Comedy

Thursday

Marcus Berkmann

The Wit and Wisdom of Boris Johnson, edited by Harry Mount – review

It’s just a guess, but I suspect that the mere sight of this book would make David Cameron gnash his tiny, perfect dolphin teeth until his gums began to bleed. What on earth can he do about Boris Johnson? What can any of us do? There’s something inexorable — irresistible even — about his progress,  and this slender volume of drolleries represents another small step on the increasingly well-lit path to ultimate power: what may come to be known as the ‘Boris Years,’ or even the ‘Boris Hegemony’. This book thus becomes more than merely amusing and entertaining (it’s both, needless to say); it becomes potentially significant. Future generations may

Saturday

Rod Liddle

The Wright Way

Continuing the domestic bliss/ tv theme, one programme I have not watched so far is The Wright Way. This is a situation comedy about somebody called Wright, as you might have imagined. It is written by the 1980s comedian Ben Elton. The show has already received a slagging from a couple of critics, largely for not being funny. I have yet to read a good review. It is on BBC One – and this, I think, is the point. Who else, other than the BBC, would commission a show from Ben Elton? Just as who would put Jeremy Hardy and Sandi Toksvig on air? Nobody, I suspect. I don’t dislike

Tuesday

David Blackburn

Douglas Adams’s big idea

Had he not died 12 years ago, Douglas Adams would have been 61 yesterday. Google produced a doodle in his memory, and the Guardian published an interesting piece which declared that Adams remains the king of comedy SF, before going on to argue that he was unique, pretty much the only writer in that genre. Take a bow Mr Adams; you’re top of a league of one. But, in a way, Adams was, or very nearly was, unique. The Hitchhiker’s Guide to the Galaxy and its sequels are comedies of ideas flavoured with lashings of silliness: the restaurant at the end of the universe and Marvin the Paranoid Android, a robot beset

Thursday

William Cook

The man behind Eric and Ernie

It takes a special sort of talent to turn a good act into a great one, and without John Ammonds, who died last month, aged 88, it’s quite possible that today’s couch potatoes never would have heard of Morecambe & Wise. As their BBC producer, he transformed them from jobbing comics into a national institution. The seven series he made with them still stand as the acme of Light Entertainment television. When Ammonds teamed up with Eric and Ernie, their double act was two-dimensional. Viewers liked them but they didn’t warm to them. Ammonds reconnected them with their theatrical roots, filming them on a raised stage with wings and curtain.

Saturday

Ian Thomson

Life imitates art

The other evening my wife came home to find me watching re-runs of Steptoe and Son. The washing up had not been done, and everything was in a state of bedragglement (including Olga, the family dog). ‘How can you bear to watch that stuff? Steptoe’s got a face like a squeezed lemon. He’s perfectly horrible. I’ll go further: he’s perfectly revolting.’ How could my wife not like Steptoe? The series had been a hit from the moment it was launched in 1962 and drew audiences of over 20 million. Ray Galton and his co-writer Alan Simpson combined a seaside postcard sauciness with the cockney menace of Harold Pinter (only with

Saturday

Cressida Connolly

A bit of slap and tickle

Hard on the heels of the ecstatically received London revival of Michael Frayn’s Noises Off (currently playing at the Novello Theatre) comes this hilarious novel. It’s not easy to pull off farce on the printed page when so many of the laughs of the genre generally depend upon physical comedy. In Noises Off, for example, one character hops about the stage like a demented kangaroo, his shoelaces tied together. But just as a filthy joke is made funnier when told by an apparently po-faced academic, so a really silly plot is enlivened when composed by a highly clever author. Frayn is that man. In the hands of someone less accomplished,

Saturday

James Walton

Deviation and double entendre

If there’s anything full-time novelists hate more than a celebrity muscling in on their turf, it’s the celebrity doing such a good job that it seems as if anybody could write fiction. Happily for the pros, this isn’t a problem with Briefs Encountered. Not only is the book full of obvious flaws, but it also makes the whole business of novel-writing look unbelievably difficult. There is, it turns out, so much to do — what with plot, characters, dialogue and tone all to be created and, worse still, made coherent. And then there’s all those pesky sentences you have to string together… In fact, Clary’s set-up is quite promising. Richard

Saturday

Marcus Berkmann

Bookends: The showbiz Boris Johnson

Amiability can take you a long way in British public life. James Corden is no fool: he co-wrote and co-starred in three series of Gavin and Stacey, and wowed the National Theatre this summer with a barnstorming performance in One Man, Two Guvnors. But there’s no doubt that his Fat Lad Made Good persona, and his almost puppyish desire to please, have contributed to a popularity that other, more guarded performers can only envy. His memoir, May I Have Your Attention, Please? (Century, £18.99), has barrelled straight into the top ten bestsellers list. It has loads of energy and some good stories. But Corden is only 33. He simply hasn’t

Saturday

Marcus Berkmann

Bookends: Laughing by the book

Comedy is a serious business. The number of young people who seek to make a living making other people laugh seems to grow every year. Jonathan Lynn starts Comedy Rules (Faber & Faber, £14.99) by insisting that it is not a primer for would-be writers, but of course it is, and much more. Lynn was at Cambridge with the Pythons and the Goodies, co-wrote the Doctor series in the 1970s and Yes, Minister in the 1980s, and has since carved out a career directing comedy films in Hollywood, some of them funnier than others. But as Rule 138 (of 150) states, ‘Nobody knows how the audience will react to any

