Spectator Life

'Should I pay in actual money, in-person, in the shop itself?' I asked my husband incredulously the other day. Yes, he replied, sounding rather bored. Prior to the pandemic such an exchange would not have taken place. I would have simply gone to the shop with no thought of government restrictions to my personal liberties, unmasked and care-free, and paid in good old-fashioned sovereigns. But this is 2021 and the pandemic has had such a profound effect on our linguistic habits that we are now forced to speak in a tangle of retronyms to get our point across. But what exactly are retronyms? Those expecting the linguistic form of a Hoxton hipster, dressed ironically in 90s clothes may be disappointed because retronyms just aren’t that edgy.

As Jeff Bezos and his brother Mark prepare themselves to fulfil many a little boys dream and become real life astronauts on rocket-ship New Shepard, here's a look at space flight in the movies. No doubt part of the fun for Jeff will be tweaking the noses of fellow space rival billionaires Elon Musk and Richard Branson. Unless one or both of the pesky duo steal a march on the Brothers Bezos before July 20th that is. I have tried to avoid the obvious choices: Gravity, Interstellar,  Kubrick’s 2001: A Space Odyssey (1968), Passengers and Apollo 13 - all worthy of a watch - and introduce you to lesser known titles.

'Like a sea beast fished up from the depths, or a diver too suddenly hoisted, my veins threatened to burst from the fall in pressure. I had great anxiety and no means of relieving it […] And then it was that the Muse of Painting came to my rescue – out of charity and out of chivalry.'  So said Churchill in 1915 after the disaster that was Gallipoli. Salvaged by the Muse, Churchill found solace from the pressures of political life in art. Last week, another sea beast emerged from the depths, consoled this time not by a Muse (he does, however, like to paint) but by the Sirens of the sea.

There's a little fact about Frank Skinner that you might have heard before. That before his big television break, the future comic and Three Lions scribe had a rather different vocation: as an English teacher in an FE college. Throughout his time in the spotlight, it's been one of those things that gets brought up every now and then as trivia. An interesting titbit on an otherwise familiar CV. Then, at the beginning of last year, Skinner decided to go back to his educational roots: and launch a poetry podcast. Okay, it isn’t quite a full return to the classroom. But it isn’t far off either - at least not in the way Skinner does it. Who else, other than English teachers, spends their time gently working through poetry, patiently explaining the concepts and imagery?

It’s all eyes on Cornwall today as the G7 summit kicks off, bringing the leaders of the US, Canada, France, Germany, Italy and Japan to Britain.  The various heads of government, having spent months in lockdown, will no doubt be brushing up on their small talk ahead of their various diplomatic meetings, with leaders' spouses set to mingle under the watch of newly wed Carrie Johnson.  Should the policy debates prove too fraught here's everything they'll need to know to navigate the (somewhat) safer subject of their better halves and children: The Bidens, USA First Lady Dr Jill Biden will sit down to tea with Carrie Johnson ahead of the G7 summit.

To his many readers, Stephen King is the Dreamcatcher; to others, less keen on his prodigious output, Doctor Sleep may be a more fitting appellation. On Friday 4 June, Apple TV+ will debut King’s own 8-part adaptation of his 2006 best-seller Lisey’s Story. Reportedly one of King's favourite books, the novel harks back to both Misery and The Secret Window, concerning as it does the widow of a popular author plagued by an obsessive fan and the thin line between imagination and madness. Julianne Moore stars as Lisey, with Clive Owen as her late husband, the immensely successful novelist, Scott Landon.

‘Freezing winter gave way to frosty spring, which in turn merged to chilly summer,’ was how Jessica Mitford recalled her Cotswolds childhood in her memoir, Hons and Rebels. Our inclement climes have rarely been as hard to bear as they have this year, with the unusually cold, grey spring — coupled with the prospect of another staycation — severely dampening spirits that were already low. However optimistic the Met Office might be, we can never rely on a ‘barbecue summer’ in this country. So when weathering another rainy bank holiday or a soggy half-term in a damp cottage, try the literary equivalent of dressing for the job you want, not the one you have. But be warned: golden summers rarely make for happy endings.

How does the word 'literally' make you feel? For a lot of language-lovers, the answer will be somewhere between mildly irritated and fist-gnawingly furious. It’s the misuse of the word that most perturbs. It has a habit of lurking where it has no place to be, taking a perfectly acceptable (if conventional) metaphor and turning into nonsense. Metaphors are figurative, for heaven’s sake, say its detractors. If that’s how you feel, you’re far from alone. We all have our stylistic preferences, so I’m not going try to convert you to the ‘literally’ cause. But I do wonder why this particular word used in this way gets so many people so angry. It can’t be because it’s new.

Musical fans will be hyped for the film release of Lin Manuel-Miranda’s In The Heights, set to land in cinemas here on 25 June (seven years after its UK stage premiere at the lovely Southwark Playhouse). Of course the Dominican smash is far from the first big musical to make its way to Hollywood. Here are seven other classics - and one notorious flop - to enjoy: Chicago, Amazon (to rent) https://www.youtube.com/watch?v=9EpaMmF9WVU Rapidly approaching the 50th (!) anniversary of its stage premiere, the Oscar-winning crime caper has lost none of its pizzazz. And looking at the cast it’s not hard to see why.

Whilst many Hollywood auteurs began their careers in television (John Frankenheimer, Arthur Penn, Steven, Sidney Lumet etc), the received wisdom in previous times was that a return to working in the medium signalled a career in serious decline. Lower budgets, shorter rehearsal times, often inferior casts and tight deadline-driven schedules meant that television was very much the last resort for down on their luck movie directors. There has always been the odd exception, including when Steven Spielberg (who began directing network tv such as Columbo) helmed a few episodes of his anthology series Amazing Stories in the mid-1980s; and of course, Alfred Hitchcock (AH Presents). But the advent of streaming has led to what some have termed ‘The Golden Age of Television’.

I would love to have been there at the original pitch meeting for Friends, 'So yeah, it's about a bunch of friends.' Pitching The Office must have been similarly brusque, 'It's about some office workers working in an office.' And The Simpsons? 'Oh yeah, that's the one about a family called… the Simpsons'. Like all great comedies, the premise for Friends is so simple it sounds almost facile. But embedded within the simplicity of the idea is the entirety of human experience; the joys, the sadnesses, the heartache and the tragedy; it's all there in Ross's remarkable range of expressions that ran from deep melancholy to boyish wonder.