More from Books

Wednesday

Derek Turner

England in infra-red: the beauty of the country at night

John Lewis-Stempel is nearly as prolific as the natural world about which he writes so well. His voice is distinctive – that of a traditional agriculturist of lyrical articulacy, an observant ecologist who finds mythopoeic magic in everyday animals, who honours his Herefordshire origins but addresses all England. Cattle in a frosty field are transfigured into witnesses of the Nativity As with his monographs on meadows and ponds, Nightwalking looks at under-appreciated aspects of the rural scene – this time, the most enigmatic of all. Like Robert Frost, poets often aspire to be ‘acquainted with the night’, and many are cited here.

Wednesday

Rose Prince

A choice of this year’s cook books

The revolving doors of the 1990s’ restaurant scene saw a cast of great characters, sadly now on the wane. One of the so-called ‘modern British’ movement’s greatest champions, Terence Conran, has departed; we have lost Alastair Little and Andrew Edmunds, and only last month Joyce Molyneux, of Carved Angel fame. Who? What? If you never ate in Little’s Frith Street restaurant, lapped Simon Hopkinson’s deliciousness at Bibendum or indeed revolved through the doors into Rowley Leigh’s Kensington Place, you will wonder what I am on about.

Tom Burgis

The trauma of war reportage: nightmare stories from the front line

One day during the Rwandan genocide in 1994, Evariste Maherane heard about a Tutsi boy whose parents had been killed in a massacre at a church. The boy had escaped. He was about ten, the same age as Evariste’s son. A family of Hutus, instead of joining the slaughter of Tutsis that many of their ethnicity were perpetrating, had taken him in. They had tended to his wounds but he was still weak. Evariste went to their house. Hand him over, he told them. There was a banana plantation nearby. Evariste took the boy there. He gripped his neck and began to beat him. With help from another man, he dug a hole. When it was deep enough, they threw the boy in. His arms and legs flailed as they filled the hole in.

Genevieve Gaunt

A family scandal straight out of a Hollywood film noir

In 1973, in White Plains, New York, Donna Freed was told, in a ‘shroud of shame’ and without any soothing explanations, that she was adopted. The six-year-old’s life was plunged into a dark hinterland of anxiety. Freed spent the next 38 years fearful that the discovery of her birth mother would reveal ‘a terrible or seedy story, tragic circumstances, terror, violence, incest or rape’. In fact the truth awaiting her was a sensation straight out of a Hollywood film noir: a scandalous tale of dirty glamour, passion and pseudocide. Her parents were in fact embroiled in one of the juiciest death fraud cases of 1960s America. Duplicity is a Janus memoir, part adoption story, part true crime history.

P. F. King

The long arm of police corruption

Are all institutions basically corrupt? If company directors snaffle pencils from the stationery cupboard for their own use, are they corrupt? Is there a sliding scale of corruption, from ‘whatever’, through to ‘well I wouldn’t do it myself’, all the way to ‘summon the rozzers’? And does it matter what the organisation is? Is it worse to steal from your employer if you work for Nestlé or for Oxfam? Are some small corruptions are basically all right? Of course if we accept the small corruptions, the bigger ones creep in at the edges. And once they’ve entered an organisation’s culture, it is well nigh impossible to root them out. In essence, Tom Harper’s book is a thoroughly depressing account of the Metropolitan Police’s corruptibility.

Jay Elwes

Dictators with the luck of the devil

‘What brings strong personalities to power?’ asks the historian Ian Kershaw. ‘And what promotes or limits their use of that power?’ Those two questions are at the centre of this book, a study of some of the 20th century’s most important leaders. The result is partly an analysis of character, but also an attempt to gauge how much history’s main players directed world events, and how much events directed them. Kershaw begins with Lenin, whose rise was punctuated by huge strokes of luck. For one thing, his mother was willing to support him financially for his entire life. She must have had a very forgiving nature as, in Kershaw’s arrow-sharp description, Lenin was an exceptionally tedious, unpleasant man. He was ‘punctiliously insistent on pedantic forms of order.

Jude Cook

Planning a New Jerusalem: The Peckham Experiment, by Guy Ware, reviewed

The Peckham Experiment was a radical, if earnest, initiative begun in 1926 in which working-class families were given access to physical activities, such as swimming, as well as workshops and a shot at cultural betterment. It’s into this rather worthy scheme that identical twins, the subjects of Guy Ware’s novel, are born: Charlie and JJ, the offspring of communist parents, who are later orphaned during the Blitz. Both go on to long careers in housing, and the book tracks their progress, alongside themes of ownership and exploitation, against the backdrop of key events in postwar British history. The novel begins on the eve of JJ’s funeral, with Charlie struggling to write a eulogy for his 85-year-old brother.

