mainly women and children) fleeing the country since Russia invaded on 24 February 2022. Sadly, refugee crises have been occurring since the dawn of what may ironically be called ‘civilisation’, most notably the Biblical Exodus from Egypt and Caesar’s conquest of Gaul, which began when the Swiss Helvetii confederation, under pressure of Germanic tribes, sought to cross into Roman territory on their westward journey to safety.

Every day when my niece gets home from school she seems angry and frustrated. She wonders why we can’t do more to help the people in Ukraine. She is bewildered by video clips of children saying goodbye to their fathers who are staying behind to defend their country. Since the shocking news of the invasion broke, she has joined her school politics group and wants to learn more about the conflict, why it is happening, and what can be done. She is aware of the contrast between her sheltered life and those less fortunate. I asked her mum (my sister) how she parents in this situation. Her greatest concern is how to preserve her daughter’s innocence when she’s so well informed. ‘Everything is out there, you can’t just hide from it.

Recent reports that half of women in England and Wales are now childless by their 30th birthday reveal a worrying new attitude amongst Gen Z. Parenthood, to the younger generation, is the enemy of unfettered frivolity. Young women, we are told, would rather live for the moment than plan for the future. 'Being present' has become the mantra of the 'mindful' generation who see autonomy as the ultimate expression of a life well lived. But how complicit are men in this myopic 'me-only' utopia we have created for ourselves? Are women actively rejecting the sort of men who would like to settle down or have the sort of men who once yearned to settle themselves become cynical about taking the plunge?

You know the restaurant scene in Notting Hill? The Hugh Grant character defends the honour of his magical girlfriend when she is the butt of some sexist banter from some vulgar brutes, who don’t realise she is sitting round the corner. In many languages, says one, the word for actress is the same as the word for prostitute. Hugh just can’t bear it: he confronts them with an angry eye-flutter, telling them to bloody well shut up, and then Magic Girlfriend appears and tells them that they have small penises. It’s one of those scenes in which Richard Curtis helps us to understand what is good and what is bad these days.  Well, at the risk of resembling one of the nasty sexists in this scene, I want to suggest that the new orthodoxy has its limits.

Modern dating is a mess: it's a shallow world of filters, FaceTune and superficial swiping. Across the internet, Gen Z complain that daters flake, catfish, scam, and – most objectionably of all – ghost. A new dating app, Snack, proposes a solution. Snack is described as ‘Tinder meets TikTok': a place where Gen Zs can film themselves flirting, create content with fun video prompts, and enjoy a ‘more authentic video-first dating experience’. Snack also enables its users to punish those who ‘ghost’ them by leaving them negative reviews. ‘Ghosting’ is rejection without the closure – you’re talking to someone and, suddenly, they stop responding and disappear.

What’s the next step for a macho gangland drama that’s already built a fanbase in some 183 countries worldwide? That’s right: a collaboration with one of the highest regarded companies in UK contemporary dance. When it opens in September at Birmingham’s Hippodrome theatre, The Redemption of Thomas Shelby – a 20-strong dance production from the South Bank’s Rambert Dance Company – will mark yet another cultural milestone for Peaky Blinders: the BBC’s historic drama about a gang of Brummie ruffians who ran parts of the city between the two world wars.

The trope of a loner, either new in town or returning from years away, who is forced to confront the corruption and violence of the bad guys now in charge, is a familiar storyline in both film and TV. Westerns such as Shane (1953) and the classic TV series Kung Fu (1972-75) revolved around this scenario, but it also plays out in a variety of other settings ranging from Ancient Rome (Gladiator, 2000) to outer space (Soldier, 1998). And all points between. Amazon’s Jack Reacher adaptation is only the latest in this long line of wrong-righting protagonists and has been picking up positive reviews for beefy star Alan Ritchson’s depiction of the titular character.

As Sigmund Freud once told me in a YouTube video: ‘Who lacks sex – speaks about sex, hungry talks about food, a person who has no money – about money, and our oligarchs and bankers talk about morality.’ So beware anyone who starts preaching ‘self-love’ at you. Chances are they hate themselves quite as much as you do – if not more so – and have been duped by the latest fad into revealing their deeply narcissistic behaviour patterns.

Every now and then you watch something that makes you realise how much the likes of Netflix have skewed our viewing habits. While the kings of streaming may have injected more money into Hollywood than ever before, they’ve also stacked the deck yet further in favour of the celebrity blockbuster, the big and the bombastic. Quieter, subtler films all too often disappear into the ether. You can understand Netflix's position. What better way to attract the fleeting attention of the scrolling viewer than with a glimpse of the likes of Leonardo Di Caprio or Benedict Cumberbatch? Throw in a big, juicy concept – like an imminent asteroid collision – and things are really looking up. But what about those would-be classics which fail the clickbait test?

