Spectator Life

Every weekend Spectator Life brings you doses of topical trivia – facts, figures and anecdotes inspired by the current week’s dates in history … July 18 (Getty) In 1872 the Ballot Act introduced the secret ballot to UK elections. The word ‘poll’ comes from the days when votes were cast in public – it means ‘head’, as voters stood together and their heads were counted. Nick Faldo (born 1957). On a trip to Florida, the golfer asked his Swedish caddy Fanny Sunesson if she would mind buying him a toothbrush, as he’d forgotten to bring one. She returned with two, saying: ‘I did not know if you wanted the hard bristols or the soft bristols.’ July 19 In 1900 the Paris Metro opened.

The Covid-19 delayed No Time to Die, Daniel Craig’s final outing as James Bond, is set for release this November – a more traditional slot for the franchise than the previous April 2020 date. Whilst expectations for the picture may not be quite as high as expected due to the disappointing reception given to 2015’s Spectre, there’s little doubt that Bond fans will be out in force – social distancing permitting. Although we tend to think of Ian Fleming’s character as a unique creation, that hasn’t stopped filmmakers trying to get a piece of the action over the years. Some have proved successful, but many others have fallen by the wayside.

While the coronavirus might have delayed filming for now, the big streaming services are still managing to put out new content – at least for the time being. Here are eight new releases on Amazon Prime to keep you entertained on those lazy summer evenings: Dating Amber, available now https://www.youtube.com/watch?v=jVU_e0Kq4A8 Fans of Sex Education and Derry Girls will likely be charmed by this kind-hearted semi-romcom about two nerdy misfits – one male, one female – coming to terms with their sexuality in 1990s Ireland. As a ploy to hide their real preference from homophobic bullies, the two friends decide to pretend to be a couple. But it’s when they escape to Dublin for a weekend of underage partying that their divergent coming out journeys begin.

Jaws, Amazon (To rent or buy) https://www.youtube.com/watch?v=U1fu_sA7XhE Nothing says ‘Murica’ quite like insisting the beaches stay open – killer shark or no – because it’s the 4th July weekend. It’s why – during his brief libertarian phase – Boris Johnson once declared that Larry Vaughn, the Mayor of Amity, was the movie’s true hero. Apart from the now rather obvious clunkiness of ‘Bruce’ the mechanical great white, the film still stands the test of time – the jump scare when they investigate the sunken fishing boat; the memorable scene where Quint describes his experiences after the USS Indianopolis was torpedoed; the literally explosive climax.

This August, if all is well, Christopher Nolan’s eleventh film, Tenet, will be released in cinemas around the world. The storyline apparently involves aspects of time-travel, predetermination and espionage. As usual with Nolan, the details are shrouded in mystery. But it sounds as if it combines many of his usual tropes: a mixture of household name stars (Robert Pattinson, Michael Caine, Kenneth Branagh) with up-and-coming actors (led by John David Washington), beautifully filmed global cityscapes and innovative, gravity-defying action scenes. Practically the only change from before is that his regular collaborator Hans Zimmer, unavoidably detained by other work, will not be contributing a score, which will instead be supplied by the Oscar-winning composer Ludwig Göransson.

Back in the day when celebrities didn’t pontificate on the news but kept their political opinions to themselves, Russell Brand used to be a stand-up comedian. These days, he’s known more for his radical politics (and his former squeeze Katy Perry) than he is for his comedy. Naturally, Brand had plenty to say about last week’s removal of Edward Colston’s statue in Bristol. Indeed, so informed was he on the subject that he had to remind himself of Colston’s name in his video lecture. Miss S was rather alarmed to hear that Brand appears to think Hitler and Churchill were as racist as each other and that he considers himself an authority on this matter because, ‘I’m a white person and I’ve got service people in my family history.

Avatar (2009) https://www.youtube.com/watch?v=6ziBFh3V1aM Can you a cancel a film that’s all but forgotten? I challenge you to name one character besides Sully (the protagonist, whom you’ve probably forgotten as well). Yet when the woke charge comes, it’ll take Avatar in its wake. After all, what is it but a colonial guilt fantasy with a white saviour character to save the day? The indigenous Na’vi people are losing their ancestral lands to an American corporation that wants to mine their planet’s materials, but only Sully, an employee of that very corporation can help save them.

