More from Books

Saturday

Tim Congdon

A dove with a touch of hawk

Sir Samuel Brittan has long been a national institution. As economics editor of the Observer in the early 1960s and the principal economic commentator on the Financial Times from 1966 to his retirement in 1998, he wrote an influential weekly newspaper column for almost 40 years. He still contributes to the Financial Times, often to great effect. Consistent themes in his writing have been support for free markets over state planning, and the advocacy of open- ness towards other countries in trade, investment and migration. He has managed to keep his own party-political preferences shrouded in enough uncertainty to have influenced all three main parties.

Olivia Cole

A quartet of debutantes

The Great Stinkby Clare ClarkPenguin, £12.99, pp. 358, ISBN 0670915300 The Second Life of Samuel Tyneby Esi EdugyanVirago, £10.99, pp. 278, ISBN 1844081060 The Icarus Girlby Helen OyeyemiBloomsbury, £16.99, pp. 320, ISBN 0747575487 With an aversion to ghost stories I was surprised to find myself greatly moved by Strangers. Like the author, Taichi Yamada, Haidi is a scriptwriter. Orphaned as a child and divorced from his wife (‘the bond uniting us had become indifference,’ he notes with a professional writer’s economy), to save money he lives in his high-rise office, a deathly quiet place once emptied of its daytime inhabitants.

David Hughes

Watch this space

I read this nice well-intentioned book with devotion, despite its being thoroughly reader-resistant to anyone of a sceptical turn. For a start, these days, alien is corn. Everyone but a bonehead regards the universe as altogether a subtler mystery than is explicable either by science or via little men with misshapen heads descending on saucers to frighten nonentities on lonely American highways far beyond reliable witness. Happily earthbound, or sometimes miserably so, I have been less concerned with ufos than ufas: unidentified flying angst, as we call it in our family, and we all know how our waking days, for at least one hour in ten, are decimated by that phenomenon. It is why we look for gods.

Grey Gowrie

The sensuous recluse

What in the world has happened to the culture of France? If you enter a room almost anywhere in the West when two or three of the arterati are gathered together and ask them to name interesting young artists, no one will mention anyone French. The same goes for literature and drama.

Ian Garrick-Mason

The lights that failed

While the Victorian age was certainly one of unprecedented industrial and technical advances — an age, if there ever was one, of science and reason — it was also an age of unconventional religious enthusiams and spiritualist vogues. From seances held in the drawing-rooms of upper-class London families to Christian revivalist gatherings in the slums and countryside, a strong counter-current of faith flowed beneath the 19th century’s surface of rational progress.

Digby Durrant

Edinburgh still rocks

Will Alexander McCall Smith’s readers remain loyal now that he’s not writing about Bots- wana, which he sees as an earthly paradise, but about Edinburgh, which even her most devoted citizens couldn’t claim for her, beautiful though she is. He’s as amazed by that skyline as they are, but no one is more aware than he that it’s the people that make the city what it is. And here they are, warts and all, the ordinary and the extraordinary, the misfits and the prosperous, as they have already seen themselves in the pages of the Scotsman where this first appeared as a daily serial. In the book, that comes to 110 chapters with headings like, ‘The Rucksack of Guilt’ and ‘God Looks Down on Belgium’.

William Brett

The battle of Babel

Apparently, this book is a work of ‘diachronic sociolinguistics’. Sensibly, the author doesn’t mention this disconcerting fact until the last chapter, by which time it is clear that diachronic sociolinguistics is not as terrifyingly obscure as it sounds. Empires of the Word bills itself as ‘A Language History of the World’, and charts the careers of the major world languages for which there are written records. The aim is to find reasons for language successes and failures, but to find them in historical, social, political and economic factors, not in explicit comparative linguistics. This makes the book surprisingly accessible to the non-specialist, since it reads more like a historical narrative than a dense academic study.

Andrew Barrow

Lady into urban fox

This is a thoroughly rotten book, a squelchingly well-researched period piece with sex, lust, over-ripeness and what one character calls the ‘odour’ of the scholar permeating every paragraph. It is also, let me quickly add, a remarkable tour de force, jam-packed with poetry, verbal fireworks, vitality and charm. Set during the overheated summer of 1784 and composed entirely of letters and diary extracts, A Factory of Cunning describes a visit to London by a foreign lady calling herself Mrs Fox. On the first page, this tricky character asks one of her correspondents, ‘Does all mankind wish me harm?’ but rapidly reveals herself to be hell-bent on corrupting innocent lives and seeking out people, as a form of sport, to kill or ruin.

Sam Leith

Profit without honour

Early on in Piers Morgan’s memoir of his career as a tabloid editor, there is a very funny incident. It is a Saturday in 1994 and Morgan, then editor of the News of the World, knows that the Sunday Times, his broadsheet stablemate, has bought the serialisation rights to Jonathan Dimbleby’s book about Prince Charles. Its editor, John Witherow, declines to tip Piers off about what’s in the book. So Piers decides to get one over on his snooty rival. He gets his colleague Rebekah Wade to sneak into the Sunday Times’s offices dressed as a cleaner. She hides in the loo for two hours waiting for the presses to roll, then jumps out, snaffles one of the first copies to be printed, and legs it back to the NoW.

Saturday

Sarah Burton

Mother both superior and inferior

In January 1831 26-year-old Aurore Dupin Duvenant abandoned her secure provincial existence, her husband and small children, and set out for Paris and la vie bohème. She soon took a 19-year-old lover, adopted male dress, and began to write for a living. The publication of her novel Indiana led to a staff job on La Revue and she became, overnight, both rich and famous. She was no longer Mme Duvenant but known to the world as George Sand. Aurore adopted her male nom de plume on the advice of her editor who believed that books by women would not sell.

