Book review

Thursday

Mark Mason

A Sting in the Tale, by Dave Goulson – review

From our UK edition

We need more conservationists like Dave Goulson. Cack-handed animal killers, that is. As a child in the 1970s Goulson tried to dry out some ‘bedraggled’ bumblebees which had got caught in a thunderstorm. He put them on the hotplate of the electric cooker and set it to low. Then he went off to feed his gerbils. Only the smell of smoke reminded him of the now-toasted bees. His fish tank contained an electric heater whose waterproof casing he managed to break, thereby electrocuting his scaly friends. The garter snake was more fortunate — it only got tangled up in the sellotape with which Goulson had inexpertly tried to secure the lid of its tank.

Christopher Ondaatje

Wave, by Sonali Deraniyagala – review

From our UK edition

Sonali Deraniyagala’s horrific book Wave, about her experience in and after the 26 December 2004 tsunami that struck the south-east coast of Sri Lanka, is one of the most moving memoirs I have ever read. All year round, day and night, if you looked down that long two-mile line of sea and sand, you would see, unless it was very rough, continually at regular intervals a wave, not very high but unbroken two miles long, lift itself up very slowly, wearily, poise itself for a moment in sudden complete silence, and then fall with a great thud upon the sand.  That moment of complete silence followed by the great thud, the thunder of the wave upon the shore, became part of the rhythm of my life.

Tara Isabella Burton

The Black Russian, by Vladimir Alexandrov – review

From our UK edition

‘Unabashed luxury, elaborate displays of rich fabrics, gilt, soaring ceilings, glittering chandeliers...’ Thus does Vladimir Alexandrov describe what Moscow’s elite demanded of Maxim, the 1912 nightclub helmed by The Black Russian’s unlikely subject, the American Frederick Bruce Thomas. He was ‘the black man with a broad Russian nature’ who reinvented himself as celebrity nightclub impresario Fyodor Fyodorovich Tomas. Alexandrov’s sense of spectacle is no less keen. The Black Russian vaults breathlessly from set-piece to set-piece as it traces the journey of its hero from rural Mississippi to the opulent cabarets of Moscow, to Bolshevik-occupied Odessa and, finally, to a debtors’ prison in postwar Constantinople.

Steven Mcgregor

The Iraqi Christ, by Hassan Blasim – review

From our UK edition

There is much about Hassan Blasim that demands attention. He is an Iraqi. He escaped from Saddam’s dictatorship in 2000 by walking to Iran and smuggling himself into Europe. He has a confident, almost intimidating demeanour. And with the growing stack of literature about the wars in Iraq and Afghanistan all penned by westerners, there is an important space for Blasim to fill. The Iraqi Christ is his second collection of short fiction, the first being The Madman of Freedom Square, both translated into English by Jonathan Wright. Blasim has been called, ‘the best writer of Arabic fiction alive’. It is is not his identity, how-ever, but the quality of his writing that makes his voice striking. It is deeply troubling and complex, the metaphors arresting and violent.

Caroline Moorehead

Red Nile, by Robert Twigger – review

From our UK edition

When Bernini designed his fountain of the four rivers for the Piazza Navona in Rome in 1651 he draped the head of the god of the Nile with a loose piece of cloth, to denote the fact that its source remained unknown. Tracing the sources of both the Blue and the White Nile would become one of the most heated and consuming of all Victorian quests and the adventures and tribulations of the men — Petherick, Stanley, Baker, Bruce, Burton, Speke — and one woman, Baker’s Hungarian slave wife, Florenz, have provided rich material for many generations of writers.

Eric Weinberger

All That Is, by James Salter- review

From our UK edition

Some authors’ lives are a great deal more interesting than others — James Salter’s, for one. Born in 1925 and educated at West Point, a fighter pilot in Korea and afterwards in Cold War Europe, the chiselled flyboy soon jettisoned this for writing and became a cosmopolitan and a worldly adventurer. He made a film in the Alps with Robert Redford, and climbed at Chamonix to produce what was meant to be another film but became the novel Solo Faces. He had homes in Aspen and the Hamptons, frequented the parlours of Paris and Rome but was always, always, too reticent, and, by his code, too honour-bound to divulge all he had seen. Privacy — his own and others’ — was all.

