Mavericks need not apply
Philip Hensher gives a critical insider’s view of the Creative Writing industry It has always been a challenge to get a novel or poem published. Twenty years ago, I went about it in the traditional way. I read a hell of a lot of books. I did a couple of literary degrees. I got an interestingly peculiar but rather gruelling job. I wrote a novel or two in the evenings or on holiday. Then I met a literary agent at a drinks party and he took one on and sold it to Hamish Hamilton — and has possibly regretted it ever since. The traditional way has, in the last few decades, been supplanted by a more professional sounding one called the Creative Writing degree.