John Gimlette

It’s time to stop sneering at metal detectorists

As a teenager growing up in Cheshire I had a metal detector. Although I was slightly ashamed of it, I found all sorts of intriguing things: shrapnel, a French coin, a Khartoum Racing Club key ring, an adze and a silver brooch in the shape of a lobster. All went well until I found a second world war bomb in Tatton Park. They had to call out the army, and I got a Grade A bollocking. People hated metal detectors. Since then I haven’t given them much thought; but Nigel Richardson has. An acclaimed travel writer, he was grounded by the Covid pandemic and, like many of us, began to reflect on the course life had taken. It worried him that he was rootless: the northern kid who went to boarding school in Sussex, the ‘citizen of nowhere’, without tribe or peers.

Thursday

Marcus Berkmann

The Queen Mother’s tipsy bons mots and other stocking fillers

The standard complaint of anyone doing a Christmas gift books guide is that the books aren’t up to much. I myself may have moaned to this effect in the past. But either they are getting better or my critical faculties are beginning to fail. I think it’s the former, but if I’m wrong don’t be surprised if I’m sucking on milky rusks by this time next year. My daft picture book of the season – a vital category – is Ryan Herman’s Remarkable Football Grounds (Pavilion, £25), which is exactly what it seems to be: a collection of colour photographs of some of the most spectacular football grounds in the world. There are all the usual suspects, such as Anfield and Old Trafford, and others that resemble a crocodile, an armadillo or a chocolate box.

Ursula Buchan

A choice of gardening books for Christmas

Do you ever think about the ground beneath your feet? I do. Having read a number of popular science books on this most precious of natural resources, I am now obsessed. So much has recently been discovered about the invaluable symbiotic relationships that form between microbes, fungi and plant roots in the soil that it feels perverse to turn one’s head away. Lately, the book that has most influenced my thinking (perhaps because it is a rattling read) is Soil: The Incredible Story of What Keeps the Earth, and Us, Healthy by Matthew Evans (Murdoch Books, £14.99). It’s the work of a no-nonsense Australian farmer and former restaurant critic who has bothered to read the latest research. And what he writes should astonish every gardener.

Wednesday

Stephen Bayley

Why are heritage enthusiasts so stubbornly hidebound?

Even if notions of beauty are treacherously fugitive, and even if interpretations of history are nowadays subject to revision by class, gender and race, there can be no civilised argument against the preservation and enjoyment of great architecture and art from the past. But ‘heritage’ is not quite that simple. There’s something else going on. A la recherche of what precisely? Our troubled world accommodates, even embraces, heritage tomatoes and heritage paint. The former reaches back into agricultural history to find an uncontaminated source of perfect taste; the latter, chalk-dense, impure colours popularised by Farrow & Ball, elevates ordinary cottage woodwork to gentility. And these two poles of misplaced desire define the heritage sensibility.

John McEwen

In defence of John James Audubon 

The text of this well illustrated book is mostly John James Audubon’s, from journals unpublished in his lifetime. Part I describes his 1826 voyage from America to England to set in motion the great task – which would take 11 years – of fundraising for the printing of his mighty double elephant folio book in four volumes, The Birds of America. Part III is devoted to his 1833 seabird searching expedition to Labrador. The well chosen excerpts are introduced and meticulously annotated.  Audubon’s innate love of birds grew into a grand ambition to observe, record and publish life-size images – never previously attempted anywhere – of all the birds of North America. He did this before photography proved his dramatic rendering of movement correct.

Melanie McDonagh

Imprisoned on the whim of Enver Hoxha

Nowhere in this extraordinary prison memoir do we find out why Fatos Lubonja was sentenced to imprisonment in Spaç, the Albanian jail where some inmates worked the copper mines. He’s written about it elsewhere. His first seven years there were for ‘agitation and propaganda’, after police found his diaries, with criticisms of the Albanian tyrant Enver Hoxha, in his uncle’s attic. While he was in prison he was re-sentenced to a further 25 years for involvement in a counter-revolutionary organisation. The dictator didn’t last as long as that. Fatos served 17 years, partly in Spaç, partly in other camps.  It wasn’t difficult to get on the wrong side of the paranoid Hoxha.