We live in a strange time. Forbidden to travel beyond our national borders for fear of infection and quarantine, we are nevertheless all too aware that we are connected to the wider world in all manner of ways. You might even call it chaos theory in action; a man eats a bat in a Chinese market, and a few months later we are all locked up in our homes, terrified to resume our daily lives. It is this sense of paranoia and interconnectedness that some extremely able filmmakers have tapped into over the years, as their pictures have combined a globe-hopping sweep along with scenes of palm-sweating tension and mystery.

With Britain’s theatres closed until at least late autumn, enthusiasts have had to rely on the internet – and streaming archive recordings of hit plays – to get their fill. Following our first round-up of plays to watch in lockdown, here are eight other shows you might like to get stuck in to: Hamilton, Disney+ (from 3 July)Lin-Manuel Miranda’s Final Performance In “Hamilton” On Broadway Disney had originally planned to release an original-cast recording of its globe-conquering musical next autumn. But with the pandemic the media giant chose to bring the whole thing forward, making Hamilton available – through its Disney+ subscription service – from 3 July.

Even as we experience a momentary hiatus from the onslaught of superhero films, it is hard not to feel that the whole genre has been unnecessarily debased. There is nothing especially wrong with the vast majority of Marvel films, but they are the cinematic equivalent of a visit to Byron or Nando’s; enjoyable while it lasts, good enough not to feel guilty afterwards but formulaic and unadventurous in the extreme. The aversion to risk-taking might make financial sense, to the tune of billions, but artistically it is often disappointing. No wonder Martin Scorsese dismissed them as ‘theme park rides, not cinema’. Which is why, on the occasions that a filmmaker does move outside the confines of the genre, the results are often hugely stimulating.

I remember how I felt the first time I saw Daisy Edgar-Jones’ nipples. Sitting on my sofa at home during lockdown, watching the BBC Three adaptation of Sally Rooney’s prize winning novel, Normal People, my jaw dropped as Edgar-Jones casually stretched an arm above her head, her bare chest fully exposed towards the camera. “She’s so brave!” I shouted out of nowhere, at my boyfriend. “What?” he replied, eyes glued to the screen, lost in his own (potentially quite different) stream of thought. Whilst both Edgar-Jones and Paul Mescal appear in the nude throughout the series, it was Edgar-Jones’ full frontal nakedness in particular that shocked me.Having worked on film and TV sets when I was her age, I know how tough it is.

A few blocks away are hipster-dense streets with street art and coffee shops. But around Lee Avenue in Williamsburg, it’s as if time has stood still. Men in white knee socks, high hats and coats from another century rush by. Women wearing wigs or shawls on their heads. Here are kosher grocery stores, synagogues and a mikvah – a ritual Jewish bath. It is an enclave few outsiders get real insight into. In the middle of the New York City, the Hasidic community – fundamentalist ultra-Orthodox Jews – practice strict gender segregation, distancing themselves from Western modern society without television, cinema and pop music. This is the environment in which 19-year-old Esty grows up in Netflix’s new series Unorthodox.

Comedy is booming during lockdown. The clubs may be closed, indefinitely it seems, but the internet has come into its own. And the backlash against the liberal consensus is gathering pace. Here are seven of the best unwoke comedians. All are available on YouTube. The snag is that each clip is preceded by an advert for Monday.com or a bossy lecture from a web entrepreneur eager to enrol you in a free seminar which will make you a billionaire. Indian-born Sindhu Vee makes jokes about her Danish husband which might be interpreted as racist. ‘His entire parenting method is, “Darling, please be very happy, here’s some Lego.”’. When Vee got a British passport she was infuriated that he hadn’t followed suit.

