More from Books

The agonies of adolescence: The Party, by Tessa Hadley, reviewed

My husband and I like to play Tessa Hadley bingo whenever she has a new book out. You get a point if one of the characters is dressed in a bad outfit, which the author seems rather to admire – a purple jacket with orange tassels; a long felt skirt; a beret, maybe at an angle. You get another point if a beautiful boy-man steals the heart of the story’s older heroine; bonus points if he is unaware of his beauty, a little callous, elegant or golden-skinned. In a recent interview with the New York Times, Sally Rooney said she thought originality was overrated: that she didn’t much mind the idea that she might end up producing variations on the same novel for the rest of her writing life. The 68-year-old Hadley has more or less done this, and her fans are grateful for it.

‘Life was good, very good, almost too good’ – Wallis Simpson’s year in China

Few women have had more written about them, mostly of a critical, salacious nature, than Wallis Simpson, the American divorcee for whom Edward VIII gave up his crown. Much of the gossip has fed on what became known as the ‘China Dossier’, a supposed compendium of the year Simpson (or Spencer, as she then was) spent in China in the mid-1920s while she was trying to get a divorce from her heavy-drinking, abusive, naval first husband. As Paul French sets out to prove, the story of what she herself called her ‘lotus years’ is more prosaic, but no less fascinating. The ‘China Dossier’ was said to include details of opium addiction and a technique called the Shanghai grip Simpson arrived in Shanghai in the summer of 1924, hoping to make a fresh start.  She was 28.

Kate Bush – always quite hippy, dippy, ‘out there’

In 2019, Kate Bush felt the need to issue a statement on her website clarifying that she was not a Tory supporter. Nearly three years earlier, in an interview with a Canadian magazine, the singer-songwriter had appeared to express her admiration for Theresa May, stating: ‘I actually really like her and think she’s wonderful... It’s the best thing that’s happened to us in a long time.’ This rare foray into British politics from a performer whose reticence about her private life has bordered on the Trappist went down about as well as David (‘Scotland Stay with Us’) Bowie’s contribution to the Scottish Independence Referendum debate. Taylor Swift may have Eras, but Kate Bush is more of an aeons artist, operating in glacial deep time But Twitter (as was) be damned.

‘If you steal this book I’ll beat your brains out’

‘I would lend you my copy, but the fucker who previously borrowed it still hasn’t given it back.’ Those precise words were uttered to me by an eminent churchman, more in anger than in sorrow, while chatting at high table about a book he believed I might find useful. Its title has long since slipped my mind, but I remember thinking at the time: who lends a book to a friend and seriously expects to get it back? Few things can be so often borrowed and so seldom returned.

Playing Monopoly is not such a trivial pursuit

Which came first to the designers of chess: the rules or the metaphor? It feels impossible to prise the system from the story: a military battle between two monarchs, each with perfectly symmetrical assets and equally balanced capabilities. Yet there have been dozens of ‘reskins’ of chess, swapping the kings and their minions for characters from, say, Lord of the Rings, or The Simpsons, or even, bewilderingly, M&M chocolates. Play is the primary way in which every human first tests and explores the world  Sometimes the new metaphor imbues the game with a socio-political frisson. A recent example pitches rockers – white men in leathers holding screaming guitars – against jazz musicians – black men in white suits nursing saxophones.

The spy who came back from retirement: Karla’s Choice, by Nick Harkaway, reviewed

Publishing is a business. Authors are its brands and books its products. When, as sometimes happens, one of the bigger brands inconveniently dies or retires, there’s an understandable desire to keep the brand going and to attach its lucrative name to new products. And why not? If it’s done well, everyone benefits – publishers, readers and authors’ estates. In the past 60 years, there have been few bigger brands than the late John le Carré, so it’s no surprise to find a posthumous outing with the words ‘A John le Carré novel’ plastered over the cover. Its author, Le Carré’s youngest son Nick Harkaway, is a well-established novelist in his own right, albeit in a different genre. He served his apprenticeship by completing his father’s last book, Silverview (2021).