Allan Mallinson

A young soldier’s noble vision: creating the Western Front Way 

This profound and emotion-laden book ends, as did the first world war, in hope, and no little catharsis. It begins, though, in overpowering grief, not just that of the Western Front’s bereaved, but the author’s. In 2016 Sir Anthony Seldon’s wife died of cancer, diagnosed five years earlier. They had met at Oxford, she was ‘dark-eyed and beautiful, preternaturally clever and knowing’, and when they married, his father, whose own people had been refugees from the pogroms in Ukraine, was delighted that he’d found a Jewish girl. After her death, which ‘ripped me in two’, writes Seldon, he threw himself into his work – his prodigious writing and the vice-chancellorship of Buckingham University, which his father had helped found.

Peter Parker

The frustrated life of John Singer Sargent

At Tate Britain this year, for the first time since 1926, nine of John Singer Sargent’s brilliantly painted and affectionately characterful portraits of the Wertheimer family have been displayed together in their own room. This was what the wealthy London art dealer Asher Wertheimer had always intended when he bequeathed these paintings to the nation. Some queried his generous gift on the frankly snobbish and anti-Semitic grounds that it was not for upstart Jewish businessmen to force their likenesses into a national collection. The Conservative MP Sir Charles Oman went so far as to say in the Commons that ‘these clever but extremely repulsive pictures should be placed in a special chamber of horrors and not between brilliant examples of the art of Turner’.

Alexander Larman

The afterlife of a painting: Molly & the Captain, by Anthony Quinn, reviewed

Novels about art are often strange, vain affairs. After all, writing about artists, especially fictional ones, can seem like a strained exercise in trying to yoke together two irreconcilable mediums. It is to Anthony Quinn’s credit that his ninth novel, Molly & the Captain, not only succeeds admirably as a centuries-spanning account of the influence and afterlife of the eponymous painting, but manages to say illuminating things about creativity, love and family dynamics in the process. The book is divided into three sections. The first, ‘Merrymounts’, is the shortest, and is written in an 18th-century literary pastiche style that initially jars but soon enthrals.

Stuart Evers

An Argentinian allegory: Our Share of Night, by Mariana Enriquez, reviewed

‘In Argentina,’ Mariana Enriquez writes in Our Share of Night, ‘they toss bodies at you.’ It is an arresting, chilling image; one that Gaspar, the central character, experiences both literally and figuratively. Bodies are everywhere in this novel – whether dead, undead, dying or decomposing, at swim or making love – and what they feel and what they can know is the intellectual dynamic that underpins plotlines familiar from the work of Stephen King, the films of Guillermo del Toro and the horror drama Stranger Things. The Order grew out of British occultism of the late 19th century and, by the 1980s, when the book opens, is a powerful, shadowy group, run from Argentina by two families, the Reyes and the Bradfords.

David Crane

The history of the world in bloodshed and megalomania

It is hard to imagine why anyone should want to write one, but if there has to be a history of the whole world then Simon Sebag-Montefiore must be as good a candidate to write it as anyone. He would seem to have read pretty well everything that has ever been written, visited everywhere of historical interest on the planet and enjoyed – thanks to Covid and lockdown – the time to write the one book that he has always had in his sights. The only history we ‘adore’, Chairman Mao reckoned (and he ought to know), is the history of wars, and in The World: A Family History Sebag-Montefiore has taken the message to heart.

Wednesday

Claudia Gold

The cruel legacy of the She-Wolf of France

The 14th century was ‘a bad time for humanity’. In the words of the Pulitzer prize-winning historian Barbara Tuchman: If [those years] seemed full of brilliance and adventure to a few at the top, to most they were a succession of wayward dangers; of the three galloping evils, pillage, plague and taxes; of fierce and tragic conflicts, bizarre fates, capricious money, sorcery, betrayals, insurrections, murder, madness and the downfall of princes; of dwindling labour for the fields... and always the recurring black shadow of pestilence carrying its message of guilt and sin and the hostility of God.

Mia Levitin

Displacement and disturbance: Seven Empty Houses, by Samanta Schweblin, reviewed

Thrice nominated for the International Booker prize, the Argentine author Samanta Schweblin is part of a wave of Latin American writers whose work has been dubbed ‘narrative of the unusual’. While Seven Empty Houses is less fantastical than Schweblin’s previous collection, Mouthful of Birds, the unease of the uncanny persists. Written as she was moving from Buenos Aires to Berlin, the seven stories depict displacement (there are a lot of boxes) and disturbance. A woman sneaks around mansions to rearrange them; a man worries about his children staying with his nudist parents; a woman is unmoored after moving back from Spain. One of the most unsettling stories, ‘An Unlucky Man’, is about an encounter between an eight-year-old girl and a stranger in a hospital waiting room.