Spectator Life

Show me the money. Show it to me in the dedicated pages of national newspapers, in documentaries and TV series and on social media, where influencers make their money by showing me the money. Let me revel in all the clichés we’re offered – the poorer man’s idea of wealth, defined by supercars and mega-yachts, houses pent and country, dinky handbags and preposterous watches, fat cigars, deep tans, Tic Tac teeth and honed abs, for even the body is performative of money these days. Tom Wolfe would be slack-jawed.  Forty years ago he coined the sadly forgotten term ‘plutography’, to capture the then prevailing trend for the publishing business to offer readers a monthly dose of full-colour insight into how the other half lived.

‘Work 1’ of the 258th Summer Exhibition greets you before you have even passed through the portals of the Royal Academy. Rainbow-striped letters arranged in an arc, the words ‘THE SONG IS YOU’ are displayed on four grey metal rods in the courtyard of Burlington House. By exhibitor Ugo Rondinone, the price for the installation is ‘on application’, for which read: not for the likes of you. No matter, I’ll save my pennies, thank you very much. Not being able to work out WHICH SONG I AM, I carried on regardless, conscious that I had 1,850 exhibits still to view.

The UK has a Neet epidemic: those aged 16 to 24 classed as not in employment, education, or training. At various times in my life, I have counted myself among their number. It’s an easy status to fall into, yet it’s not the land of sunshine and roses one sometimes imagines jobless youth to be. The numbers grow year by year, and many of those entering the status fall further into Neetdom, whether it be by a conspicuous gap on the CV that leaves them even more behind, the realisation that you can live just as well on benefits or mere feelings of hopelessness after hundreds of failed job applications.   The truth is, it’s bloody tough out there getting a job.

I wrote recently about my delight that an excellent second-hand bookshop has opened in my home city of Oxford. Well, karma has come around. In the upmarket district of Jericho, it’s recently been announced that Britain’s first ‘romantasy bookshop’, Bad Girl Books, will open next month. The shop is run by an American expatriate named Starlin Marot and is the permanent manifestation of a series of pop-up events she ran in London that have attracted thousands of readers.  Marot told the Oxford Mail: ‘The reason I like the romantasy genre so much is because it is so inclusive and empowering. It can be empowering to celebrate stories written by women, which feature women's voices and desires. I'm really looking forward to meeting lots of new customers.

Deep in the honeycombed limestone caves of Slovenia, Croatia, and Friulian Italy, there is a fantastical creature called ‘the olm’, also known as ‘the baby dragon’. It was once an ordinary salamander, which probably fell down into the karstic caverns - where it has evolved into an eerie pink creature that lives for a century, eats once a decade, possesses eyes without sight, lives permanently in a larval condition – called ‘neoteny’ by zoologists – and has been recorded sitting in the exact same place for seven years, without moving.  Why do I mention the olm? Because, as I travel the world, I’m increasingly wondering if we humans, Homo sapiens - have turned into a peculiar higher primate version of the olm.

Milo – born Rupert Myles Baxter-Stuart-Lane – is a self-proclaimed ‘wine wanker’. He is 27 years old, works at a B-Corp production and social content agency, lives in Stoke Newington, and dreams of running a wine bar in Clapton in the hope that Topjaw might someday notice him. His favourite film is Sideways. He watched it for the first time last month. He even has a tattoo to prove it: ‘I am NOT drinking any fucking Merlot.’ The tattoo is on his left buttock. After enough biodynamic Zweigelt, he’ll be happy to show it to you.  Milo likes to say that he ‘came to wine late’. This is a complete lie.

France versus Albion is always good sport. The latest instalment of the rivalry was settled conclusively with PSG’s recent victory over Arsenal. As for the wider comparisons, strewn with titanic clashes – the Hundred Years’ War, the Battle of Trafalgar, Liquorice Allsorts versus Carambar – I’m no expert but I did live in Paris for a couple of years and was intoxicated by it from the very first evening there, a January Saturday in foul weather with the normally placid Seine a broiling mess. But after moving back home I hadn’t returned until this year. Inevitably, the first thing you do upon rolling off the Dover to Calais ferry is start declaiming how much better the French do things than us.

John Wilkes, the eighteenth-century radical, rake and uglybug, claimed that it only took him half an hour with any woman to talk away his face. Tinder gives you five hundred characters. It’s not enough. I am not saying that I am, like the old libertine, a shocking dog to look at, who ought not to be exposed to pregnant women’s view - Tinder hasn’t, yet, destroyed my self-esteem quite that much - but I think I probably need slightly longer to talk away my photos than the length of this paragraph.  I had hoped that I had dodged dating on the apps - I was married the year before Tinder was launched in Britain - but that optimism lasted no longer than the marriage.

I write speeches and help people deliver them. I love the work; it is its own reward. And post-speech client feedback gives me the smug hot-water bottle in the gut feeling you get from a well-cut hedge, a maiden over, or watching your grandchild take his or her first steps.   What happens is this: someone gets in touch because they’re due to give a speech at a wedding, charity event, school speech day, that sort of thing. I call them ‘Important Personal Speeches’. Their first question is, ‘Can we keep this between us?’ Discretion is key to my work, which is why I am writing about it here.