Saint Joan and saucy Eve: a single woman split in two

Fresh out of Hollywood High, Eve Babitz introduced herself to Joseph Heller: ‘Dear Joseph Heller, I am a stacked 18-year-old blonde on Sunset Boulevard. I am also a writer.’ It was 1960, and while her writing was the sheerest bliss, ‘Eve Bah-Bitz with the Great Big Tits’, as she was known, was herself a work of art. Beauty, she learned at school, was power and ‘the usual bastions of power are powerless when confronted by beauty’. So it was her stack (36 DD) that opened doors for her until, in 1972, her friend Joan Didion told Rolling Stone magazine to publish Eve’s first story, ‘The Sheik’. That same year, Didion also got Eve’s art into Vogue. As a result, Eve was ‘fucked up in the extreme’ about Joan. When, in 2016, Lili Anolik wrote about Didion’s L.A.

Were the Arctic convoy sacrifices worth it?

You need only mild interest in the second world war to be aware of the Arctic convoys of 1941-45, escorted by the Royal Navy through savage weather and unimaginable cold to deliver supplies to Russia. Their purpose was to keep Russia in the war; the conditions were such that storms could last nine days, blowing ships hundreds of miles apart and playing havoc with communications. That’s not to mention enemy action by submarine, air attack and large surface raiders such as the Tirpitz and Scharnhorst. Some 4.5 million tons of aid were delivered at the expense of 119 ships and 2,763 lives lost.  Was it worth it? Opinion at the time was divided.

Doppelgangers galore: The Novices of Lerna, by Angel Bonomini, reviewed

Resurrection has become its own literary genre. Though hardly a new phenomenon (Moby-Dick, for example, was out of print at the time of Herman Melville’s death), the success of such ‘forgotten’ classics as Suite Française, Stoner and Alone in Berlin proved that an author’s death and/or obscurity were no barrier for readers. So publishers from Faber to Virago, from the British Library to Penguin Modern Classics are hunting through back catalogues looking for writer recommendations, searching for the next unjustly lost voice. In Angel Bonomini, Peninsula Press has found an ideal candidate. How can such a powerful story have remained un-rediscovered for so long?

Reliving the terror of the Bataclan massacre

On Friday 13 November 2015 France suffered the deadliest terrorist attack in its history. In quick succession, gunmen and suicide bombers struck the outer concourse of Paris’s Stade de France; then the pretty canal-side cafés and restaurants of the tenth arrondissement; then, most notoriously, the Bataclan theatre, where the doors were blocked and, over the course of an hour, 90 people massacred. The subsequent trial was not just a gargantuan administrative undertaking (20 defendants faced around 2,000 plaintiffs, and the proceedings occupied the purpose-built courtroom for the best part of a year); it was a cultural phenomenon.

Turkish delights: the best of the year’s cookbooks

‘Recipes are like magic potions. They promise transformations,’ says Bee Wilson in her introduction to Sylvia Plath’s Tomato Soup Cake (Faber, £12.99), a collection of classic authors’ recipes. You have to pray that tinned tomato soup will indeed be transformed into something nice-tasting, or that Noel Streatfeild’s filets de boeuf aux bananas will not be as revolting as it sounds. Not much hope of that, I’m afraid – but this is more of a book to enjoy reading without tasting. Some of the writers confess to failing miserably in the food department. ‘I am a very bad cooker, as the children put it,’ warns Beryl Bainbridge, as she launches into a heartless recipe for violently boiled mince.

Freedom fighters of the ‘forgotten continent’

On 18 May 1781, Tupac Amaru II’s rebellion came to an abrupt and grisly end. Seized by Spanish forces, the Peruvian muleteer-turned-popular-revolutionary knew the game was up. Still, he refused to go quietly. After Tupac’s captors’ horses failed to wrench off his limbs, the executioner reached for his axe. ‘You kill only me,’ legend has Tupac shouting as the blade descended. ‘But tomorrow I will return as millions.’ As Laurence Blair’s Patria assiduously demonstrates, death rarely has the last word in the ‘forgotten continent’ of South America. In the case of Tupac, his narrative of a ‘Peru for Peruvians’, free from colonial oppression, would later be resurrected in radical leftist movements from Uruguay to Venezuela.

