Arts Reviews

The good, bad and ugly in arts and exhbitions

Saturday

Lloyd Evans

Family at war | 21 May 2011

Edward Albee doesn’t like the word ‘revival’. His plays aren’t dead, he says, just lurking. His 1966 drama A Delicate Balance has been coaxed back into the limelight by James Macdonald in a sumptuous new version starring Penelope Wilton and Imelda Staunton. Edward Albee doesn’t like the word ‘revival’. His plays aren’t dead, he says, just lurking. His 1966 drama A Delicate Balance has been coaxed back into the limelight by James Macdonald in a sumptuous new version starring Penelope Wilton and Imelda Staunton. We’re in a New England mansion whose unshowy opulence is brilliantly suggested by designer Laura Hopkins. The chairs are elegant, costly and fading. The shelves are

Michael Tanner

Spark of the divine

With its new production of Janácek’s last and in some ways most intractable opera, From the House of the Dead, Opera North shows once more that it is the most intelligently adventurous company in the UK, using its money where it is most needed: not on elaborate and perverse staging, but on high-class soloists and a small but excellent chorus, and an orchestra that can rival any in the country. With its new production of Janácek’s last and in some ways most intractable opera, From the House of the Dead, Opera North shows once more that it is the most intelligently adventurous company in the UK, using its money where

Deborah Ross

Guilt trip

Win Win is a comedy-drama that is warm-hearted and compassionate and enjoyable without, alas, being especially remarkable or original, which is a bit of a blow but I think you’ll get over it, with bed rest and time. Win Win is a comedy-drama that is warm-hearted and compassionate and enjoyable without, alas, being especially remarkable or original, which is a bit of a blow but I think you’ll get over it, with bed rest and time. Written and directed by Tom McCarthy, who made The Station Agent and The Visitor — two powerful character studies I could watch and rewatch into infinity — this is broader, lighter, schmaltzier and more

Giannandrea Poesio

Incomparable Verdi

Call me biased, but I believe that my illustrious compatriot Giuseppe Verdi composed ballet music like no one else. It is a pity he never felt like penning a full ballet score, and limited himself to composing balletic interludes for his glorious operas. As demonstrated by the work of eminent scholars, he possessed the unique ability to mentally choreograph a ballet. His approach to ballet music thus started with a detailed visualisation of the action, which fed into the unique innovative fluidity of his balletic compositions. Take, for instance, the complex Peregrina ballet, composed for the Paris Opéra staging of Don Carlos. The demands of creating a work that would

Kate Chisholm

Object lesson

What are we supposed to make of those odd pictures of Osama bin Laden sitting crouched in a dingy, undecorated concrete room watching something blurred on a small TV screen? Is this really the face of jihadist evil? These were the questions behind this week’s provoking 15-minute drama in the From Fact to Fiction slot on Saturday (Radio 4). What are we supposed to make of those odd pictures of Osama bin Laden sitting crouched in a dingy, undecorated concrete room watching something blurred on a small TV screen? Is this really the face of jihadist evil? These were the questions behind this week’s provoking 15-minute drama in the From

James Delingpole

Big Brother Beeb

For the past few weeks, unnoticed by all but the most sharp-eyed critics, BBC1 has been running a Celebrate Communitarianism season. The first programmes were: Envy of the World!!!, in which children at Great Ormond Street hospital spent a week being forcibly denied vital drug treatment. Then, in a touching scene right at the end, just as they were all on the brink of death, a big pink bunny with NHS printed all over his fur came hopping in with all the medicines and dialysis machines they needed, accompanied by Sir Jimmy Savile saying, ‘Now then, now then. As it ’appens, I have fixed it for YOU to understand why

Monday

Alex Massie

Peanut Tweeter

Pretty much my new favourite thing: Peanut Tweeter. Random tweets from around the world inserted into not-wholly-random Peanuts galleries. Weirdly cool and fun. Hurrah for the internet. Thus: And: Many more here. [Thanks to RF]

