Culture

Ever since Dixon’s pie-eyed lecture on Merrie England in Kingsley Amis’s Lucky Jim there’s been a hunger for more exposures of the pretentious absurdities and backbiting jealousies of academia. Here’s another from a distinguished professor of English at London University who’s presumably seen a great deal of it. Perhaps it’s because of this that David Nokes’s book is much closer to farce than to the reality you find, say, in C. P. Snow’s novels set in a Cambridge college or Malcolm Bradbury’s satires on life at the redbrick and new plate-glass universities.

This is the sort of book we can expect to see a great deal more of in the future. After Malcolm Gladwell’s The Tipping Point — a study of the way products or ideas move from niche positions to mass markets — economists and journalists have been racking their brains to come up with usefully saleable theories. Each one begins with profiles in New York magazines; the book, largely made up of stories, follows; and then, no doubt, a lucrative career spinning this highly anecdotal material to CEOs. An amusing book, this one, certainly more so than the works of most practitioners of the Dismal Science. It’s best enjoyed, though, as a series of music-hall turns, tall tales and outrageous paradoxes rather than anything resembling an argument.

HERMIT WANTEDFree meals and accommodation.Situated on grand estate.Would suit the quiet type. When Giles and Ginny married ‘it was like a great clanging-together of bank vaults that rang out across the land’. Now Ginny demanded a savage. She had discovered an empty cave in the woods, and it needed to be occupied. The applicant to her ‘Situation Vacant’ notice in the local paper must not shave, cut his hair, trim his fingernails — do anything but look rough; in particular, he must not speak. Then she and her guests could ride out after supper to spy on him. At first, all went well with the successful unsavoury applicant, until they forgot to feed him. Then Hermit turned ignoble and pinched the baby.

This is an ideal John Murray book, dealing with historic personalities, with a narrative reinforced by family papers and an understanding deepened by family connection. Robert Lloyd George, the author, is the great-grandson of David Lloyd George, the prime minister. I hope it will be a best- seller, and can imagine it being un- wrapped, with real pleasure, from parcels beneath half the Christmas trees of Old England. What is surprising is that a book on this friendship has never been written before. David Lloyd George was the prime minister who won the first world war; Winston Churchill was the prime minister who won the second.

‘Tomorrow morning some poet may, like Byron, wake up to find himself famous,’ wrote Randall Jarrell, ‘for having written a novel, for having killed his wife; it will not be for having written a poem.’ Jarrell’s cynicism is too slick, too rueful; but it does snag something in Robert Lowell, as it does in several of the American poets of his generation. Lowell was, at his best, a towering poet, but his public fame often rested on other things: that he was Boston posh; that he publicly thumbed his nose at the government; that he was, above all, mad. He was all these things, and a great poet, too. It’s easy myth-making to say that Lowell’s genius and his madness went hand in hand, but it’s certainly the case that they took turns at the helm.

One-to-one conflict injects adren- alin into sport. For a period, inevitably finite, a pair of rivals will elevate themselves above their contemporaries, and produce contests which will divide not only cognoscenti, but also the community at large, into two camps. This book is about one of the most magnetic of such contests for primacy waged over a decade and a half, between Chris Evert and Martina Navratilova for the unofficial title, Queen of Women’s Tennis. What makes such a rivalry truly memorable? The talents of the pair must be equal but separate — equal because otherwise the outcome would be predictable; separate because even if unpredictable it would be tedious.

This, as its title suggests, is a poignant book. In his account of the world’s last great polio epidemic in Cork, to which he fell victim at the age of six, nearly 50 years ago, Patrick Cockburn is neither self-centred nor self-pitying. He shows journalistic detachment in discussing the history and character of this terrifying disease, and as much, if not more, sympathy for its other victims as for himself. But he does at one point allow himself to say — and it is a most convincing claim — that he was perhaps ‘uniquely unlucky’. His famous parents, Claud and Patricia Cockburn, were largely responsible for his crippling.

For far too long, the history of 20th- century Russia has been understood almost exclusively through the prism of politics, as if it were about nothing more than Marxism and Leninism, revolution and totalitarianism, war and famine. But in fact the history of Russia over the past 100 years is not only one of multiple political crises, but of an unprecedented cultural catastrophe. Between 1917 and 1937, the Bolsheviks destroyed not just the Russian political system, but an entire civilisation, everything from its manners and its habits to its stamp-collecting clubs and its fashion designers. A generation of cultural and social leaders died or emigrated. Most of those who stayed were imprisoned, impoverished, or otherwise silenced.