It has become commonplace for pessimistic bibliophiles like me to say that second-hand bookshops are an endangered species. You can pick your reason why – ever-increasing rents; competition from charity bookshops; the near-hilarious misanthropy that some old-school owners demonstrate, which will put all but the most committed punter off their establishment for life – but the reality might be that ever-declining sales of new books are mirrored by their antiquarian and used equivalents. We are constantly told that nobody is reading any more, because of reduced attention spans and the ubiquity of easy-to-digest podcasts. Surely this applies doubly, if not trebly, to mouldy old books, which – horror of horrors – come used, rather than in pristine condition?

A few years ago, asking a junior colleague to make a phone call would not have registered as a particularly daunting task. Now, it seems, many younger staff would be more willing to donate a kidney than call a restaurant to push a booking back an hour. In media, I have been astounded by twentysomethings’ reluctance to pick up the phone. Instead, they’ll embark on a long campaign of avoidance: an initial email, a 'gentle nudge', and then a 'just moving this to the top of your inbox', all while hours drift between the lack of responses.   It’s inefficient and, frankly, a bit sad.

If you google ‘Wedding celebrants, Surrey’, the fourth name to come up is ‘Lynda Bassette: With You for All Life’s Special Moments’. Farnham-based but willing to travel across the UK and abroad, Lynda also does funerals and baby naming ceremonies, so ‘the full wrap-around care’, as she calls it. But weddings are her favourite. Though divorced herself, she’s always been a true romantic at heart. ‘I’m in love with love!’ she tells her couples when they first get in touch.   She’s struggling to get her name more prominent on Google. It’s proving hard in a county where every other woman wanting a life-change seems to be completing the online celebrancy course and setting up as a sole practitioner.

As I’m an OAP, it’s not very often that I see an amusing online game I got into early trending online, so imagine my glee on seeing the following on X this week:  ‘Peter Murrell Meme Turns Follower Counts into Luxury Kitchen Splurges.’ Freelance journalist Jill Foster started the game by pairing a pound sign with her follower count and a kitchen item, sparking replies from a £35,900 cutlery tray (the proud possession of The Spectator’s own Gareth Roberts) to a £394,000 salad dressing bottle. The humour stems from Murrell's real court-listed buys, including a £3,232 Jura coffee machine and Jamie Oliver spoons, all funded by SNP donations from 2010 to 2022.’   To be specific, it had to be the last item in the kitchen that one touched.

Over the course of their lives, Americans have an average carbon footprint of 1,200 tonnes of CO2. Paris Ortiz-Wines, a young woman from San Francisco, has already cancelled hers out. She could hop on a flight every week for the rest of her life, eat ribeyes at every meal and sip almond milk all day long, and still be in the clear. Back in 2021, Ortiz-Wines played a key role in the campaign that stopped the closure of California’s only nuclear power plant, Diablo Canyon. This has already saved more than 30 million tonnes of CO2 emissions.  Ortiz-Wines is part of a new generation of women advocating for nuclear energy, even though surveys show most women are sceptics. Call them the Nuclear Power Rangers.

I was robbed in Tokyo recently, an experience as unexpected as it was distressing. Despite long years in London, plus decades of rough and ready globetrotting to some of the sketchiest places on earth, I have never been a victim in any of these notorious crime hotspots (I feel snubbed especially by London), but this was the second such experience in supposedly the safest city in the world.   What are the odds? The first time I dropped my wallet in a branch of the bargain bucket Don Quijote store and later received a phone call from the staff saying they had it, with ID cards intact but 50,000 yen gone. This time there was no phone call, it’s all gone, a similar amount of cash but far more worryingly, my entire suite of credit and ID cards.

Today is Celebration Day when we are asked to remember the people we’ve loved and lost. My first reaction to the idea, was a groan. Really? Who needs another dedicated day? There are already more of them than there are days in the year, so some have to share. I’ve never taken any notice of Mothers’ Day, or Fathers’ Day, (and neither, sadly, have my children), let alone Potato Day, Upcycling (what’s that?) Day, Black Cow Day, or International Pisco Sour Day. There’s even a Love Conquers All Day, for heaven’s sake.   But I’ve come round. When someone important to us, who inspired or helped us, or whom we greatly loved, dies, we mourn them painfully for a period - and then stop talking about them altogether.

Tilly’s children now refuse to tell her when another one bites the dust. Recently, they joke, they have been able to see the whites of her eyes when they say that Ludo or Verity has been pulled out of school because his or her parents have been hit by VAT on school fees. When Tilly quizzes them about the parents’ finances, they roll their eyes and tell her to stop being so nosy.  Standing on the steps of the children’s smart prep schools in Kensington, Tilly partakes in the faux-martyrdom of the other mothers about how they all have to tighten their belts now that school fees have rocketed, but she knows they’re not really suffering: they’ve all just come back from Verbier and are about to load their offspring into sleek black Range Rovers.

Can it be anything more than sour grapes when a writer (who has not been asked) gets snarky about Hay Festival? I’d like to think it can. For there is a lot to snark about.  Don’t get me wrong. The one time I was invited to speak at Hay, about a decade ago, it was jolly nice. Benedict Cumberbatch said hi to me in the green room, thinking I was someone he was meant to recognise, while Ian McEwan milled about topping up his coffee. Hay is, of course, a pornographically pretty town amid the rolling sheep-studded fields and quaint little streets with pop-up Eccles cakes shops and independent bookshops.