Sam Leith

Feral, by Geoge Monbiot – review

From our UK edition

One of the greatest difficulties environmental activists have always had in the war for hearts ’n’ minds is that they so often seem priggish and negative. Everyone knows what they are against (central heating, fun, cod and chips, James Delingpole etc). Fewer people know what they are for. Here, therefore, is George Monbiot’s attempt — shot through — no, positively ravished — with personal feeling — to tell us. He offers, he says, a set of ideas ‘not about abandoning civilisation but about enhancing it [...] to “love not man the less, but Nature more”.

Thursday

Charlotte Moore

Big Brother, by Lionel Shriver – review

From our UK edition

‘I am white rice’ states Pandora Half-danarson, narrator of Lionel Shriver’s obesity fable. ‘I have always existed to set off more exciting fare.’ The exciting fare on offer is the big brother of the title, the handsome, free-wheeling, jive-talking Edison, a jazz pianist. The siblings grew up in LA, their dysfunctional family life paralleled, almost parodied, in Joint Custody, a prime-time television drama scripted by Travis Appaloosa, their smarmy, self-aggrandising father. This prolonged and subtle betrayal drives Pandora to seek anonymity in quiet Iowa, while Edison, in bohemian New York, craves public attention, and trades on his father’s fame to attain it.

David Sexton

Here and Now, by Paul Auster and J.M. Coetzee – review

From our UK edition

In love, there is always one who kisses and one who offers the cheek. So too in the luckless genre of letters artificially exchanged for the purposes of publication. There’s been a little spate of these lately, the most interesting and unbalanced having been Public Enemies, in which Michel Houellebecq brilliantly began the exchange by telling Bernard Henri-Levy that what they had in common was that they were both a bit contemptible, a bond from which BHL tried unsuccessfully to extract himself for the rest of their collaboration. Paul Auster and J.M. Coetzee had read each other’s work for years but only met for the first time in February 2008, when they were both in their sixties.

Stephen Bayley

Folly de Grandeur, by Nicky Haslam- review

From our UK edition

Nicky Haslam is one of our best interior designers, a charmed and charming agent of style, a tastemaker for the sometimes directionless rich, a brighter star than most of his astronomically stellar client list. Considering a joint project, I asked him over lunch to tell me all the amazing people he had met. He demurred, but later that afternoon I got a 20-page handwritten document and on page one the names included John Kennedy, Svetlana Stalin, Picasso and Elvis. But Nicky is perhaps better known to Spectator readers as a contributor of meticulous, gossipy, beautifully crafted, super-well-informed and often rather saucy accounts of what used to be called high society. But how to describe the man to a reader who has not met him?

William Leith

The Society of Timid Souls, by Polly Morland – review

From our UK edition

In this book about courage, Polly Morland talks to lots of people who should know what it is. She talks to soldiers, surfers, a matador, firefighters and professional daredevils. She interviews a man who fixes the upper sections of skyscrapers, and is afraid of heights. She meets people who have been diagnosed with terminal diseases. She quizzes a former armed robber. It’s well worth reading. Morland is slightly more humanistic than scientific; she wonders what courage is, without being absolutely determined to come up with a definition. I started the book thinking that courage is the ability to do something you think is right, even when you’re scared. It means not wavering from your core beliefs, or feelings, when things get difficult or dangerous. Think of the word core.

Andrew Taylor

Crime fiction reviewed by Andrew Taylor

From our UK edition

An epigraph taken from Goebbels’s only published novel certainly makes a book stand out from the crowd. A Man Without Breath (Quercus, £18.99) is the ninth instalment in Philip Kerr’s Bernie Gunther series, which examines the rise, fall and aftermath of Nazi Germany through the eyes of a disillusioned Berlin detective. By 1943, the tide of war is turning. Bernie, now working from the German War Crimes Bureau, is despatched to the neighbourhood of Smolensk, where a wolf has dug up human remains in the Katyn forest. Is this a mass grave of Polish officers murdered by the Russians? If so, the Wehrmacht is more than happy to conduct a scrupulously fair war crimes investigation before the eyes of the world. But what if the killers were German? It’s an intriguing set-up.

Lloyd Evans

5 Days in May, by Andrew Adonis – review

From our UK edition

Andrew Adonis enjoyed a week of glory in 2010. The former Lib Dem activist was asked to join Labour’s negotiating team as they tried to forge a coalition with Nick Clegg in the aftermath of 6 May general election. Adonis admits that his account of those five days is ‘vivid, partisan and angry’. And it seems strange that, as a Lib Dem defector himself, he should accuse the Lib Dems of ‘perfidy’ in their dealings with Labour. The politician in him can’t resist the opportunity to attack his former colleagues. He shoves the knife into David Laws for admiring George Osborne and for advocating ‘faster and deeper’ cuts to the deficit.