Saturday

Philip Hensher

Honour the most exalted poet

What’s your punishment going to be, when you get to Hell? At least as envisaged by Dante, you might be somewhat surprised. Hitler (mass murderer) is in the outer ring of the seventh circle, up to his eyebrows in a river of blood and fire. Still, that’s a little better than the innocent manager of your local HSBC (banker), who is in the inner ring, running perpetually on burning sand. Both get off much lighter than the poor lady who, the other day, told me how much she’d enjoyed something or other I’d written (flatterer). She’s a whole circle lower down in the second bolgia, or pit, sitting in excrement

Saturday

Sam Leith

An existential hero

Sam Leith is enthralled by a masterpiece on monotony, but is devastated by its author’s death When David Foster Wallace took his own life two and a half years ago, we lost someone for whom I don’t think the word genius was an empty superlative. He was an overpowering stylist, and a dazzling comedian of ideas. He could be gasp-makingly funny, but had an agonising moral seriousness. There’s more on one page of Wallace than on ten of most of his contemporaries. His mind seemed to have more buzzing in it than the rest of us could imagine being able to cope with, and perhaps than he could. The Pale

Saturday

Sebastian Smee

Cross-cultural exchanges

The 18 stories, each around a dozen pages long, in E.C. Osondu’s Voice of America seem to have poured out of him like water. They have a fluency, an evenness of tone and texture, that creates an illusion of transparency and simplicity. The 18 stories, each around a dozen pages long, in E.C. Osondu’s Voice of America seem to have poured out of him like water. They have a fluency, an evenness of tone and texture, that creates an illusion of transparency and simplicity. There’s great comedy — and also artistry — in this because almost every story actually describes some degree of false consciousness, wrong-headedness or pathetic illusion. Life

Saturday

Lloyd Evans

Twin peaks

It’s that time of year. The great reckoning is upon us. Insurance is being renewed. Tax returns are being ferreted out. Roofing jobs are being appraised and budgeted for. And spouses are being trundled into central London for the annual session of dialysis at the theatre. It’s that time of year. The great reckoning is upon us. Insurance is being renewed. Tax returns are being ferreted out. Roofing jobs are being appraised and budgeted for. And spouses are being trundled into central London for the annual session of dialysis at the theatre. And here to meet them is Ayckbourn’s yuletide comedy Seasons Greetings, which features three hilariously miserable families bickering

Simon Hoggart

Forgotten laughter

The Radio Times now lists 72 channels, and that’s not all of them. The Radio Times now lists 72 channels, and that’s not all of them. No wonder television has to feed on itself, like a hungry tigress scoffing her cubs. In particular, it devours the past, so this week we had a Morecambe and Wise evening on BBC2, starting with the Christmas show from 1976, a third of a century ago. These shows got peak audiences of 28 million, inconceivable now, and just as French education ministers can allegedly tell you what every child in the country is studying at any moment, programme controllers could sigh with pleasure and

Saturday

Michael Deacon

Lords of laughter

What do the following comedians have in common? Morecambe and Wise, Ronnie Barker, Frankie Howerd, Bob Monkhouse, Peter Sellers. They’re all dead, yes. But something else. None of them was knighted. Instead they were all made OBE, an honour Michael Winner once charmingly described as ‘what you get if you clean the toilets well at King’s Cross station’. Still, they did better than Les Dawson, Tony Hancock, Tommy Cooper and Peter Cook. Those four got nothing. I find this curious. In most cases, at least. Hancock died a bit too young (suicide at 44), and accepting anything from the honours system would have turned Cook from satirist to court jester, in two

Saturday

Marcus Berkmann

Dying of laughter

Marcus Berkmann on the few genuinely funny books aimed at this year’s Christmas market It’s a worrying sign, but I suspect that Christmas may not be as amusing as it used to be. For most of my life, vast numbers of so-called ‘funny’ books have been published at around this time of year, aimed squarely at desperate shoppers lurching drunkenly into bookshops on 24 December, still looking for the perfect present for someone they don’t much like. But this year there aren’t anywhere near as many. Perhaps they stopped selling. Maybe the QI Annual and Schott’s Almanac saw them off. Or maybe it just dawned on everyone at the same

David Blackburn

The sound of broken glass

What do Evelyn Waugh, Peter Cook and Chris Morris have in common? I would have said ‘irreverence’ and left it at that; but the social scientist Peter Wilkin has written a book on the subject, The Strange Case of Tory Anarchism. What do Evelyn Waugh, Peter Cook and Chris Morris have in common? I would have said ‘irreverence’ and left it at that; but the social scientist Peter Wilkin has written a book on the subject, The Strange Case of Tory Anarchism. It’s an arresting title, not least because it appears to be an oxymoron. But this is not so, according to Wilkin. Tory anarchism is not a political ideology;

Saturday

Jonathan Keates

Follow your star

In these straitened times it looks as if a great many more hours of most people’s days will have to be spent waiting in queues. In these straitened times it looks as if a great many more hours of most people’s days will have to be spent waiting in queues. The perfect companion for such a penitential exercise is the Divine Comedy of Dante Alighieri. Should you be able to read Italian, get hold of the pocket version known as the Dante Minuscolo Hoepliano, originally issued in 1904 by the enterprising Milanese publisher Ulrico Hoepli, with excellent notes by Professor Raffaello Fornaciari of Florence University and now in its umpteenth

Saturday

Austen Saunders

The winning entry

So just how good is it? Because of course those splendid people, the Man Booker judges, have rather prejudiced this review by going and giving their prize to Jacobson’s latest. If only they’d had the patience to wait for the launch of this blog. Because although not on the panel this year (September is such a busy time), I am always more than happy to drop the odd word of wisdom, share my insights, and generally do my bit to see that contemporary novelists are held to account for their various crimes against culture. And all in all, perhaps this year’s prize hasn’t been too badly awarded, because Jacobson has

Wednesday