The perfect mini series is an elusive beast. In the pre-Sky and Netflix era, you’d get the DVD and it would last you a few weeks (back then, reading books was still a thing), lend it to friends, and fawn over it at dinner parties for the next few months. Yet back then we were watching less, didn’t have much choice, and consequently, weren’t so picky. The rise of on-demand TV was like moving from small town to the big city: our standards jumped, except this time, the dumped girlfriend was ITV, and the new belle was Sky Atlantic. When there’s so much new TV to choose from, it’s rather difficult to pick.

For those with work to do and kids to homeschool, the idea that you might have lots more time on your hands amid the coronavirus lockdown probably seems like a bad joke. But for those who have a bit of extra reading time to make the most of, here are five crime fiction series to help pass the lockdown hours: The LA Quartet, James Ellroy James Ellroy L.A. Confidential (Cornerstone) James Ellroy is well deserving of his status as the pre-eminent crime fiction writer of our times, and for those yet to discover the demonic delights of his oeuvre, the original ‘LA Quartet’ is definitely the place to start.

At the moment, what everyone needs is a good laugh. This doesn’t necessarily mean that the funniest comedies have to exist in their own bubble; many of the best examples of the genre have held a mirror up to society, in all its complexity and absurdity. But then many also manage to divert and entertain on their own terms, too. Whether you’re into jet-black political satire, deceptively clever romantic comedies or broad farce, there’s something here for everyone. Even if humour remains the most personal of inclinations, these half-dozen masterpieces are endlessly, hilariously rewatchable. The Death of Stalin https://www.youtube.com/watch?

1. Flattening the curve No, it’s not some sort of fat-burning home workout (though these have become extremely popular since the quarantine hit). Rather, this is about slowing the spread to reduce the burden on our NHS. A flatter infection curve will save the health service from ruin and mean that, when this thing finally tails off, we can all go out to the pub again and stop worrying about our curves for good. Mine’s a pork pie and a pint. 2. The Wuhan Shake Designed to minimise hand-to-hand contact, these dreadfully awkward gestures have been adopted in business meetings the world over. From serious-looking politicians to sports stars and celebs, everyone’s at it.

Spoilers can get people very irate indeed, so if that’s you, I’d suggested leaving this page pronto. What follows is a celebration of films that end with a brilliant twist, from classics to more recent gems. Even when you know what’s coming, there is still plenty of fun to be had through a rewatch… Planet of the Apes https://www.youtube.com/watch?v=VjcpRHuPjOI Not only is Planet of the Apes still a fantastic sci-fi film from the pre-CGI age, but is also features perhaps the most dramatic and memorable twist in film history. Having survived his ordeal on a strange planet run by a load of highly-evolved simians, Charlton Heston’s George Taylor discovers the shocking fact that he is not quite as far away from home as he thought was.

While the coronavirus has paralysed the West End, theatre-lovers do have some small consolation. Several theatres have released recordings of their previous shows, some of which will be aired on television. Here are eight to watch out for: One Man, Two Guvnors James Corden stars in One Man, Two Guvnors Youtube (2 – 9 April only) Less a play and more an institution, Richard Bean’s globe-conquering comedy had sell-out audiences roaring with laughter in both London and New York. You can see why, then, the National would choose it as the first play for its NT at Home scheme, which will see a different play streamed online each week. After all, who couldn’t do with a laugh right now?

They say absence makes the heart grow fonder. Well, the coronavirus pandemic now provides us with the ideal conditions to test whether the opposite is equally true: does being cooped up together in a small space for a long period of time also do the same? I think we all know the answer to that one. It will come as no surprise to any married couple – happy or otherwise – that the Chinese city of Wuhan, epicentre of the coronavirus outbreak, has seen a large spike in divorce cases after couples escaped from a month’s quarantine. So, as millions of families across Britain embark on weeks, and possibly even months, of lockdown in their homes, here are my tips for helping you and your increasingly irritating other half to survive with your marriage intact.

From serious sci-fi to spoofs in space, here are films and TV to watch on Netflix if you’re after some futuristic entertainment… Annihilation https://www.youtube.com/watch?v=89OP78l9oF0 One of Netflix’s in-house productions, Annihilation sees Natalie Portman play a biologist leading a rescue mission into a mysterious zone on the US coastland known as The Shimmer. It’s an area hit by a meteorite that is expanding and doing bizarre stuff to any living things that come into its orbit. What unfolds is a tense and imaginative sci-fi adventure that chucks plenty of other genres and film references into the mix.