Philip Hensher

Complete Poems, by C.P. Cavafy – review

From our UK edition

Constantine Cavafy was a poet who fascinated English novelists, and remained a presence in English fiction long after his death in 1933. When E.M. Forster lived in Alexandria during the first world war, he got to know Cavafy — and essays, a celebrated exchange of letters and a guidebook by Forster resulted. Cavafy haunts Lawrence Durrell’s Alexandria Quartet, which shares with the poet an aesthetic of the transfixed gaze, of remote history running under everything. Robert Liddell wrote a restrained, elegant life of the poet — oddly dismissed by this translator, Daniel Mendelsohn, as ‘workmanlike.

Douglas Murray

“The right hero” – Douglas Murray reviews Jesse Norman’s Burke biography.

From our UK edition

Edmund Burke is one of the most difficult thinkers to write about. His philosophy defies easy summary. His career, while noble, was not glittering. Many details that he exhausted himself over — such as the impeachment of Warren Hastings — were arcana before he was dead. And hardest of all is that Burke’s prose style is among the best in the language. Writing about Burke’s prose is like singing about Maria Callas’s voice. On each re-acquaintance with it you wonder why you don’t read Burke all the time. There was hardly a subject he tackled which he did not master, and not a register that he did not perfect. In A Letter to a Noble Lord he writes of one detractor: The Duke of Bedford is the Leviathan among all the creatures of the Crown.

Thursday

Christopher Howse

The Serpent’s Promise, by Steve Jones – review

From our UK edition

The weight of bacteria that each of us carries around is equal to that of our brain, a kilogram of the creatures, billions of them, ten times as many in the gut alone as the number of human cells in the body. There may be 10,000 distinct kinds, with a different community on the forehead from that on the sole. There are fewer kinds in the mouth or stomach than at the back of the knee, which has a more diverse population than any other part. This is surprising and interesting, and we would like to know more about this teeming personal nature reserve.

Wynn Wheldon

Holloway, by Robert Macfarlane – review

From our UK edition

This is a very short book recording two visits to the hills around Chideock in Dorset.In the first Robert Macfarlane and the late Roger Deakin, author of Waterlog, go searching for the ‘holloway’ in which Geoffrey Household’s hero holes up in Rogue Male. A holloway (not to be found in the OED) is, in Macfarlane’s words, ‘a sunken path, a deep & shady lane’ and, according to Household, ‘a lane not marked on the map’. The second trip, made with Macfarlane’s co-authors after Deakin’s death, revisits the holloway, and the hill-fort at the top of Pilsdon Pen.

David Crane

The Young Titan, by Michael Shelden; Churchill’s First War, by Con Coughlin – review

From our UK edition

One evening in 1906, shortly after the election that brought Campbell-Bannerman’s Liberals into power, an understandably nervous Eddie Marsh, a middle-ranking civil servant in the Colonial Office, paid a social call on the Dowager Countess of Lytton.  The previous day Marsh had gone through a tricky first meeting with the new number two in the department, and it had been a surprise to him on going into the office that morning to hear that he was wanted as his private secretary.  ‘Desperate, Marsh begged the dowager countess for guidance,’ writes Michael Shelden in his Young Titan: She had known Winston and Jennie for many years... She had also been acquainted with Lord Randolph.

Oliver Rackham

The Tradescants’ Orchard, by Barry Juniper – review

From our UK edition

Elias Ashmole, fortune-hunter, scholar and collector, bequeathed his coins, curiosities and books in 1692 to form the nucleus of the Ashmolean Museum in Oxford. The books were later taken over by the Bodleian Library. One of them is called The Tradescants’ Orchard, from a tenuous association with John Tradescant I, Keeper of Gardens, Vines and Silkworms to King Charles I, and his nurseryman son John II. It is edited by the historian of the world’s apples and his Oxford colleague in art history.

Matthew Parris

Beyond the Malachite Hills, by Jonathan Lawley; Last Man In, by John Hare – review

From our UK edition

In post when the curtain came down on Britain’s African empire, there survives today a generation of colonial officers whose numbers are dwindling fast. Many were fired by an idealism already out of fashion when they chose their career. Most came to love their adopted continent. Some can write. Two of these are Jonathan Lawley and John Hare. Each has an incredible tale to tell. Here is a pair of books that, placed with a decanter of whisky on the bedside table of any Spectator reader’s guest bedroom, will have the reading-light burning late into the night. Yet they are very different stories, quite differently written.