The paperback’s cover showed a woman and man walking down Ludgate Hill towards Fleet Street with St Paul’s behind them and a red double decker passing to their right, dressed in the office fashions of the post war years. It looked like a still from an Ealing Comedy. A friend posted the image on his social media because he liked the look of the Fontana edition which he had found on his father’s shelves. It was a copy of London Belongs to Me by Norman Collins. Most people seeing this would immediately start thinking of the fifties but for me it had rather different associations, triggering intense memories of the 1990s. This was because I had spent many hours over several years of that decade trying to find a copy of this very book.

Our countryside is one of the wonders of the world – a great patchwork quilt of green fields, hedgerows, and rolling hills. But our sad little secret is that England ranks among the most nature-depleted countries in the world. Countless species have vanished altogether, and others cling on in isolated patches of remnant nature. While most of us are dimly aware of nature’s decline – car windscreens no longer splattered with insects after a summer car journey; a countryside strangely silent in springtime – few realise the full extent of the catastrophe that is unfolding around us. Accounts from earlier centuries describe meadows riotous with colour, hedgerows thronged with songbirds.

Novak Djokovic’s readiness to walk away from tennis on a point of principle is an act of sporting heroism on a par with Muhammad Ali’s refusal to fight in the Vietnam war. Like Ali was when he said he had ‘no quarrel with them Viet Cong’, Djokovic is widely accepted to be the greatest master of his sport of all time. Ali, then at the height of his powers, was banned from boxing for three years for his stance. For refusing to take a Covid vaccination — a matter of conscience — we don’t yet know for how long Djokovic will be prevented from playing tennis at the highest level.

On Monday supermodel Naomi Campbell was pictured posing with her new baby daughter for the first time on the cover of British Vogue. Having become a mother in her 50s, she described having a child as 'the biggest joy I could ever imagine.' And yet it's a 'joy' few members of the younger generation want to share. New statistics reveal that half of women in England and Wales are now childless by their 30th birthday. In 1971, just 18 per cent of 30-year-olds had no children – now that figure has risen to a record 50 per cent. This phenomenon is by no means unique to Britain; fertility rates are collapsing across the developed world.

Ever since Prince Harry moved to Los Angeles, royal commentators with an interest in the English language have been watching what he says. He may have walked the walk but has he also started to talk the talk? In October 2020, the Mail ran a piece headed ‘Prince Harry calls opening the bonnet 'popping the hood' as he picks up Americanisms after seven months in US with Meghan Markle’. In May 2021, the Express announced 'Prince Harry swaps Queen’s English for Americanisms in desperate bid to "be liked"', gasping that 'Prince Harry has dropped elements of his cut-glass English accent in favour of Americanisms'.

'There’s no such thing as bad snow, just bad skiers' (Popular skiing saying) The 2022 Olympics have to an extent been overshadowed by diplomatic boycotts over host nation China’s alleged human rights abuses. The US, UK, Canada, Australia, Lithuania, Kosovo, Belgium, Denmark, and Estonia will not be sending any ministers or officials. Other countries (New Zealand, Austria, Slovenia, Sweden, and the Netherlands) cite Covid concerns for the lack of official representation. Whether boycotting the event will have any discernible effect is debatable. France’s President Macron certainly doesn’t think so: 'I don't think we should politicise these topics, especially if it is to take steps that are insignificant and symbolic.

Last week, the nominations for the BAFTA film awards were announced and very swiftly afterwards the annual chorus of lamentation started up. For whatever poor old BAFTA does, a vocal segment of film fans and critics alike will declare themselves unhappy. BAFTAs-bashing, it can often seem, is how those in cultural circles like to keep themselves warm and entertained in the darkest and dullest months of the year. As if that weren’t enough, hot on BAFTA’s sweaty heels come the Oscar nominations, providing the opportunity to grumble on an international scale. As recently as 2020, grave accusations of ‘whitewashing’ were levelled at the British Academy, when it somehow managed to locate not one actor of colour worthy of nomination in the four acting categories.

Jimmy Carr is known as the hardest-working man in comedy. He loves making people laugh and most of all he likes making people laugh at the things they know they shouldn’t. He also loves making money and knows full well that audiences have become a lot more sensitive in recent years. That’s why he opens his Netflix show by saying: 'Before we start, a quick trigger warning. Tonight’s show contains jokes about terrible things. Things that may have affected you and the people you love. But these are just jokes. They’re not the terrible things.’ If you continued watching after that and were offended, I’m sorry you were upset but that’s on you. No one made you watch.