Short stories

Salley Vickers name-checks (surely unwisely) the granddaddy of all short stories, James Joyce’s ‘The Dead’, in the foreword to her first collection, Aphrodite’s Hat (Fourth Estate, £16.99). Salley Vickers name-checks (surely unwisely) the granddaddy of all short stories, James Joyce’s ‘The Dead’, in the foreword to her first collection, Aphrodite’s Hat (Fourth Estate, £16.99). However, the less desirable influence of Roald Dahl seems to preside more tellingly in many of these yarns, which recall Tales of the Unexpected in their predictable twists and spooky presences. Fortunately, Vickers does not stay completely within the formula, and the volume contains a number of sketches about unhappy couples, dreadful mothers and uncared-for children

This is a companion to a collection published earlier this year of Nadine Gordimer’s non-fiction, called Telling Times. This is a companion to a collection published earlier this year of Nadine Gordimer’s non-fiction, called Telling Times. Short stories are, of all her endeavours, the most successful. Their heyday was in the Seventies, when they perfectly realised the awful but fascinating contrasts of South African life. As a boy I lived in Johannesburg just two streets away from Gordimer. She was a towering figure, known to be very close to the ANC. Her presence cast a certain penumbra over our modest house. She had run, it was said, certain missions for

Though Lydia Davis probably first came to the attention of English readers through her translations, she has been making a substantial reputation for herself in America with sharp, inventive and demanding short stories. Her field is awkwardness, social ‘leakage’, as sociologists say, and the often bad fit between acts and speech, language and meaning. There is a certain delectable inappropriateness in the fact that some readers (like me) will first have encountered her as one of the translators of Penguin’s 2002 Proust. She did an accurate job, but as a writer herself she could not be much further from that great but voluble and frequently casual writer (your punctuation, Marcel,

The Diary of Miss Idilia presents the reader with an unusual problem. The writing is entirely comprehensible, the tale it tells couldn’t be easier to follow. The tricky bit, though, comes with trying to work out what on earth the book is. In 1851, 17-year-old Idilia Dubb was on holiday in the Rhineland with her middle-class Edinburgh family when one morning she disappeared. A lengthy search found nothing, and her parents returned home. Then, in 1860, workmen restoring Lahneck castle outside Coblenz discovered her remains at the top of a seemingly inaccessible tower. Near the body was Idilia’s diary, which recorded in tones of increasing anguish how she’d climbed up

William Trevor’s collected short stories were published in 1992 and brought together seven collections. William Trevor’s collected short stories were published in 1992 and brought together seven collections. But since reaching the standard age for retirement, Trevor has produced four further volumes, and now Penguin has brought out a handsome new edition, in two slipcased volumes. The industry is impressive, but not nearly as impressive as the quality. Trevor is routinely described as the world’s greatest living writer of short stories (I suppose the competition is Alice Munro), which makes the reviewer’s task a little tricky. It boils down to this: is he? Those already familiar with Trevor’s stories know