Book review

Saturday

Ian Thomson

The world in arms

From our UK edition

The long summer that led up to the last days of peace in Europe in 1939 — the vigil of Hitler’s assault on Poland and the subsequent Phoney War — gave little hint of the storm to come. As German troops engulfed Poland, however, Britain at last declared war on Hitler. Infamously, the Nazi science of massacre was put to the test in occupied Poland. Within two months of Hitler’s invasion, over 5,000 Jews were murdered behind the Polish lines. One year into the occupation a ghetto was established in Warsaw as a holding place for Jews prior to their deportation and death. A total of 265,000 of the city’s Jews were gassed over a single summer at Treblinka nearby. It was the largest slaughter of any single community in the second world war.

Andro Linklater

The courage of countless generations

From our UK edition

The most stirring sermon I ever heard was delivered by a company sergeant-major in the Black Watch to a cadre of young lance-corporals, barely 19 years old, who were about to experience their first deployment to Northern Ireland during the Troubles. Like an old-fashioned Presbyterian minister, he warned them of the dangers of the world, in this case roof-top snipers and stone-throwing rioters, and the temptation these presented to the unwary soul, in this case, as he put it, ‘to run like buggery’. But they would not succumb, he said; indeed, they would lead their sections looking such dangers fearlessly in the face, because they were armed with a greater power — the red hackle, or feather, they wore in their khaki bonnets.

Richard Davenporthines

Hero or villein?

From our UK edition

‘Not one word’, exclaimed Turgenev of Tolstoy, ‘not one movement of his is natural! He is eternally posing before us!’ The recurrent underlying theme of A.N. Wilson’s prize-winning biography of Tolstoy, now re-issued after a quarter of a century, is the novelist as grand impersonator. Wilson (a prolific novelist himself) believes that there is a strong impulse in novelists to don masks or test alter egos, and that this impulse rioted in Tolstoy’s character. Throughout his long life Tolstoy switched between playing at sad orphan, landowner, libertine, crazed gambler, spiritual elder, holy fool, paterfamilias, historian, village idiot, cobbler and dissident.

Peter Parker

Girls and boys come out to play

From our UK edition

‘You are in the polymorphous-perverse stage,’ the school psychiatrist tells the assembled boys of Favorite River Academy in Vermont in the late 1950s. Just how polymorphously perverse his audience turns out to be would have surprised even Dr Grau, had he not fallen over drunk one evening and frozen to death. It is no accident that the all-male private school in which much of the action of John Irving’s new novel takes place should be in a town with the unusual name of First Sisters. Irving’s narrator is a bisexual novelist called William Abbott, known to friends and family as Billy. ‘Abbott’ is in fact the name of his stepfather, who teaches at the school: Billy’s real father disappeared during the boy’s infancy and is rarely talked about.

Thomas W. Hodgkinson

The dirty dozen

From our UK edition

I have this fantasy in which I’m the Emperor Nero. I’m relaxing in my toga, and there are these slave girls dancing for me, and one of them has the most incredible … Like all the best fantasies, it’s a little unrealistic, let us say, but I didn’t know how unrealistic until I read this magnificent book by Matthew Dennison. For Nero’s life, as absolute ruler of the known world, was hell, haunted by twitching doubts and gibbering fears. He was bisexual, to begin with. That was OK in ancient Rome, but when it came to sleeping with men he received rather than gave, and that was definitely uncool. (During the act itself, the sources say, Nero would ‘imitate the cries and laments of a maiden being deflowered’.

Judith Flanders

The pen was mightier than the brush

From our UK edition

Of the making of books about the Pre-Raphaelites, it appears, there is no end. Like the Bloomsberries, most of the PRB are more interesting to read about than the study of their work would suggest: a few towering talents stalk the mountaintops, while many lesser ones lurk in valleys and foothills. George Boyce was one of those lesser talents — a watercolourist of some small fame among his colleagues (although he was 52 before he was elected to full membership of the Old Water-Colour Society). His friend Henry Tanworth Wells had more worldly recognition, if not the esteem of the avant-garde: as a portraitist he painted the great, the good, the socially eminent or the just plain rich. The two men were also connected through a third painter, Boyce’s sister Joanna.