Saturday

Lucy Vickery

Vocal heroes

Foundling Voices at the Foundling Museum in London’s Bloomsbury (until 30 October) is the fruit of an oral history project that recorded the memories of 74 men and women (the youngest is now 68, the oldest 98) born to unmarried mothers who were placed as babies in the care of the Foundling Hospital Schools in the first half of the 20th century. Foundling Voices at the Foundling Museum in London’s Bloomsbury (until 30 October) is the fruit of an oral history project that recorded the memories of 74 men and women (the youngest is now 68, the oldest 98) born to unmarried mothers who were placed as babies in the

Daniel Grant

American view – Sword of controversy

‘I’ve refused to become a prisoner of “Piss Christ”,’ said the photographer Andres Serrano, referring to his 1987 photograph of a crucifix submerged in a glass filled with urine. ‘I’ve refused to become a prisoner of “Piss Christ”,’ said the photographer Andres Serrano, referring to his 1987 photograph of a crucifix submerged in a glass filled with urine. But the fact remains that he has become a very wealthy prisoner of that work. The picture, created while he was the recipient of a $15,000 grant from the Southeastern Center for Contemporary Art in Winston-Salem, North Carolina, which itself had received a grant from the National Endowment for the Arts in

Roderick Conway-Morris

Power of invention

Lorenzo Lotto’s portraits alone should have secured him a place in history as a major Renaissance painter. Lorenzo Lotto’s portraits alone should have secured him a place in history as a major Renaissance painter. Yet, ironically, while his works continued to be admired, his name was all but forgotten. This paradoxical state of affairs came about because Lotto suffered from a steady series of posthumous misattributions, his works being assigned to the most bafflingly diverse range of other artists from Giorgione, Pordenone, Titian, Tintoretto, Dosso Dossi and Veronese to Perugino, Leonardo, Andrea del Sarto, Holbein, even Van Dyck, and an obscure 17th-century German Baroque artist Johann Carl Loth, known in

Laura Gascoigne

Parisian perspectives

In 1879, two young brothers moved into a new fifth-floor apartment at no. 31 Boulevard Haussmann, overlooking the Opéra. Flush with inheritances from their father’s army bunk business, Gustave Caillebotte, 31, and his brother Martial, 26, were exactly the sort of children of the Second Empire for whom these new Parisian mansion blocks had been built. In 1879, two young brothers moved into a new fifth-floor apartment at no. 31 Boulevard Haussmann, overlooking the Opéra. Flush with inheritances from their father’s army bunk business, Gustave Caillebotte, 31, and his brother Martial, 26, were exactly the sort of children of the Second Empire for whom these new Parisian mansion blocks had

James Hamilton

Call to action

From across Margate Bay, the prickly silhouette of the new Turner Contemporary art gallery points towards the sea like prows of departing cruise liners. Here at last is the inspired intervention in economy and townscape to encourage resurgence in the south-east of England as has been catalysed by Tate St Ives in the south-west. Margate has a history of imaginative investment in high capital cost ventures to draw people to Thanet. The Royal Sea Bathing Hospital was opened in the 1790s to provide a cure for tuberculosis. John Rennie’s stone pier was completed in 1815 to allow steam packets to land visitors from London. An iron jetty reaching 50 yards

Andrew Lambirth

Portraits of a marriage

Andrew Lambirth on the special relationship between the artists Zoran Music and Ida Barbarigo that is explored in an exhibition that shows their work together for the first time in more than half a century At the Estorick Collection, a modest north London townhouse, there is until 12 June a most engaging exhibition devoted to two artists, husband and wife, whose work is not particularly well known in this country, though both are recognised and celebrated internationally. Ida Barbarigo (born Venice 1925) first met Zoran Music (1909–2005) at an exhibition of his paintings in Trieste in the spring of 1944. Their burgeoning friendship was interrupted when Music was arrested by