Gomorrah (Sky) https://www.youtube.com/watch?v=-4QORgagblU Life in the Naples Mafia (the Camorra) is nasty, brutish, short – and nothing like Goodfellas. Even when you’ve made your millions from the drugs trade, there’s nothing to spend it on save your fleet of armoured 4 x 4s and your gilded cage in some bleak, rundown suburb which it’s never safe to leave because you’ll only end up arrested or shot. Spoiler alert: almost everyone dies over the four seasons of this mesmerisingly bleak, moodily soundtracked, fabulously compulsive drama.

With over 160 million subscribers – which ranks somewhere between the population of Bangladesh and Nigeria – Netflix’s biggest shows command staggering audiences worldwide. But the streaming platform has also snapped up the rights to hundreds of lesser known series, some of which are just as good. Here’s our pick of the undiscovered gems: Rectify https://www.youtube.com/watch?v=rd0_nNkdi0c When it comes to sheer critical acclaim, few shows can match Rectify. From the moment this slow-burn crime drama debuted in the US in 2013, it was praised to the hills by television aficionados. Yet even after four successful seasons, and an excellent finale, the show remains relatively unknown compared to the likes of Breaking Bad and The Wire.

As this year’s Oscar-winning films continue their box office reign, it’s salutary to remember that some excellent films have been honoured over the years. Even as many have faded from memory (Crash, anyone?), some of the award-winners that can be found on Netflix represent the very best in contemporary cinema. Here are some of our favourites. The Silence Of The Lambs (1991) https://www.youtube.com/watch?v=W6Mm8Sbe__o Jonathan Demme’s psychological thriller was the last (to date) film to win the ‘big five’ at the Oscars – Best Film, Best Director, Best Actor, Best Actress and Best Adapted Screenplay.

With South Korean film Parasite taking home the Best Picture gong at this year’s Oscars, it’s clear that foreign language films and series are having a bit of a moment. Keen to polish your language skills whilst devouring a good box-set at the same time – or just looking to sound more cultured at your next dinner party? Either way, you won’t regret getting stuck into these subtitled Netflix dramas: Fauda https://www.youtube.com/watch?v=_2rm_4e3iYQ Following hot on the heels of Homeland (which also began life in Israel), Israeli terorrism thriller Fauda – which means ‘chaos’ in Arabic – has been a bit of a global smash for Netflix.

Every generation, and individual, has to rediscover the arguments for free speech for themselves. Some people learn from major incidents. Some when the censors come for someone close to them, or an opinion that they hold. Others come to believe in free speech because they realise that while being offended on occasion might be terrible, it is nowhere near as terrible as any system designed to make being offended impossible. Fortunately there are short-cuts to finding the best defences of free speech. The English language provides an especially rich tradition on which to draw. From many centuries of literature allow me to list just four works: two classic, two modern.

1917, the World War One epic that has picked up 10 Oscar nominations (including for Best Picture and Best Director for Sam Mendes), is currently going great guns in cinema. If it has put you in the mood for more war on screen, then fire up Netflix, where there are plenty of military flicks to pick from. Jarhead https://www.youtube.com/watch?v=-aBP-c28_1M 1917 is not Sam Mendes’s first foray onto the battlefield. Jarhead, released in 2005, was an adaptation of a memoir written by US marine Anthony Swofford about his experience of serving in the first Iraq war – the resulting film is a different kind of war movie in which the longueurs of conflict are brought to the fore.

Lords, Ladies and gentlemen, boys and girls, children of all ages: the moment you’ve been waiting for has finally arrived. Harry and Meghan, Duke and Duchess of Sussex, are calling time on their membership of the royal family, deciding to live a financially independent existence, and flying off into the sunset for the snowy wilds of Canada, to live among the trees and elk, beavers and bobcats, presumably to get involved in the fur trade, or logging business, in order to support themselves. Of course, they’ll be doing nothing of the sort.