Charles Saumarez-Smith

Rus in urbe

From our UK edition

One of the pleasures of my week is walking across St James’s Square. The slightly furtive sense of trespassing as one opens the ironwork gates; the decision as to whether or not to follow the circuit of gravel paths or go straight across the grass; the equestrian statue of William III and readers from the London Library eating sandwiches. Although the surrounding architecture is an odd mishmash, the shape of the square and its urban form preserves a strong sense of its original 17th-century layout. St James’s Square plays a prominent role in the narrative of Todd Longstaffe-Gowan’s magisterial account of the ups and downs of the London square.

Saturday

Sam Leith

Paths of enlightenment

From our UK edition

In which Robert Macfarlane goes for a walk, again. But, as admirers of his previous works will know, Robert Macfarlane never just goes for a walk. This book’s four parts, each divided into three or four sub-sections, tell the stories of 16 expeditions: their declared intention to investigate ‘walking as a reconnoitre inwards’. His theme is the way that walking can be not just the occasion for thought but, in some sense, the method by which it is done; the way in which our experience of ourselves is shaped by moving through a landscape: Landscape is still often understood as a noun connoting fixity, scenery, an immobile painterly decorum.

Piers Paul-Read

In a Greene shade | 26 May 2012

From our UK edition

One of the unanticipated benefits of British rule in India is the body of distinguished writing in the English language coming from the Indian diaspora — Naipaul, Seth, Rushdie, Mistry, Mishra and Pico Iyer. Iyer, however, is atypical in that he was born in Oxford, lived in California, and was educated at Eton and Oxford. Thus he is less an Indian than a global author. He is coy about having been to Eton, which he does not name: it is the ‘high school near London’, ‘somewhere between the grey towns of Slough and Windsor’, which was founded by a king, has the oldest classroom in the world, and has provided Britain with 19 prime ministers.

Paul Binding

Doctor in distress

From our UK edition

It is winter 1936. Every weekday morning a group of young people travel by train from Ferrara, their home city, to Bologna where they are studying at the university. Theirs is a six-carriage stopping train, often infuriatingly late because of delays on the line, thus contradicting the famous Fascist boast about improvement of Italian railways. But these youths enjoy their ride, its camaraderie and little rituals. Only one carriage is not third class, and here, they notice, an eminent member of their own community is sitting: Dr Athos Fadigati. To this ENT specialist’s clinic most of them have, during childhood, been taken.

Wynn Wheldon

An enigma wrapped in a conundrum

From our UK edition

What to make of Banksy? Artist or vandal? Tate Modern holds no Banksys and, other than a redundant phone box that he folded in half and pretended to have reconfigured with a pickaxe, Banksy has never destroyed anything. So I ask my 15-year-old son what he knows of him: ‘He’s the guy who did the policeman with the Tesco bag, who does really cool graffiti, not lame stuff, and no one knows who he is.’ Actually, we do know who he is. His identity was discovered some years ago by the Daily Mail, an organ neither beloved nor believed by those who follow Banksy. But because the public loves a mystery I shall follow Will Ellsworth-Jones in his coy refusal to give the name away in this competent, broadly sympathetic and enjoyable book.

Andrew Taylor

Recent crime novels | 26 May 2012

From our UK edition

William Brodrick’s crime novels have the great (and unusual) merit of being unlike anyone else’s, not least because his series hero, Brother Anselm, is a Gray’s Inn barrister turned Suffolk monk. The plot of The Day of the Lie (Little, Brown, £12.99), Anselm’s fourth case,  is triggered by the discovery of files relating to Poland’s suppression of dissidents in Warsaw, mainly in the 1950s. Anselm’s oldest friend, now blind, was caught up in a linked later betrayal while working as a journalist in Poland. He wants Anselm to go there in his stead to examine the file that holds the name of the informant who betrayed both him and many others.

Jonathan Mirsky

Back to the Dreyfus Affair

From our UK edition

Not bad, this life. Now 95, Bernard Lewis, is recognised everywhere as a leading historian of the Middle East.He is the author of 32 books, translated into 29 languages, able in 15 languages, consulted by popes, kings, presidents and sheiks, on good or argumentative terms with many Western and Middle Eastern scholars and politicians, husband more than once, father, grandfather, and — true love at 80! — partner of the joint author of this book. He speaks with authority, although he is often disputed and occasionally sued, on so many different matters that his frequent name- and award-dropping somehow don’t exasperate. A non-observant English Jew, Lewis has visited most of the countries of the Middle East, even those that from time to time forbade Jews from entry.