Deborah Ross

Cut to the chase

As Attack the Block is being touted as ‘the new Shaun of the Dead’ I expected a light-hearted romp rather than something quite bloody and nasty, although this does, at least, come in at a highly manageable 88 minutes. As Attack the Block is being touted as ‘the new Shaun of the Dead’ I expected a light-hearted romp rather than something quite bloody and nasty, although this does, at least, come in at a highly manageable 88 minutes. (Next week’s fourth Pirates of the Caribbean film is 140 minutes, can you believe, but don’t worry, I’m already in training for the boredom. I paired socks all morning, will be watching

Lloyd Evans

Bono without the jokes

I rarely visit the Jermyn Street theatre because it’s too nice. I rarely visit the Jermyn Street theatre because it’s too nice. A small, raffish space just off Piccadilly, it has plush crimson seats and good-natured staff who never to fail to press a welcoming glass of claret into my hand. To criticise one of their shows would feel like abuse of hospitality. So in discussing Anthony Biggs’s production of Ibsen’s late play Little Eyolf let’s focus on the positive. The costumes are nice. Now we can move on. Though written when he was in his mid-60s, the play finds Ibsen in suicidal teenager mode and taking a perverse delight

Patrick Carnegy

Double toil and trouble

‘Shakespeare’s Lost Play Re-imagined’, thus Gregory Doran’s subtitle to Cardenio. The play appears to have been lost in the Globe fire of 1613, but why should the RSC’s chief associate director have wanted to ‘re-imagine’ and stage it as the inaugural production in the refurbished Swan? ‘Shakespeare’s Lost Play Re-imagined’, thus Gregory Doran’s subtitle to Cardenio. The play appears to have been lost in the Globe fire of 1613, but why should the RSC’s chief associate director have wanted to ‘re-imagine’ and stage it as the inaugural production in the refurbished Swan? There was nothing to go on other than a dubious trail leading back from a 1727 effort by

Simon Hoggart

Cartoon counselling

The Trouble with Love and Sex (Wednesday, BBC2) was extraordinary and quite successful. They took two couples plus one lonely single chap, recorded them talking to counsellors at Relate (formerly the Marriage Guidance Council, following the same rule by which the Royal Association for the Protection and Furtherance of Deaf Persons would become Eh?) and then turned the resulting dialogue into cartoons, so you heard their real voices but saw only drawings of people who didn’t look like them. These days, when people will suffer almost any humiliation to get on television, I am sure they could have found folk who would eagerly have appeared on camera to talk about

Kate Chisholm

Cut short

‘She hung up and ended the interview,’ said John Humphrys on Saturday morning’s Today programme (Radio 4), sounding rather bemused. ‘She hung up and ended the interview,’ said John Humphrys on Saturday morning’s Today programme (Radio 4), sounding rather bemused. Had he really been cut off mid-round? The battle not yet won. He’d just been talking to Reem Haddad, director of Syrian state television and also, or so the BBC’s website declares, a spokesperson for the Syrian administration (an odd combination of roles, one might think). Haddad had questioned Humphrys’s use of the number ‘500-odd’ persons as having been killed by state troops during the current uprising in Homs and

Saturday

Andrew Lambirth

Free spirit

Joan Miró (1893–1983) was a great imaginative artist and a pure painter of genius. Joan Miró (1893–1983) was a great imaginative artist and a pure painter of genius. He produced a huge body of work over a long life, and this excellent selection of it transforms the uninspiring galleries at Tate Modern, which have rarely looked so good. This exhibition offers the political interpretation. You can see Miró as a surrealist, as a formalist or as a political artist. Actually, he was none of these, but allowed each to touch upon the wellsprings of his creativity and have some sort of relationship with his art. His identity as a Catalan

Michael Henderson

Unexpected passion

Michael Henderson talks to Alfred Brendel about his favourite films ‘I belong to no tribe,’ says Alfred Brendel, taking tea at his home in Hampstead, surrounded by some of the books that constitute his vast library. ‘I follow no creed, subscribe to no ideology, and I despise nationalism. I have lived in many places but wherever I go I am a paying guest.’ If you wanted a single statement to do justice to this extraordinary man, that would do pretty well. It is the expression of a well-travelled, well-read, well-versed man in language that is by turns serious and playful. With his immense learning, worn lightly, and a highly developed