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A neglected corner of Roman history

When Ovid was seeking ‘cures for love’, the most efficient remedy, he wrote, was for a young man to watch his girl on the toilet. The American author of The Archaeology of Sanitation in Roman Italy begins with this worrying poetic advice. The evacuation of the human body has had little previous attention from historians of Rome, she says, but ‘Ann Olga Koloski-Ostrow on the toilet’ should not become the citation attached by fellow scholars to her name. We might all be put off. Her fear is well-founded. The reason that there are dozens of books about the Romans’ baths and almost none about their latrines reveals much about us and nothing about them. High-minded archaeologists used to prefer their heroes as brave bathers discussing philosophy.

Dangerously close to home

Mystery fans and writers are always looking for new locations in which murder can take place. Attica Locke has an absolute beauty in her latest thriller, Pleasantville. The eponymous district in Houston, Texas, was created in the aftermath of the second world war: ‘a planned community of new homes, spacious and modern in design, and built specifically for negro families of means and class’. However, many of the same fears and frustrations that affect poor black people are also prevalent here; racism, prejudice, the sense of being trapped in a social ghetto. And when a teenage girl is found dead, the town splits along the old faultlines of class, political difference and simple human longing. The story is set in 1996.

Little brother’s helper

Can there ever have been another book in which one of the authors (Anne Thurston in this case) so effectively pulls the rug out from under the other? Of course Gyalo Thondup is entitled to tell his story, beginning with his life as a boy in a small town near the Tibet-China border where, in 1937, his younger brother was identified as the 14th Dalai Lama. He recalls everything from then on without a shadow of doubt: his family’s long overland trip to Lhasa, their transformed, luxurious life there, his trips to China, India, Taiwan and Hong Kong, learning Chinese and about China, and marrying a Chinese woman.

The nature of belonging

‘I nauseate walking; ’tis a country diversion. I loathe the country and everything that relates to it... Ah l’étourdie! I hate the town too.’ Millamant’s expostulation about the unresolved pull between rural and urban life has echoed down three centuries since The Way of the World. With Melissa Harrison’s second novel this quandary brings all the splendid, closely observed exposition that it did in her first, Clay. Set around a small London park over the course of a year, Clay featured several parallel, disparate lives which met some while before infinity, along with a telling eye for flora and fauna which created a metropolitan pastoral. At Hawthorn Time, too, comes with a tantalising prologue which anticipates three strands one May.

Fighting fear with fear

‘Do it with scissors’ was Alfred Hitchcock’s advice for prospective murderers, though a glance at these two biographies reminds us that scissors are also the chosen implement of the silhouettist. Hitchcock’s profile —beaky nose, protuberant lips, conjoined chin and neck — is emblazoned on both dustjackets like a logo. A logo is what it was. You don’t get to be the most famous movie director in the world merely by directing movies. Hence the wordless walk-ons Hitchcock made in almost every one of his 53 pictures. Hence the city gent uniform (blue suit, white shirt, black tie) worn throughout even the most stifling Californian summers. Hence, one sometimes suspects, the pendulous jowls and gargantuan gut — trademarks made flesh.

In a niche of their own

As words commonly used to write about the visual arts become increasingly useful to advertisers, ‘to curate’ is becoming the synonym du jour for ‘to choose’. For David Balzer however, this shift in language reflects a shift in behaviour. ‘Now that we “curate” even lunch, what happens to the role of the connoisseur in contemporary culture?’ Curationism asks. The answer, in a word, is relegation. Whereas connoisseurs know the best Rembrandts, wines and restaurants, curators promote an object to high status through their mere engagement with it, imbuing it with a new-found quality through their act of choosing. In the art world, this has resulted in superstar curators like Hans Ulrich Obrist, who tour the world making items desirable via their selection alone.

By Air

Astonishing to think That not so long ago First the Brothers Wright Then Louis Blériot Initiated flight. And strapped into a seat Now we can choose a drink, Tomato juice, red wine, Some music or a film At 30, 000 feet. Remarkable to know That aviation fuel, Once vegetable remains, Comes from the earth as oil And energises planes. Comforting to presume The cabin’s pressurised And instruments of flight Are skilfully devised To navigate the night. Consoling to believe The forces that can heave The weight of this machine Above the ocean waves And alpine mountain scene. Strange to be conscious of The distant sea below And absent sky above Where cloud formations flow Detached from all we love.

Trailing clouds of glory

With Alpine wreckage still being sifted, this is either a very good or a very bad time to write about the mystery and beauty of aviation. I am a nervous flyer, always imagining the worst will happen, so when I hear that ‘the captain has turned off the seat-belt sign’ I feel a jolt of relief. Even more so when, halfway through the trip, the captain himself speaks to the passengers in a voice whose mellifluous calculation is as precise as the in-flight computers. You would always want the voice of the pilot to be Mark Vanhoenacker’s. He is an unusual hybrid: a BA 747 pilot and, now, an author of real distinction with a genuinely poetic sensibility as well as a memorable turn of phrase. Although flight is the greatest modern adventure, it has been poorly served by literature.

What’s to become of Pedro Friedeberg’s letters?

The year 2015 has been designated one of Anglo-Mexican amity, with celebrations planned in both countries by both governments. But it looks as though one name will be missing from the list: Pedro Friedeberg’s. ‘Who?’ you may ask. Well, in 1982 I was in Mexico City to interview Gabriel García Márquez after he’d won the Nobel Prize for Literature. At a party given by a Mexican art-collector, I noticed several zany pictures on the wall. ‘They’re all by Pedro Friedeberg, my favourite Mexican artist,’ said the collector. I stared at one large framed square after another, at pictures in which the Old World and the New seemed conjoined in a frantic, electrified marriage. The following week the Mexican currency collapsed.