Andro Linklater

Some legends flourish …

From our UK edition

Confronted by the dead Athenian heroes of the Peloponnesian War, Pericles gave voice in his funeral oration to an idea that explains better than any other why we are so obsessed by our military past. The freedom intrinsic to democracy, he said, made the unconstrained decision of its citizens to risk their lives in war more honourable than the choice forced on the soldiers of a militaristic system such as the Spartans’. ‘The man who can most truly be accounted brave,’ Pericles concluded, ‘is he who knows best the meaning of what is sweet in life and of what is terrible, and then goes out determined to meet what is to come.

Saturday

Richard Davenporthines

A lord of thin air

From our UK edition

It is easy, especially if one is not American, to feel ambivalent about the fictions of John Updike. The immaculate clarity of his prose style, the precision of his vocabulary, the tenderness underlying his Wasp comedies of manners, the puckish wit rising above a sorrowful temperament — none of these can be gainsaid. But the ways in which his novels seemed to raise the banality of fornication to some remote altitude of meaning, his efforts to imbue the quandaries of adultery and cuckoldry with transcendent significance, can seem relentless and overdone.

Ian Thomson

Life imitates art

From our UK edition

The other evening my wife came home to find me watching re-runs of Steptoe and Son. The washing up had not been done, and everything was in a state of bedragglement (including Olga, the family dog). ‘How can you bear to watch that stuff? Steptoe’s got a face like a squeezed lemon. He’s perfectly horrible. I’ll go further: he’s perfectly revolting.’ How could my wife not like Steptoe? The series had been a hit from the moment it was launched in 1962 and drew audiences of over 20 million. Ray Galton and his co-writer Alan Simpson combined a seaside postcard sauciness with the cockney menace of Harold Pinter (only with shorter pauses). The series is, among other things, a meditation on human decrepitude and the frustrations of a father-son relationship.

Penelope Lively

Ladies, you don’t want to go back there

From our UK edition

In 2009 a magazine survey found that many women in their twenties wanted to stay at home baking while their husbands went out to work: ‘I’d love to be a captive wife.’ Jessica Mann’s thoughtful and emphatic book is a riposte to this, an overview of the Fifties, which she calls a polemic and a personal memoir, winding together fact and opinion with her own experience of being, first a teenager and then a young woman at that time. The result is a richly readable and persuasive piece of work. I found myself reverently ticking the notes I took (‘Yes! Yes!’) while being reminded of aspects of those days I had forgotten — or sublimated.

Sean Mcglynn

Forever waging wars

From our UK edition

Death by buggery. Death by castration. Even death by being scared to death. Or so we are led to believe for the Plantagenets’ world. They had a lighter side, too: Henry II employed a professional flatulist with the trade-name of Roland the Farter. The longest reigning royal dynasty in English history (1154-1399), the Plantagenets offer the glaring contrast between their even balance of outstanding kings and outstandingly bad ones; this adds to the already exciting dynamics of a dramatic period, captured to great effect in Dan Jones’s big book on a big subject. The Plantagenets were established on the English throne by the ‘incessantly busy’ Henry II.

Michael Paraskos

Cracks in the landscape

From our UK edition

Sartre tried to prove that hell is other people by locking three strangers in a room for eternity and watching them torture each other. Similarly Will Cohu seems determined to show that hell is our own families. What is remarkable is that Cohu’s family members were not a collection of horrific monsters. On the contrary, they appear normal and often likeable people. They are almost disturbingly typical of many middle-class families with children who, like Cohu himself, were born in the 1960s. The names and places might change, but the characters and events are surprisingly familiar. The Wolf Pit opens with an evocation of the North Yorkshire moors that is almost kitsch in its flowery prose.

Peter Parker

Photo finish

From our UK edition

Christopher Isherwood kept diaries almost all his life. The first extant one dates from 1917, when he was 12, and like most schoolboys he used it more to measure than record his days: ‘Work in morning, walk in afternoon. In choir. More work. Nothing special.’ At Cambridge, however, inspired by the W.N.P. Barbellion’s The Journal of a Disappointed Man, he began keeping a more detailed and reflective record of his experiences. Fragmentary diaries survive from the years 1928 to 1938, but the four volumes of Isherwood’s published diaries begin with his arrival in America in January 1939 and end in 1983, three years before his death.