More from Books

Like father like son

Phillip II of Macedonia by Ian Worthington Alexander the Great, it goes without saying, was a man not much given to modesty. In 334 BC, as he was preparing to embark on his invasion of Asia, his mother, the sinister witch-queen Olympias, whispered in his ear ‘the secret of his birth’, revealing that he was in fact the son of a god, of Zeus himself — and Alexander believed her. Three years later, in Egypt, he travelled hundreds of miles out of his way to consult the desert oracle of Siwah and the priest, it is said, ‘left him in no doubt that he was indeed the son of Zeus’. By 324, with a record of victory behind him second to none, he went the whole hog, and openly demanded divine honours, before promptly dying the following year.

The Circus

The Circus by Noel Daniel You’d have to be a strong man yourself just to lift this amazing collection of photographs and circus posters. It covers the years 1870 to 1950 and is quite eye-watering. Buy this book and you’ll never have to watch television ever again. You sir, the man at the back in the pink suit, are you strong enough to lift this tome? Roll up! Roll up! See the dog-faced woman!

Muddying the waters

This fitfully involving, but for the most part irritating, melodrama is Tim Parks’s 14th novel, and not one of his best. Set almost entirely in India, it begins with the funeral of one Albert James, a trailblazing anthropologist whose elliptical, wide-ranging theories never really took root, and it ends with the death of his widow, Helen, an aid worker, some months later. Parks concerns himself with the interior lives of his characters as they negotiate grief and curiosity about the dead man’s unfinished research (Parks admits in a note that James was loosely inspired by the social scientist Gregory Bateson). But none of them ever quite comes into focus — including the main character, John.

Really not happy at all

Bits of Me are Falling Apart by William Leith Some years ago, a young scribbler named William Leith began a column for the Independent on Sunday that divided opinion among readers and, indeed, other young scribblers like me. Instead of writing about the world outside, as columnists had previously felt obliged to, he wrote about himself and his collapsing life in simple, unadorned prose. I remember reading it every week to the sound of my own grinding teeth, partly because I couldn’t see the point of it, but mainly because at the time I was consumed by professional jealousy of any contemporary who was clearly doing better than I was. I completely missed the boldness, even fearlessness, in his writing.

Life and Letters | 23 August 2008

Ten, eleven weeks ago I had an email from Simon Gray to say that the tumour on his lung hadn’t grown; so he was all right till his next scan in four months time. Now he is dead and I wonder if they didn’t tell him the truth then, or if the thing took a sudden spurt. The latter, surely; he wasn’t someone to conceal bad news from. ‘I am always eager to acknowledge the worst,’ he wrote in the last published volume of his diaries, ‘and often in advance of the evidence.’ A day or two later came another email. ‘Now that I know I’m not going to die for four months I’ll have to find something to write. Any ideas?

Our modest contribution

St Petersburg and the British: The City Through the Eyes of British Visitors and Residents by Anthony Cross To early English visitors St Petersburg seemed an ‘abstract’, artificial city with no roots in the past. It was the creation of one man, Peter the Great, determined to replace Moscow as the capital of his empire by a new city on the banks of the Neva ‘where there was nothing to be seen but marsh and water’. By 1774, for Sir Nathaniel Wraxall, the first tourist to publish an account of St Petersburg, a settlement of mean wooden houses in 1703 had been transformed into ‘one of the most magnificent cities on earth’.

In his own words

Ever Dirk: The Bogarde Letters by John Coldstream (editor) The art of letter-writing being in terminal decline and with precious little romance in emails or mobile-phone texts, this fascinating collection of Dirk Bogarde’s letters is a rare gift to those who think nostalgically of a less mechanical way of life. Puffing on 60 cigarettes a day, Dirk bashed out some two million words in missives to friends, fans and professional colleagues. This enigmatic and complex man was a natural letter- writer, his thoughts and emotions fragmented onto the page like mercury from a broken thermometer.

The great deception continues

Out of Mao’s Shadow: The Struggle for the Soul of New China by Philip Pan In 1952 the 20-year-old Maoist fanatic, Lin Zhao, ordered that a Chinese landlord be immersed in a vat of icy water overnight. She said this filled her with ‘cruel happiness’. Later she wrote to a friend about how she had helped organise the execution of other landlords, some of the two million killed in those years. ‘Seeing them die this way, I felt proud and happy.’ Lin came from a family which in Maoist terms had a ‘bad class background’, the kind of ‘black’ family that could end up with bullets in the back of their necks, bullets for which their executioners would ask surviving family members to pay five pennies.

Highs and lows of a musical career

Handel: The Man and His Music by Jonathan Keates Since 1985, when Jonathan Keates first published this exhilarating critical biography of Handel, there have been enormous advances in the study of the composer and his oeuvre — not least the publication of two major volumes by the doyen of Handel scholars Winton Dean — and the establishment of the Handel Institute. Such developments, along with a continuing increase in the public’s appetite for his music and the 250th anniversary of his death next year, more than justify this substantially revised edition of Keates’ book. For the paid-up Handel fan — and those like me who sometimes still need persuading — the result is an 18th-century mix of pleasure and instruction.

