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Secrets of the universe

A few years ago, in Berne, I visited the apartment where Einstein wrote his theory of special relativity, which changed our understanding of the world forever. It’s a small apartment, plain and nondescript. The best thing about it is the view. From the window you can see Berne’s huge medieval clock, the Zytglogge. It was this clock which inspired Einstein’s great breakthrough. At the end of every humdrum day, in his dead- end job at Berne’s patent office, he took the tram home, past the Zytglogge, back to this apartment. As he gazed at that clock through the tram window, he wondered: what if his tram could travel at the speed of light? Logically, the light from the Zytglogge should never overtake him.

Up where the air is clear

Robert Twigger’s father was born in a Himalayan hill resort and carried to school in a sedan chair. His son, born in 1965 and long fascinated by the region, has produced a social and cultural history of the mountains. It is a hybrid volume — and why not? Twigger leaves no mountain path untouched in his bookish reportage. Topics covered in this long book include crustal formation and destruction, the pre-Buddhist Bon religion (even today 10 per cent of Tibetans are Bon-worshippers), shamans, yeti, Colonel Francis Younghusband (‘the first mountaineer’), altitude sickness (which fascinates Twigger), the 19th-century exploration of Nain Singh, that bloody annoying Madame Blavatsky and much else.

In life divided

The ten pallbearers at Thomas Hardy’s funeral in Westminster Abbey on 16 January 1928 included Kipling, Barrie, Housman, Gosse, Galsworthy, Shaw and both the prime minister and leader of the oppposition. This distinguished gathering was not strictly necessary for the job at hand, because Hardy’s coffin merely contained his ashes — all that there was room for in Poets’ Corner. At exactly the same time in Dorset, at a smaller funeral, a casket containing Hardy’s unincinerated heart was being borne to its final resting place alongside his parents and his first wife in the churchyard at Stinsford.

Obituary: Eric Christiansen

Over the past year, we have lost two names cherished by Spectator readers. Rodney Milnes, our opera critic for 20 years before he moved to the Times, as well as editing the monthly magazine Opera, died last December, and Eric Christiansen, the Oxford medieval historian, who was a regular book reviewer here for many years, followed on the last day of October. They both died at 79, both of cancer. Their upbringing and education were similar — Rugby and Christ Church for Milnes, Charterhouse and New College for Christiansen.From the last peacetime ‘call-up’ generation, both served unenthusiastically and unheroically in the army. They were both old and dear friends of mine.

Figures in a landscape | 10 November 2016

Timothy Hyman’s remarkable new book makes the case for the relevance of figurative painting in the 20th century, a period effectively dominated by modernist abstraction. He identifies an alternative tradition of potent human-centred painting, coming out of Cubism and Expressionism and tracing its lineage through Chagall and Leger, the Italians Carlo Carra and Mario Sironi, the Germans Max Beckmann, Otto Dix and George Grosz, to Stanley Spencer, Edward Burra and William Roberts. Hyman claims many of the great independent artists for his argument — Balthus, Kirchner, Bonnard, Ensor — and registers them as resistance fighters in the war of influence and received opinion.

A very special relationship

You learn startling things about the long entanglement of the British with Spain on every page of Simon Courtauld’s absorbing and enjoyable new book, which is not a travelogue but a collection of historical vignettes arranged geographically. Did you know, for instance, that the first Spanish football team was founded by two Scottish doctors working for Rio Tinto in Huelva, and that in 1907 a team of seminarians from the English College in Valladolid defeated one representing Real Madrid? Or that the first visit by a reigning British monarch to Spain occurred when Queen Victoria went to have lunch with Queen Maria Cristina at the Aiete Palace in San Sebastián, travelling by train from Biarritz and returning the same afternoon?

Worse than Big Brother

The California novelist T.C. Boyle has often taken true stories and created alternative histories, from John Harvey Kellog and the birth of the breakfast cereal in The Road to Wellville to Alfred Kinsey and the creation of sexology in The Inner Circle. This might draw comparisons with James Ellroy, Boyle’s exact contemporary, except that where Ellroy aims at the very darkest version of a tabloid reality, Boyle takes a New Age perspective conveyed though whimsy and surrealism. Ellroy, of course, was born in California while Boyle chose to live there. He is a native of the culture rather than the territory. This is a problem in The Terranauts, where the assumptions and aspirations of a group of scientists inside a giant geo-desic dome are left unexplained.

Weird and wonderful

The Un-Discovered Islands could not be more different in substance — though it is similar in style — to Malachy Tallack’s debut, Sixty Degrees North. In that he book he took a revealing pilgrimage around the places which lay, like his home of Shetland, on the 60th parallel, and found a range of concerns about ecology, land ownership, both solitude and community, and what it means to be considered peripheral. This book is an account of 24 non-existent islands, yet is suffused with the same elegiac frostiness as before. Tallack’s style is precise without being perjink, and the overwhelming feeling is of something lost, or disappearing. It’s just this time, what is lost never was.