Just sign here…

This being the 800th anniversary of the signing of Magna Carta, it is not surprising that there should be two new biographies of King John; not surprising either that one should be billed as ‘The Making of a Tyrant’, the other as a story of ‘Treachery’ and ‘Tyranny’. King John has long been regarded as the worst English king: cruel, deceitful, avaricious, untrustworthy, incapable and cowardly. For some of us he remains indelibly the despicable younger brother of Richard the Lionheart, as so memorably portrayed by Claude Rains in the irresistible swashbuckling Errol Flynn movie The Adventures of Robin Hood.

The mask of death

Remember Ebola? It killed more than 8,000 people last year — before we were all Charlie — with a quarter as many again dying since January. Almost all the deaths have occurred in the war-weakened west African states of Guinea, Liberia and Sierra Leone; no licensed drug or vaccine yet exists for a virus that claimed its first victim almost 40 years ago in Zaire, now the Democratic Republic of Congo. The spread of that maiden epidemic northwards over the border with Sudan is the basis for Amir Tag Elsir’s punchy short novel, Ebola ’76, originally published three years ago and now translated with fluency and keen timing by two young Arabists, in a fetching edition from a small London outfit focused on African and Middle Eastern subjects.

Too Many Poets

Too many poets pack a line with thought But melody refuses to take wing. It’s not that meaning has been dearly bought: It has been stifled, by a hankering For portent, as if music meant too much. Sidney called this a want of inward touch. True poets should walk singing as they weep, As Arnaut Daniel once epitomised; But nothing written will be worth its keep Composed by one who has not realised This to be true, and tested his own song On others, seeing if they listen long Or turn away. Verse is a public act To that extent at least. As cruel as love, The wished-for gift declines to be a fact Except for the elect. The gods above Loll on their clouds and lazily look down To choose who gets the laurels of renown Even if deaf.

Attack of the night witches

The name Lyuba Vinogradova may not ring any bells, but her ferrety eye for spotting a telling detail may already have impressed you. As Antony Beevor generously acknowledges in his introduction to this book, her work as his researcher in various archives played an important role in the creation of his triumphant Russian histories; she has also assisted Simon Sebag Montefiore and Max Hastings, among others. Here she brings to light the fascinating story of the world’s first and only all-female aviation regiments. As German troops advanced towards Moscow in 1941, the celebrated aviatrix Marina Raskova determined to form three ‘women’s regiments’: fighters, night bombers and long-distance bombers.

Even worms and vampire bats do it

I used to think we had five senses — sight, hearing, taste, smell and touch. And I used to think I knew how they worked. Using specialised instruments, such as eyes, ears and fingertips, they gave us information about the outside world. I imagined that the eye saw things, and then told the brain what those things looked like. I imagined that the fingertips touched things, and then told the brain what those things felt like. But now, every time I look at a book on neuroscience, I see that this nice cosy picture is absolutely wrong. Before I continue with this line of thought, let me say that this book is about the sense of touch, it’s by a professor of neuroscience at the Johns Hopkins School of Medicine, and it’s excellent.

The lure of fool’s gold

In 2008, the price of gold lofted above $1,000 an ounce for the first time in history, inspiring a rush of small-scale panners to head for the diggings with hope in their hearts. As the price of the metal fell and rose again — it nearly touched $2,000 an ounce in 2011 — journalist Steve Boggan contracted a touch of gold fever himself. He set off for California to find out who these chancers were. And to find some gold. I’ve taken Route 49 through inland California — Coloma to Sonora. The largely empty highway, which slices through heartbreaking landscape, is named of course after the fabled ‘Forty-niners’, and you can still smell, in those small towns with their jails and saloons and crummy hotels, the romance of possibility, the human capability to bet against all odds.

Scabrous lyricism

Irvine Welsh, I think it’s safe to say, is not a writer who’s mellowing with age. His latest book sees the return of ‘Juice’ Terry Lawson from the novel Glue and the short story ‘I Am Miami’ — now an Edinburgh taxi-driver in his mid-forties but still, in the face of some competition, possibly the most priapic character Welsh has ever created. With a penis he understandably nicknames ‘Auld Faithful’ and an unshakeable faith in the power of porridge (‘Complex carbs: set ye up fir a day’s shaggin’), Terry begins his latest adventures by pulling a grieving relative at a funeral — and, on the way home afterwards, two young American tourists.

Daring to be a Daniel

As I swink in the field of Thatcher studies, this book brings refreshment. It is a welcome and rare. Far too many writers attitudinise about Margaret Thatcher (for and against) rather than studying her. I doubt the author likes Thatcher much, but all the more credit to her that she makes a fair-minded effort to understand what she believed about God, and how she succeeded and failed in applying her beliefs. Not all who knew Mrs Thatcher agree that she was religious. In a way, they are right. She was not churchy or denominational, which is good. She was not sacramental (she once told me that her twins were baptised but ‘didn’t have the water’) or spiritual, which is not so good. But Denis thought she had a serious Christian faith, and I think he would know.

Early Christian alms race

Peter Brown’s explorations of the mindsets of late antiquity have been educating us for nearly half a century, ever since his great life of St Augustine in 1967. His latest book, relatively short in volume but very wide in scope, explores Christian attitudes to the afterlife, from the time of Cyprian of Carthage (martyred in 258) to that of Julian, Bishop of Toledo in the late seventh century. Julian put together an anthology called the Prognosticon Futuri Saeculi. He viewed his book as a compilation of the shared wisdom of Christianity. What in fact he demonstrated, in this ‘futurology of the Christian soul’ as Brown calls it, was the extreme variety of viewpoints over the previous 400-odd years. One would expect a difference over nearly half a millennium.