Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Lost white dogs of Africa

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There is a fading misconception in Europe that every white person in South Africa lives the life of Reilly, albeit behind a barbed-wire perimeter fence. The fact is that, apart from all the hardworking white postmen and store clerks, genuine white trash abounds, booted out of one too many doors by bosses and wives and daughters’ boyfriends. They walk the streets, live in small townships and paint houses if they don’t drink the paint first. There are quite a lot of them, presumably more now than ever. Emigrating to Canada or Europe is not really an option for these lost white dogs of Africa. The high commissions wouldn’t let them in the door. I picked up such a hitchhiker once, about 40 years old, on the road to Cape Town.

Master of most

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Andrew Marr is a great adornment to his — our — trade. He is terribly clever and well-read, and I am sure he could have done something serious and useful with his life. But he decided early on that journalism was the thing for him. Despite his first-class degree in English at Cambridge, it quickly dawned on him that he wasn’t really qualified for any profession. ‘I was a scientifically illiterate innocent with the entrepreneurial instincts of a 13th-century peasant and the iron determination of a butterfly,’ he writes. ‘Journalism seemed the only option.’ But surely his instinct must also have told him that journalism was a field in which he would excel. He was gregarious, inquisitive, perceptive, energetic, and deft with his pen.

The work of P.G. Wodehouse is immortal, but he was guilty of a moral lapse

Any other business

The debate about P.G. Wodehouse’s wartime radio broadcasts from Nazi Germany has been raging for more than 60 years. It is re-ignited by Robert McCrum’s admirable new biography of the great writer. Most reviewers have taken the line that ‘Plum’s’ talks were inconsequential. Though sympathetic to his subject, Mr McCrum is a little sterner. ‘His behaviour,’ he writes of Wodehouse, ‘was incredibly stupid, but it was not treacherous.’ What business is it of a media column to re-enter these difficult waters? My excuse is that Wodehouse was almost destroyed by a journalist, and he has over the years been defended and largely rehabilitated by writers who were also journalists. His reputation has been settled by the fourth estate.

Busy doing nothing

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Tom Hodgkinson is a 21st-century Luddite. He wishes we could smash the principles of capitalist consumerism that enslave most of the population so they can service their debts. In this beguiling book, he persuasively advocates idleness as the way to gain access to the creativity of the subconscious mind, or at least to enjoy a few beers. Hodgkinson is a dedicated connoisseur of idleness. He is the founder and editor of Idler magazine, which enables him to support himself and his family in Devon. Endorsed by quotations from an interestingly variegated team of believers in the benefits of inactivity, including Dr Johnson, William Blake, Bertrand Russell, G.K. Chesterton, Oscar Wilde, Karl Marx’s son-in-law and Jeffrey Bernard, Hodgkinson now summarises his tranquil philosophy.

A refusal to mourn

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‘Every true writer becomes a writer because of a profound trauma experienced in youth or childhood,’ wrote Amos Oz in The Silence of Heaven, his study of the work of the Israeli Nobel-prize winner Shmuel Yosef Agnon. With reservations, he added, ‘We might venture to say that the flight of the narrator’s imagination is as high as the depth of his wound....’ All this might apply to Oz himself, his own profound trauma being the suicide of his mother, Fania, when he was 12. Perhaps, too, it is possible to say that the depth of that wound has made Oz one of the greatest novelists of our times.

The return of Cosa Nostra

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When Silvio Berlusconi came to power for the second time in May 2001, in a landslide victory, Italy became unique among Western democracies: no other nation had at its head its richest citizen — the 35th richest man in the world — someone who also enjoyed a monopoly of the country’s private television broadcasting. More important, no other country had its prime minister on trial, accused of bribing judges, ruling over a coalition busy enacting special laws to protect himself and his friends. Drawing attention to these facts in the Economist not long afterwards, David Lane provoked fury in the Italian political and financial establishment, and talk among Italy’s EU partners, where his articles were widely read.

A great-grandmother glimpsed

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I have a faded photograph of Frances Osborne. I imagine the moment the picture was taken: perhaps she had just been told that this, her first book, would be published. She must have been happy and would have shared her happiness with her children, Luke and Liberty, who, I suppose, must have been happy, too. I can also picture Ms Osborne before she became an author, when she was a barrister, banker and a journalist. In each of these activities, she probably worked very hard, had been disappointed at times and happy at others. I like to think of her at her second home in Cheshire when this picture was taken. It must be a lovely place.

The return of the rotters

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Finishing The Rotters’ Club and finding ‘there will be a sequel’ posted at the back was a bit of good news. As was finding that sequel on my doormat. And here’s more good news: The Closed Circle is terrific. Last seen on election night in 1979, the characters from The Rotters’ Club are now pushing 40 and bracing themselves for the new century. Coe manages to fill us in on the intervening 20 years with the minimum of fuss, and soon Benjamin Trotter, his brother Paul, Claire Newman (sister of the vanished Miriam), Doug Anderton and Philip Chase are up and running again.

