Comedy

Anything for a laugh

A hundred years ago, when Britannia still ruled the waves, the Royal Navy fell victim to a humiliating hoax, reports of which kept the public amused for a few wintry days in February 1910. Disguised as ‘members of the Abyssinian Royal family’, with woolly wigs, fancy-dress robes and burnt-cork complexions, a gaggle of young people managed to trick naval leaders into receiving them on an official visit aboard the state-of-the-art battleship Dreadnought, Britain’s proudest national emblem. The ridiculous party, which included Virginia Stephen (the future novelist Virginia Woolf), were conducted solemnly round the wonders of the newest naval technology, jabbering in a nonsense language and escaping just as the spirit-gum

The Real New Statesman

I am the last person to speak ill of the New Statesman. But even during those golden years when I worked at the magazine, I have to admit we struggled with a tendency towards earnestness. During the Kampfner era, the senior editorial team tried time and again to introduce a little levity among the wonkiness and hand-wringing. I am now prepared to admit we didn’t often pull it off. But our successors have finally pulled it off — by creating a spoof online business section. At first sight it looks like a crude aggregator of corporate press releases. But look a little closer and I defy you to find anything

A couple of drifters

Paul Torday was 59 when his first novel, the highly acclaimed Salmon Fishing in the Yemen, was published in 2006. Since then, he can barely have stepped away from his keyboard. The Hopeless Life of Charlie Summers is his fourth novel and it represents a return to the comic tone of Salmon Fishing. Or at least it does in part. There are scenes of high comedy here, but some pretty dark swirls too. And hanging over the whole book is the question of what makes for a fulfilled life. The narrator, Hector Chetwode-Talbot — known, mercifully as ‘Eck’ — is a former soldier who has drifted into the City. He

The World’s First Suicide-Bomber Comedy

I think Chris Morris’s new film Four Lions is probably the (English-speaking) world’s first suicide-bomber comedy. So it’s all but guaranteed to offend just about everyone. Splendid. Doubtless it’s a sign of terrible, even craven decadence to admit to looking forward to seeing it… Here’s a clip, anyway:

Quirky books for Christmas

After the Christmas ‘funny’ books, here’s an even larger pile of Christmas ‘quirky’ books. After the Christmas ‘funny’ books, here’s an even larger pile of Christmas ‘quirky’ books. In practice, quirky books aren’t just for Christmas, they’re for the whole year round. But try telling a publisher that. Thousands of them have been pouring out this autumn, and in the pre-Christmas jungle good books will surely be lost, consumed by larger and nastier predators in a single contemptuous gulp. In Ghoul Britannia (Short Books, £12.99), Andrew Martin muses on ‘a nation primed for ghostliness’. Our weather is just right, our landscape could have been designed for the purpose, and we

The one that got away

Michael Palin is the meekest, mildest and nicest of the Pythons. The latest chunk of his diaries traces his attempt during the 1980s to break away from his wacky colleagues and forge a film-making career in his own right. The title, Halfway to Hollywood, reflects his modest, circumspect nature. We first meet the millionaire filmstar living a monkish existence in Camden in 1980. He occupies an ordinary townhouse. His three children attend state schools. And he drives a Mini, albeit with a sun-roof. To concentrate on screen-writing he turns down $180,000 to appear in a Hollywood movie (you should multiply by about six to get today’s values) and a week

But then the snow turned to rain

My daughter when small came home from school one night singing these extraordinary lines: ‘Fortune, my foe, why dost thou frown on me/ And will thy favours never lighter be?’ My daughter when small came home from school one night singing these extraordinary lines: ‘Fortune, my foe, why dost thou frown on me/ And will thy favours never lighter be?’ Five hundred years on, this Tudor ballad, said to have been played at hangings, provides the theme, and the structure, of Seasonal Suicide Notes. Only, this being the 21st century after all, it is bawled, not from a cart to Tyburn but from a converted convent in Bromyard, being Roger

Cries and whispers | 23 September 2009

The habit of dividing the past into centuries or decades might be historiographically suspect, but by now it seems unavoidable. And it is possible that, because we now expect decades to have flavours of their own, they end up actually having them. We change our behaviour when the year ends in 0. Can there be anyone who has never used ‘The Twenties,’ ‘The Thirties,’ ‘The Fifties’ or ‘The Sixties’ as historical shorthand, expecting his interlocutor to know exactly what he means by it? By comparison with the Sixties, the flavour of the Seventies is indistinct and muted. Everyone is agreed that, for better or worse, the Sixties now represent the

Joking apart

Free association underpins the comedy of Lorrie Moore’s writing — or perhaps the verb should be ‘unpins’, since her prose spins off in tangential, apparently affectless riffs. Free association underpins the comedy of Lorrie Moore’s writing — or perhaps the verb should be ‘unpins’, since her prose spins off in tangential, apparently affectless riffs. Even the title of A Gate at the Stairs tugs in different directions. It is a baby-gate; since this novel starts as a comedy — of sorts — about adoption. (But, as the adopting mother says, while mashing flower bulbs into a poisonous puree, the French ‘have jokes that end “And then the baby fell down

Behind the wit

Home to Roost and Other Peckings by Deborah Devonshire, edited by Charlotte Mosley As Alan Bennett says in his introduction, ‘Deborah Devonshire is not someone to whom one can say “Joking apart . . .” Jok- ing never is apart: with her it’s of the essence, even at the most serious and indeed saddest moments.’ And so, of course, this book is full of jokes: the Chatsworth gamekeeper who used to refer to the Duke of Portland as ‘His Other Grace’; the agent at Bolton Abbey who every year used to put a final item on their bill for the unconscionably expensive August grouse shooting: ‘Mousetraps — 9d’; the ladies

Unkind hearts and Jews

Israel Rank, by Roy Horniman It was the second or third time that I ever saw Kind Hearts and Coronets that I noticed in the opening credits: ‘Based on the novel Israel Rank, by Roy Horniman’. It prompted a ten-year search for the book in secondhand shops that finished in a dusty corner of a Suffolk village more than a quarter-of-a-century ago. I am not given to hyperventilation, but on that occasion came perilously close to it. I have never seen another copy, and a search on the internet returns only pleas by would-be readers to find them a copy. Mine is the 1948 reprint, with an introduction by Hugh

Humph swings

Last Chorus: An Autobiographical Medley, by Humphrey Lyttleton ‘Old Etonian ex-Guards Officer jazz trumpeter’. That was the way tabloid gossip columnists used to describe Humphrey Lyttelton (1921-2008) in the early years of his fame. Not long after he was released from the Grenadiers at the end of the second world war, he hyphenated his identity to become Old Etonian ex-Guards Officer jazz trumpeter-bandleader-broadcaster-cartoonist-calligrapher-birdwatcher-gastronome-paterfamilias. In this amiable hotch-potch of a book, he reviews every aspect of his multifaceted life with bonhomous éclat. Now, as ever, Humph swings. His father, C. W. Lyttelton, was a beloved Eton housemaster and teacher of English literature, perhaps generally best known for his published correspondence with

Highs and lows on the laughometer

Just What I Always Wanted: Unwrapping the World’s Most Curious Presents, by Robin Laurance What might seem an obviously Christmassy book is Robin Laurance’s Just What I Always Wanted: Unwrapping the World’s Most Curious Presents (Quercus, £9.99); but it is mainly about birthday presents. One thing that it doesn’t include is a present I saw advertised in Los Angeles when I lived there in the 1980s: a silver dustbin studded with precious stones — ‘for the man who has everything and wants to throw some of it away’. What the book does have is the things given by X to Y on every day of the year. An odd assortment