From public bar to cocktail bar: books for the discerning drinker

One of the joys of getting older is the appreciation of the solitary pint. But what to do as you sip your hard-earned beer? Usually after a suitable period of contemplation I’ll start fiddling with my phone. Not Adrian Tierney-Jones; he writes books, and his latest, A Pub for All Seasons (Headline, £20), is a poetic meditation on the public house, its history and place in our culture with some memoir deftly thrown in. Most of all it’s an appreciation of what makes a pub great: the layers accumulated by decades – centuries, sometimes – of human interaction. ‘The perfect pub,’ he writes, ‘is a kind of metaphysical palimpsest which we should try to imagine as a constantly evolving space.

Waifs and strays: Gliff, by Ali Smith, reviewed

‘Gliff’ is a word which can mean ‘a short moment’, ‘a wallop’, and ‘a post-ejaculatory sex act’; to ‘dispel snow’, ‘to frighten’, and to ‘escape something quickly’. It’s ‘really excitingly polysemous’, says one of Ali Smith’s characters. It’s certainly an apt title for a book which can’t seem to define itself. At its centre are two children, Briar and Rose, who have been abandoned. Their mother is absent, caring for a sick sister, and their other responsible adult leaves to find her. The children exist in a stock dystopian world (people are surveilled by CCTV cameras and zombified by screens) with a twist: they repeatedly wake up to find that a red line has been painted around their house or camper van. They are on a list of ‘Unverifiables’.

Truly inspirational: the hospital diary of Hanif Kureishi

You’d think a book about a paralysed man lying in hospital for a year would be bound to be depressing. It never is. Hanif Kureishi is such an exhilarating writer that you read agog even when he’s describing having his nappies changed or fingers stuck up his bottom. It all started on Boxing Day 2022 when he was sitting watching television in his girlfriend Isabella’s flat in Rome. He wasn’t drunk, he wasn’t stoned, but suddenly he felt a bit dizzy, put his head between his knees and fell off the sofa. In doing so, he somehow broke his neck and became tetraplegic. As a result, he cannot move his arms or legs, he cannot feed himself or scratch his nose or hold a pen. If he cries, he cannot wipe away his tears.

The many passions of Ronald Blythe

In Regency Britain, balls were often timed to coincide with full moons. Provided there was no cloud cover, moonlight made it safer to send out carriages. When Ronald Blythe accepted social invitations, he also took the lunar calendar into account – because a full moon was ‘best for a merry bicyclist wheeling homeward along unlit and potholed lanes’. This vignette captures much of Blythe’s magic. He was born in Suffolk in 1922 and his life and his writing became vessels for centuries of rural wisdom. With his death last year, that link to the distant rhythms of the English countryside was lost, but Ian Collins’s biography attempts to preserve the magic.

Out of the depths: Dante’s Purgatorio, by Philip Terry, reviewed

Many readers of Dante get no further than the Inferno. The inscription over the gates of Hell, the demon-haunted circles, the howling winds that buffet the lovers Paolo and Francesca, even the poet’s grim profile and bonnet, are part of the world’s literary and artistic heritage. Several translators also stop at the point that the dazed poet and his guide Virgil emerge from the bowels of the Earth into the astonishing starlight. It’s no surprise that Inferno seizes the imagination, but it’s only a third of the story; and possibly for Dante himself just the part you have to plunge through before you get to the good bits. Philip Terry’s witty, transgressive canto-by-canto Dante’s Inferno came out in 2014.

You didn’t mess with them – the doughty matriarchs of the intelligence world

As Hilary Mantel memorably noted, history represents what people try to hide, and researching it is a question of ferreting out what they want you not to discover. Claire Hubbard-Hall’s plan to unearth the identities and lives of the legions of women who have worked unheralded in the British secret services was bold: looking for secrets in a doubly secret world. Miss Pettigrew was a ‘formidable grey-haired lady with a square jaw of the battleship type’ The first bureau was founded in 1909. It is perhaps not altogether surprising to learn that neither MI5 nor MI6 were very good to the female employees on whom they came increasingly to depend.