Do tell me some more about Devonshire

So I Have Thought of You: The Letters of Penelope Fitzgerald, edited by Terence Dooley ‘I can’t remember whether you said you liked Barbara Pym,’ Penelope Fitzgerald wrote to an old school friend around 1980, ‘but am sending Quartet in Autumn in case you haven’t got it, otherwise it can go to the Mothers’ Union Xmas sale. I do like her very much, the incidents look so trivial that there’s nothing in them and then you suddenly realise how much she’s said.’ The recommendation is typical in its lighthandedness and could also be mistaken for a fair summary of Fitzgerald’s own fiction at that time. But her work went further and deeper than Pym’s.

Going through the hoops

Dreaming Iris by John de Falbe Love, whether originally mental or glandular, a coup de foudre or a gradual smouldering incandescence, fulfilled or not, constitutes the basis for most readable fiction. In Dreaming Iris, John de Falbe, abiding by this tradition, examines the effects of imaginary love on two real but fragile relationships. He has written a subtly engrossing novel about characters who in actuality might provoke good shakings. This is a story of privileged family life in which the only stable foundation is a dilapidated country estate in Leicestershire. How different from love in a ‘romcom’! The admirable higher literacy of de Falbe’s prose invests adulterous yearnings with something like gravitas.

Once a fashionable monster

Maurice Yacowar, Emeritus Professor of English and Film Studies at the University of Calgary, begins his ‘portrait’ thus: ‘John Bratby was an overachiever who fell short of his potential.’ Rather like this book really. Instead of a balanced assessment of one of the most interesting postwar figures in the British art world, we are offered a lurid account of Bratby’s private life and loves in the sort of shameless exposé of which their hero would quite possibly have approved. But it’s a very different thing for an artist to leak his own scandal to the papers in order to boost sales from a foreign academic’s coming along and reheating it all. This book simply promotes the Bratby myth without attempting to explain it.

Dearly beloved Meg

Sir Thomas More was the most dedicated of Henry VIII’s Chancellors before becoming the most famous of his victims. Sir Thomas More was the most dedicated of Henry VIII’s Chancellors before becoming the most famous of his victims. Nearly 30 years ago, John Guy wrote what is still the best biography of this fascinating and contradictory man. Now he has turned his hand to More’s first and favourite daughter, Margaret Roper. More stood out in many ways in his day. One of them was that he believed in educating his daughters. He attended personally to their studies. He hired competent scholars to teach them. Margaret was brought up on the same diet of Greek and Latin literature, philosophy and theology as her two sisters and her brother John.

Good length delivery

This short novel was first published in a tiny edition at the end of last year. Since then it has won the McKitterick Prize (for the best first novel by an author over forty), and now it is reissued with a glossy picture on the cover and a quote by Mick Jagger saying that he loved it. Good for him: it is superb. It is narrated by a woman who is having an affair that reaches a crisis during the five days of a Test match. Her focus swings between her husband, who keeps trying to explain the rules of cricket, her lover (‘the loss-adjustor’ — we never learn his name), who won’t explain because it would be like trying to explain a joke, and her 16-year-old stepson, Selwyn, who hasn’t come home.

Recent crime novels | 9 August 2008

Andrew Taylor reviews a selection of recent crime novels  The Murder Farm (Quercus, £8.99) is Andrea Schenkel’s first novel and has been hugely successful in her native Germany and elsewhere. Based on a real case, it is set in the 1950s and deals with murder of a farmer, his wife, daughter, grandchildren and maid. It is a short book with an unusual structure — an account of the case which seems to be compiled by a narrator from outside the area is intercut with witness statements giving glimpses of events, people and relationships in this isolated rural setting, and also with a handful of impassioned prayers.

The desperate fate of Malcolm Lowry

Late one night many years ago I was in a bar round the corner from the Roman offices of the newspaper La Stampa. After a few grappas I gave my friend Anthony something I had written that day. He read it without evident appreciation, and, handing it back, said, ‘Can’t you write anything that isn’t pastiche Lowry?’ Crushing criticism; also just. At that time in my writing and drinking life I was in thrall to Malcolm Lowry. So indeed was Anthony and much of our late night/early morning conversation in bars drew heavily on Under the Volcano, often indeed consisted of quotations from the novel. ‘And often the poor guy, he had no socks’ — that sort of thing.

A master at work

It’s pretty seldom that, only a few pages into a novel, you know you’re in the hands of a writer who does what he does as well as anyone else alive. Lush Life is that sort of book: entirely imagined, dense with life, and written sentence by sentence without a false note or a moment of drag. In the opening chapter we are introduced to the ‘Quality of Life Task Force’ — a team of four undercover cops ‘in a bogus taxi set up on the corner of Clinton Street alongside the Williamsburg Bridge off-ramp to profile the incoming salmon run’. As the figure of speech suggests, they’re fishing — random car-stops, hoping to pull guns, dope, knives.

Nooks for rooks

Was it Wordsworth who discovered the ‘real’ rural? Later, the Georgian poets celebrated its passing, giving rise to what Edward Thomas called ‘the Norfolk Jacket school of writing’. The poets of the 1930s took up politics instead, and nowadays poets are mostly urban. These scatter-shot generalisations, riddled with exceptions, are only meant as an introduction to the astonishing welter of prose books, not poetry, since the beginning of this new century, which contain the word ‘wild’ in their titles: How To Be Wild, The Wild Places, Wildwood, The Wild Trees. All these lament, either explicitly or by implication, the way we seem to have lost touch with the non-human world.