Biography

The life of Juan Carlos I, Spain’s 88-year-old former king, who reigned from 1975 until his abdication in 2014, falls into two parts: richly deserved triumph followed by richly deserved disgrace. Building on his 2004 biography, Juan Carlos: A People’s King, Paul Preston’s account of this extraordinary life is magisterial. The son of Don Juan de Borbon, the exiled heir to the Spanish throne, Juan Carlos was born in Rome in 1938. With a view to the eventual restoration of an authoritarian monarchy, he was sent to Spain, aged ten, to be indoctrinated in General Franco’s political tenets. He also had to endure the dictator’s long lectures on the mistakes made by previous Spanish monarchs.

It turns out that the writer Sathnam Sanghera, ‘The Boy with the Topknot’, has been a besotted George Michael fan since the age of eight, when he started listening to his older sisters’ Wham! records. This was an unusual thing to be as a Sikh growing up in Wolverhampton and it got him teased at school. But he stuck with it. So when a friend suggested that he write something fun to compensate for the years of heavy historical research he’d put into his excellent book Empireland, he decided to set off on a sort of pilgrimage in search of his dead hero. First stop was Mondial Cars, a showroom in Northwood, north London, which used to be the Bel Air restaurant, where the teenage Michael worked as a DJ.

Who do we have on television now, or even on social media, who can unmask pomposity and self-obsession quite like Caroline Aherne did in the guise of Mrs Merton? What sitcom since 2010 is as original – and as British – as The Royle Family, always near the top of any best British sitcom list? This July marks the tenth anniversary of the death of Aherne. Given the popularity of The Mrs Merton Show, The Royle Family, which ran for 15 years, and her characters on The Fast Show (not least Poula Fisch, the weather girl who can only announce one type of weather), it’s perhaps odd that this is the first ever biography. It quickly becomes evident why. Aherne is not the easiest subject: having been hounded by the press, she was not fond of giving interviews.

It sometimes seems that those people chosen to be subjects for biographies are drawn from a strictly limited cast. Every few years, another book about Tolstoy, Dickens or some other great literary figure comes along to make library shelves groan further. At a recent talk given for a new biography of George Orwell, I asked the author why he had felt a need to add to the pile, given the plethora of perfectly good existing ones. ‘Because OUP commissioned me,’ was the answer. I didn’t buy the book. So how refreshing that Miranda Seymour should choose an absolute unknown to write about, whose life was genuinely interesting and surprising.

This book got glowing reviews when it was published in the US a few months ago: ‘Irresistible’ (New York Times); ‘Riveting’ (Boston Globe); ‘Energetic and engaging’ (Washington Post). I kept wondering if I was reading the same book. You wouldn’t have thought it possible to make the Rolling Stones boring, but Bob Spitz somehow manages to. Let me count the ways. By giving his own programme notes on every Stones record; by paying far too much attention to the actual recording process and crediting every new sound engineer; and by totally missing the point that it is the Stones themselves we are interested in. I’m fairly typical of diehard Stones fans in that I got hooked in the 1960s and have stayed with them ever since. I am now 82.

Everyone I have met who has read Belchamber, Howard Sturgis’s novel of 1904, would endorse Edith Wharton’s judgment that this was a book which was ‘very nearly in the first rank’. I can still vividly remember the week – half a lifetime ago – when my wife and I discovered the little blue World’s Classics edition in a secondhand bookshop and were lost to the world for days. It is Henry James with the gloves off – in some ways quite unbearably vivid. Country house adultery and the sexual mores of London society during the 1890s are upsettingly, even crudely, laid bare. ‘Sainty’ the English aristocrat, an aesthete whose favourite pastime is knitting, fails to satisfy his coarse-grained wife, who provides him with a baby even though the marriage is, of course, unconsummated.

This story is little more than a brutal anecdote, which Patrick Radden Keefe has chosen to tell at excessive length. It has the kind of fact-checked gravity that indicates a star American journalist bent on perpetrating an entire book. (‘Built in 1923 and originally known as the Empire Stadium, Wembley was the most iconic sporting ground in Britain.’) But it occurred to me more than once as I read it that it has the hallmarks of a particularly black London comedy by Dickens or Ben Jonson or Joe Orton. A violent knave, his activities previously limited to cheating the police, murdering his equally appalling criminal rivals, doing underhand deals and ripping off the rich, acquires an associate.

I received this book for review on the same day that Dorothea Tanning was making headlines in the auction world, breaking records with the sale at Christie’s of a tiny but key early work for more than £4 million. Her prices have risen an astonishing sevenfold in the past year, as collectors cotton on to her significance as a Surrealist; and while she may still be trailing on Leonora Carrington’s coat-tails, she looks to be steadily catching up.   Born in America to Swedish parents, Tanning was the very model of a fiercely independent artist, and her works are singular and disquieting like few others. She was largely self-taught as a painter and developed a virtuoso technique.

Jan Morris was driven by almost super-human levels of energy and ambition, producing more than 40 books as well as news and travel articles, introductions, interviews, reviews and essays, travelling incessantly and taking on every job that was offered. That’s as far as I can go without a pronoun, because of course Morris’s life is divided into two parts. For the first half he was James, for the second she was Jan. James Morris was born in 1926, aware from early on that she was female, trapped in a male body. The transition to Jan, made in the early 1970s, remains at the heart of our fascination with Morris.

James Baldwin, like many American novelists before him, F. Scott Fitzgerald and John Dos Passos included, spent his formative years flitting restlessly between New York and Europe – New York being a source of fascination but also of creative burnout. He completed his first novel, Go Tell It On the Mountain (1953), not in Harlem, where he grew up and set the book, but in a Swiss chalet owned by the family of his then boyfriend, Lucien Happersberger. As he lived and worked in Loèche-les-Bains, Baldwin reasoned that the village children who shouted ‘neger’ at him did not mean to be unkind. They were simply curious and could never have known ‘the echoes this sound raises in me’.