A fusillade from the last ditch

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Here are 90 furious little spats about our extraordinary and inadequate attitudes to God. Alice Thomas Ellis has subtitled them her ‘assembled thoughts’ on her Roman Catholic faith and what she sees as its suicidal attempts at liberalisation. She is impassioned, funny, fearless and has been in hot water a number of times with the Church and the periodicals she writes for. The Universe sacked her. There is an affectionate introduction by Richard Ingrams, who says that he loves misfits and drop-outs and likes to provide them with soapboxes (e.g. in The Oldie, he describes her as a woman who has suffered in her time but keeps at the heart of the fight). She is no recluse.

The gringo’s progress

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In his History of the Conquest of Mexico, Prescott described the bafflement of the Spanish arriving in a country where savagery and sweetness, blood sacrifice and delicate manners co-existed unsettlingly. In Mexico nothing was straightforward. Anita Desai is known, and acclaimed, for her novels about India. The sub- continent is her birthplace and literary territory. Setting her latest novel in Mexico, she writes with a visitor’s eye about a visitor, Eric, a nice, unmotivated post-graduate student at a loose end, who stumbles into a quest for his roots. For the quiet Bostonian, the shock of Mexico is visceral, overwhelming.

Shock tactics in love and life

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In this enthusiastic study of the bohemian Garman family, Cressida Connolly has chosen a hard task. Group biographies are tricky to write and risk being muddling to read: there are 21 Garmans in her index. But her greatest problem has been to make her subjects, in particular Mary, Kathleen and Lorna, the three sisters at the centre of the book, signify in their own right rather than as wives, lovers and muses to a series of more talented men. They were indeed, as she writes, ‘strikingly beautiful, artistic and wild’; but that was about it. As Connolly is too honest to conceal, they were also frequently a pain in the neck.

A most superior street

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Nancy Mitford did not enjoy readers’ letters, according to Harold Acton’s sprightly memoir (how unlike us, Miss Beale and Miss Buss). But she did enjoy this one from a certain Mavis Mitford-Potts, following the enormous success of her first historical biography, Madame de Pompadour. It was along these lines: ‘I live alone in a bungalow and shall soon no doubt be murdered by one of the many people who think all Mitfords better dead’ and had the PS: ‘Please don’t think I admire your idiotic books.’ Nancy Mitford described this missive as ‘a breath of fresh air’ compared to the stack of fan-letters she was receiving: ‘It’s so odd why they should think one should want to know their boring reactions to one’s work.

Coming in from the open air

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Selected Poemsby R. S. ThomasPenguin Modern Classics, £9.99, pp. 368, ISBN 0140188908 Some 40 years ago, about to sit an entrance scholarship for Aberyst-wyth, I got hold of some papers set in previous years. One I have found it impossible to forget. It was a paper of literary criticism, only there were no questions, just a poem you were asked to discuss. And it got worse, much worse. The poem was a carol. Poems I thought I knew about: they were puzzles. Poems allowed me to write at length, using words whose meaning I was not entirely sure about, like ambiguity and irony. Yet here was something so simple, so clear, it had to be a trick.

Fasten your seat-belts . . .

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The end of the world is nigh. Well, of course it is. Everything falls apart, sooner or later, including ourselves and the Earth we live on. We are particularly vulnerable today, with so many mortal threats to civilised existence competing for attention — war, pestilence, pollution, economic breakdown and moral collapse. Ian Rankin adds another threat, the most terrible of all. The world is going to shift off its axis, causing widespread cataclysms and the destruction of everything we know and cherish. It has often happened before and it is bound to happen again — probably quite soon, says Rankin. This is a radical theory and it has powerful opponents.

Music as the food of love

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Susanna Burney was the younger sister of the more famous Fanny (one of the best-loved of English diarists and author of Evelina). Born in 1755, three years after Fanny, Susanna began writing a journal long before Fanny had conceived the idea of confiding her thoughts ‘To Nobody’. Susanna’s diaries (still unpublished) tell us less about the personalities in the Burney circle — and they were an extra- ordinary bunch, including not just Garrick, Johnson and Mrs Thrale, but also Burke, Sheridan and James Bruce, the explorer of Abyssinia — but they are recognised by those who have read them in the British Library, pasted into hefty leather-bound tomes, as a treasure chest of information about the musical life of London in the late 1770s and early 1780s.

Power behind the scenes

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Parliament has so dominated the writing of English political history that the royal household has been sidelined. Moreover, the absence of a tradition of court literature as strong as the French, and prudent bonfires of such compromising documents as the letters to George III from Lord Bute, subject of this remarkable study — and to John Brown from Queen Victoria — have erected walls of silence around this elusive institution. In reality, well into the 19th century the court was the centre of power and pleasure in London. Someone as independent as Swift spent years haunting St James’s palace in search of a job.