Rob White

A star but not a team player

In January 1942 Orson Welles finished filming The Magnificent Ambersons, his follow-up to Citizen Kane (1941). When he flew to Rio the next month to begin work on a new project (which would soon be scuppered by the RKO studio), he left behind a rough cut of a picture about the decline of a genteel 19th-century family and the coming of a new world. The ending was meant to be devastating. The Amberson mansion has become a retirement home, encroached upon by tarmac and traffic. ‘Everything is over,’ Welles explained some years later, ‘everything is buried under the parking lots and the cars.’ Only this is not the end of the film as we have it.

Sibylla Jane-Flower

Bad presentation of a good cause

Brian MacArthur’s credits as an author include three Penguin anthologies and a tribute to Princess Diana. He embarked on the emotive and complex subject of prisoners of war of the Japanese in 2002 and had completed his text with the help of three research assistants by the beginning of May 2004. MacArthur’s aim is ‘to speak in the voices of the Fepows [sic] themselves’ and his source material includes more than 150 unpublished diaries. The quotations are linked by MacArthur’s commentaries on Changi military camp, the Thailand-Burma Railway, the ‘Hellships’, the prisoners in Japan, Haruku and Sandakan, and subjects such as food, religion, medicine, black markeeters and clandestine radios.

Jonathan Gathornehardy

Trouble at the sex factory

I should perhaps declare, not an interest quite, or at least not only an interest, but an expertise. Ten years ago I spent seven months in Bloomington, Indiana researching a biography of Alfred C. Kinsey, the pioneer entomologist and sex researcher. The book appeared in 1998. T. C. Boyle has had the bright idea of writing a novel based on ‘Prok’, as Kinsey was called, and his ‘inner circle’: ‘Mac’ his wife, and his three assistants and their wives. A bright idea fortuitously, since his novel is able to coincide with the film Kinsey starring Liam Neeson and just out.

Olivia Glazebrook

Going astray abroad

These days we are all sophisticates, or so we like to think. Thanks to the media and the internet we can become worldly without leaving home. What’s more, if we stay at home our theoretical broad-mindedness is never put to the test; we can express hip views and appear open to cultural differences whilst remaining comfortable by the fireside. So, asks Matthew Kneale, what happens to that kind of shallow sophistication when it finds itself on foreign ground? What happens to a smug moral code removed from its context? In these 12 short stories Kneale demonstrates the convenient elasticity of moral values.

Charlotte Hobson

A tale of January and May

So you’d like your child to be a successful writer (as the classified ads might say)? Well, the least you can do, in that case, is to ensure that he or she grows up as a first- or second-generation immigrant. That way, you will provide them with an incomparably rich (literarily speaking) background straddled between two cultures, with all the sense of irony, alienation and identity crisis this entails. They will absorb two different languages and, even better, the mish-mash of both which inevitably ends up being spoken at home and which has enlivened Anglophone literature in a hundred different ways over the past half century.

Byron Rogers

Once upon a funny old time . . .

The drama of this book is not its contents but its frame, the sense of what might have been that surrounds it, had the players only known their parts. Everything was there, programmed as in a space shot, for this to have been a real-life fairytale. Once upon a time, in a far-off land, there was a princess …. The letters unroll as they did in the Hollywood films of the 1950s. She was so young and so beautiful, her marriage to the prince had been the occasion for rejoicing among the people of that land. But the prince had wearied of her and turned to an older woman, which left the princess, who grew more beautiful by the day (and by regular work-outs in the gym) lonely and guarded in a palace…. Enter the scriptwriters, for whom all this is a godsend.

Robert Oakeshott

Mau Mau and all that

Surprisingly (but maybe not to those who knew him well) it was the Duke of Devonshire who, having been appointed colonial secretary in Bonar Law’s government, issued a White Paper in 1923 about the paramountcy of African interests in the then colony of Kenya: Primarily Kenya is an African territory and HMG thinks it necessary definitely to record their considered opinion that the interests of the African natives must be paramount and that if and when those interests and the interests of the immigrant races should conflict, the former should prevail.

James Stourton

Living it up in Paris

The French no longer keep diaries or go in much for social memoirs. They take their secrets with them to the grave, which is why so many of the best accounts of postwar Paris social life are Anglo-Saxon. It is therefore all the more extraordinary to read this memoir dictated from the pinnacle of Parisian social life by the Baron Alexis de Redé before he died in July 2004.

Euan Cameron

From mourning into morning

Grief hangs like a pall over the opening section of Christopher Rush’s account of how he came to make a journey in the footsteps of Robert Louis Stevenson. A 49-year-old Edinburgh schoolmaster and writer, his life disintegrated in 1993 when his beloved wife Patricia died suddenly from breast cancer after 25 years of marriage, and this book is at once a memorial to her and a story of his own catharsis and re-emergence into the life of the living. In the first 80 pages Rush describes the onset of ‘the obscenity of cancer’ and its effects on his poor wife’s ailing body in such painfully forthright detail that anyone of a squeamish disposition is likely to wince in horror.

Saturday

Robert Stewart

How much of a saint?

Most biographies are written against a sketchy background of historical events drawn with just enough broad strokes of the brush to provide context for a life. Martin Crowe’s book, apart from the affecting last chapters on the autumn of Schindler’s life, is just the opposite. The milieu in which Oskar Schindler, the famous saviour of Krakow ghetto Jews during the Holocaust, operated is presented in exhaustive and brightly lit detail, while Schindler himself haunts the pages as a shadowy figure, elusive to the eye. The explanation is twofold. Crowe’s indefatigability as a researcher is beyond question. But Schindler was a minor figure in the great scheme of Nazi things and the evidence on which to build a biography is flimsy and bafflingly inconclusive.