Soldiers of the Queen

It’s not immediately obvious, but the silhouette on the dust jacket — soldiers advancing in single file, on foot (‘boots on the ground’) isn’t one squad, but five soldiers from different campaigns. From left to right, first comes the British infantryman of the second world war; next is a ‘jock’ from (I think) the Korean war; then a jungle fighter from the Malayan Emergency or the Borneo ‘Confrontation’; then, unmistakably, the long-suffering foot soldier of Operation Banner, the 38-year counter-insurgency (or police action, no one ever quite knew which) in Northern Ireland; and finally, the technology-festooned warrior of Iraq and Afghanistan.

Fine silks and fiery curries

Genial, erudite and companionable over most of its 760 pages, this stout Georgian brick of a neighbourhood history at length flings itself in fury through a toff’s window. Much of Dan Cruickshank’s book has shown with learned charm how, in its tangle of ancient streets just east of the City of London, Spitalfields has always hosted the rough with the smooth, tumult beside elegance. The East End patch where he has lived for four decades — his own 1720s home, a finely embellished history of inner London in itself, gets 15 loving pages — has ‘constantly embodied paradox: great wealth alongside appalling poverty, beauty juxtaposed with squalor’. As he nears his finale, the twin streams of this urban microcosm join.

No one turned a hair

The Benson family was one of the most extraordinary of Victorian England, and they certainly made sure that we have enough evidence to dwell on them. Edward White Benson was a brilliantly clever clerical young man of 23 when he proposed to his 11-year-old cousin Minnie Sidgwick. He had been the effective head of his family since his father’s death nine years earlier; Minnie, too, was fatherless. Despite doubts from Minnie’s mother, they agreed to marry when Minnie was 18. She, too, was clever — Gladstone famously described her as ‘the cleverest woman in Europe’ — but had no real attachment to Benson or to any other man. Her romantic passions were always directed towards women.

The milk of human kindness

One of David Cameron’s choices on Desert Island Discs, this book reminds us, was ‘Ernie (The Fastest Milkman in the West)’. The book does not, however, explain why Cameron chose the Benny Hill ditty. Consulting the online archive, I found the then leader of the opposition explaining that ‘when you’re asked to sing a song’, ‘Ernie’ was the only one to which he could remember all the words. Sue Lawley tested him, and Cameron responded: ‘You can hear the hoof beats pound as they race across the ground, the clatter of the wheels as they span round and round’. It’s a miracle the Notting Hill Set was ever seen as smart.And yet I know what Cameron means. For our generation milkmen are an exercise in nostalgia.

Surreal parables

There is a common assumption that experimental writing — for want of a better term — is obscure, joyless and arid. Or worse: that it is fake (or ‘pseudy’), a deception practised upon either the deluded or gullible reader. So I wonder what people who hold such assumptions would make of this. It constitutes the final paragraph of ‘Specialist’, one of the stories in this collection. The story itself is, not untypically for this book, less than a page long: The cyclist hit me, and it’s vile after my life ends in the afterlife. Lots of incense, resin, apes and giraffe-tails — all acquired tastes. I don’t like that kind of thing. Several things may strike you.

Divinely decadent

‘Oh the Mediterranean addiction, how we fall for it!’ So sighed Sybille Bedford, who spent the 1920s and 1930s in Sanary-sur-Mer. Aldous Huxley settled in the same fishing village in 1930, writing to his sister-in-law: ‘Here all is exquisitely lovely. Sun, roses, fruit, warmth. We bathe and bask.’ James Lees-Milne perched further along the coast at Roquebrune from 1950–61. In a reverie, he later recalled the smells of brioche, coffee, pine needles, ‘the senses heightened, expectant of lovely future days without end’.

Bewitching stuff

Richard Francis’s new novel covers ostensibly familiar ground. Set in and around Boston in the 1690s, it tells the story of the Salem trials, which resulted in the execution of 20 people (14 of them women), and which are sometimes regarded as a hinge event in the evolution of American secularism. As the historian George Lincoln Burr put it in 1914: ‘Salem witchcraft was the rock on which the theocracy shattered.’ This seismic moment was last visited by Francis in his 2005 biography of Samuel Sewall, the judge who presided over the trials. And it is to Sewall’s life that Francis returns in Crane Pond. He opens his story in January 1690, at which time Sewall is engaged in trying a handful of men for piracy.

Intimations of immortality

A preoccupation with death is felt from the start of Margaret Drabble’s new novel, which opens with Francesca Stubbs, in her seventies, considering whether her last words will be ‘you bloody old fool’ or ‘you fucking idiot’. Fran is central to the web of characters that populate the book, linked by varying degrees of friendship and kinship, but tied more firmly together by the approach of death. Drabble squares up to old age with pragmatism: she shows us its terrible physical pain, loneliness and expense, but lightens what could threaten to be a grim read with observational humour, delighting in her characters’ eccentric pleasures.

Magnetic and repellent

When he first came to public notice, Rasputin was described in a Russian newspaper as ‘a symbol. He is not a real person. He is a characteristic product of our strange times.’ With his hypnotic eyes, long hair and peasant simplicity, Rasputin was as mesmerisingly attractive to upper-class and royal women in his 47 years of life, as, in afterlife he would be for biographers. Who can resist the story of the Siberian peasant, leaving his wife and nippers to wander the roads of Russia, imbibing, and then dispensing, a mixture of spiritual truths and claptrap, and worming his way first into the salons of gullible St Petersburg ladies and finally to the court itself?