The great and the grumpy

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Denis Healey will never be the same, once you discover, as you do in this fizzing collection of mini-biographies, that his favour- ite question is, ‘Do you have sexual fantasies when you smoke cigars?’ Peregrine Wors- thorne is now forever fixed in my mind exchanging shirts with the first Mrs Nigel Lawson in a crowded Wheeler’s restaurant during a Brighton party conference. And the dynamics of Private Eye fall into place when you know that, in the 1950 scholarship list for Shrewsbury, Richard Ingrams came first, Christopher Booker third and the late Paul Foot fifth. Alan Watkins, the eminent political columnist, now for the Independent on Sunday and for many years in these pages, is the master of the well-deployed fact, and, more importantly, the personal fact.

The gentle art of saying no

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Cynics have long noted that there are certain, relatively coarse, artistic vocations in which premature death can be a shrewd career move: consider the presently thriving and/or grossly inflated reputations of, say, James Dean, Jim Morrison, Jimi Hendrix and Janis Joplin. For those who practise the more elite arts, an equally potent and far less drastic option is readily available. Why bother with the agony and mess of drug overdoses or car crashes when you can attain a comparable, pseudo-posthumous mystique just by renouncing your gift?

Three welcome new voices

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Liars and Saintsby Maile MeloyJohn Murray, £14.99, pp. 260, ISBN 0719566444 Darien Dogsby Henry ShukmanJonathan Cape, £12.99, pp. 279, ISBN 022407282 ‘Short’ as Peter Dimock’s potent novel about the Vietnam war may be, it packs a not insignificant punch. The curious title is to be taken literally: this really is a ‘rhetoric’, in the classical sense, and the point on which it wishes to persuade is indeed ‘leaving the family’. For, on the eve of the first Gulf war, Jarleth Lanham writes a letter to his two adoptive ‘sons’, intended to be read when they come of age in 11 years’ time (which takes us unwittingly to September 2001, just to hot up the political spice).

Not an egg, bean or crumpet

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Among the great works of art written in the prison camps of the second world war are Messiaen’s Quartet for the End of Time, Viktor Ullman’s The Emperor of Atlantis, Ezra Pound’s The Pisan Cantos and P. G. Wodehouse’s Joy in the Morning. Spot the odd one out. Robert McCrum, with some ingenuity, has managed to isolate some lines in Joy in the Morning, that incomparably sunny comedy, which may be inflected by Wodehouse’s difficult war. The Gestapo translates into a little sourness about village policemen, and that is about it. McCrum yields to temptation, and describes Wodehouse’s war history as the defining episode of his career, but that is not right.

What is this life?

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W. H. Davies was a phenomenon of whom, it seems, few nowadays have heard. His lines, ‘What is this life if, full of care,/ We have no time to stand and stare?’ were quoted with approval in the local pub the other day, but nobody knew who wrote them. In 1996 that poem, ‘Leisure’, was voted 14th most popular in the English language, ahead of Marvell and Blake. Davies was indeed a phenomenon because, for at least ten years of his life, he was a non-writing, non-reading tramp.

The play’s the thing | 21 August 2004

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‘His name is protean. He begets doubles at every corner … On the wet morning of 27 November 1582, he is Shaxpere and [his prospective wife] is a Wately of Temple Grafton. A couple of days later he is Shagsper and she is a Hathaway of Stratford-on-Avon. Who is he? William X, cunningly composed of two left arms and a mask. Who else? The person who said (not for the first time) that the glory of God is to hide a thing, and the glory of man is to find it.’ Thus Nabokov on the mystery of Shakespeare. The mystery is not that we don’t know much about the man from Stratford, although the facts are barely enough to fill two or three typed pages. The mystery is that, from mediaeval times onwards, there is not any other author about whom such doubts of attribution cling.

The lighter side of gender politics

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The sixth in the ‘No. 1 Ladies’ Detective Agency’ series of novels is as delightful as any of its predecessors. Mma Ramotswe and her able assistant, Mma Makutsi (‘the most distinguished graduate of her year from the Botswana Secretarial College’ with a 97 per cent pass mark), continue to dispense true justice in a corrupt world while experiencing to the full the moral and emotional stresses of life. Cheerful ladies though they may be — and their virtues and foibles certainly cheer the reader — their triumphs over adversity do not come without a cost. Their vulnerability, as well as their humanity, is what makes them so attractive.

Method acting with a vengeance

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Two of a good thing is usually better than one — unless, of course, the good thing in question is you. Nobel Prize-winner José Saramago’s new novel, The Double, is built around just such a premise.

Stifled at birth

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This is a reissue in paperback of a novel that utterly vanished on its first publication in 1998. Since it is exceptionally good, it is worth explaining its disappearance. Review copies were sent out by Bellew, its original publisher, and copies were sent to the Society of Authors for submission to their Sagittarius Prize (best first novel by an author aged 60 and over), but ten days later Bellew went bust. The receivers sold all the stock to a remainders firm who took the view that The Danube Testament was unsaleable and pulped the whole edition. No copies went to bookshops. This does not quite explain why it was never reviewed if it is so good, but fiction from a small press has to fight hard for space in newspapers and bookshops.