Racism

Thursday

Taki

The death of free speech

Oh, to be in America, where cultural decay and self-destruction compete equally with hyper-feminist and anti-racist agendas. Gone with the Wind is now off limits and Robert E. Lee’s statue in Richmond is unlikely to remain standing (I give it a week at most). And over here poor old Winnie is also in the you-know-what. Why didn’t anyone tell me Churchill was a Nazi? The Cenotaph also has to go; those guys it honours were racists. Two weeks ago in these here pages Douglas Murray said it all about a US import we can do without. Alas, when Uncle Sam sneezes, the British bulldog gets the flu. The scenes may be less dramatic in the UK, but the hypocrisy is the same, if not greater.

Friday

Lloyd Evans

What are the new rules on race and performance?

What are the new rules on race and performance? In the world of TV, everyone is busy apologising, self-censoring and denouncing their previous work. Ant and Dec have deleted routines in which they imitated Japanese girls and people of colour. The comedian Leigh Francis has expressed contrition for satirising Craig David in Bo' Selecta! (which was nominated for a Best Comedy Bafta in 2004). Matt Lucas and David Walliams have withdrawn sketches featuring dark-skinned characters. A new order is being created. A new hierarchy of privileges and prohibitions based on ethnicity is taking root. We are strengthening the vice we sought to eliminate. The new rule appears to forbid actors from playing characters whose racial origins they don’t share. Or does it?

Tuesday

Karol Markowicz

#MeToo déjà vu

From our US edition

As the country remains roiled in protests after the killing of George Floyd, an unarmed black man by white police officer Derek Chauvin, social media’s attention is shifting to accusations of racism from high profile names. In recent days, actress Lea Michele, Bon Appétit editor Adam Rapoport, Refinery29 founder and editor Christene Barberich and food writer Alison Roman have all faced accusations of racism. Michele was terrible to a black actress, Rapoport did brownface, Barberich faced a slew of criticism under the #BlackatR29 hashtag on Twitter about the way black writers and editors were treated on her site. But Roman’s part in the story is the most micro of all the aggressions. On Monday, a picture surfaced of Roman in costume, from many years ago.

metoo deja vu

Monday

Steerpike

Priti Patel: I will not take lectures from Labour on racism

Priti Patel was in the Commons today, to be asked about the policing of the recent Black Lives Matter protests across the country. And, it was an understatement to say that the Home Secretary was taking no prisoners when it came to accusations from Labour that she or the government did not understand racism in this country. In response to Labour MP Florence Eshalomi – who asked whether the government and the Home Secretary recognised that there is racism and discrimination in the UK – Patel gave a remarkable speech in which she declared that she would ‘not take lectures’ from Labour about racism, and accused those who expect ethnic minorities to behave in a certain way as racist themselves.

Thursday

Robert Jackman

The problem with mystery podcasts like Wind of Change

Did the US secretly write a power ballad in order to bring down the Soviet Union? That’s the question behind Wind of Change, a serial documentary that has topped the podcast charts. It’s the work of an investigative journalist called Patrick Radden Keefe who claims to have once received a tip-off, from an intelligence contact, that the song ‘Wind of Change’ — recorded by the hair metallers Scorpions — was actually a CIA campaign to encourage anti-Soviet uprisings. Now he wants to prove it. This week’s episode, the fourth of eight, takes Keefe to a collectors’ convention in Ohio in pursuit of an internet user called ‘Lance Sputnik’ who creates customised versions of GI Joe action figures.

Thursday

Kat Rosenfield

No, Alison Roman isn’t racist

From our US edition

The cardinal rule of a good milkshake-ducking: it's not over until the duck has been declared racist. So it goes for Alison Roman, the popular (or formerly so) New York Times food writer who earlier this month became a loathed and villainous avatar of privilege after some ill-considered remarks about celebrity lifestyle-empresses Chrissy Teigen and Marie Kondo sparked a storm of backlash. The scandal ultimately became big and beefy enough to make the mainstream news: Teigen announced to her 12 million Twitter followers that Roman's comments had wounded her. Roman apologized, and then apologized again, and then stopped posting at all. The tide of takes inspired by the controversy will keep rolling until June.

alison roman

Monday

Joanna Rossiter

Cambridge’s ‘reverse mentoring’ scheme was always going to fail

Institutional racism is rife at Cambridge university – that was the assumption behind the university’s ‘reverse-mentoring’ scheme which was launched to much fanfare last summer. The idea was simple enough: senior academics who were white would be educated about racism by their BAME colleagues. But the news that the scheme may be scrapped after its short pilot is hardly a surprise. As I wrote back in July, the singling out of white colleagues for mentoring is flawed on many counts. Worst of all, it embraces the increasingly popular belief that racism is an unconscious state of being that is inexorably inherent in some (but not all) racial groups. This is not, however, the reason why the scheme might be shelved.

Saturday

Kathryn Paige Harden

A book that could save lives: Adam Rutherford’s How to Argue with a Racist reviewed

In the award-winning musical Avenue Q, filthy-minded puppets sang about schadenfreude, internet porn, loud sex, the uselessness of an English literature degree — and racism. Or, more specifically, they sang about the ubiquitous human habit of stereotyping people by race: Everyone’s a little bit racist, sometimes.Doesn’t mean we go around committing hate crimes.Look around and you will find,No one’s really colour blind.Maybe it’s a fact we all should face.Everyone makes judgments...Based on race. The puppets were right: everyone makes judgments based on race. Humans are lazy creatures who like mental short cuts. Thinking in shades of grey is more effortful than thinking in black and white.

Monday

The Spectator

Full text: Labour’s suspension letter to Trevor Phillips

News broke this morning that the former head of the Equalities Commission Sir Trevor Phillips had been suspended from the Labour party over allegations of Islamophobia. Phillips has spent his career documenting the realities of race and integration in British life.  The think tank Policy Exchange has now released the correspondence between Sir Trevor and the Labour party disciplinary department. Phillips is a senior fellow at the research institute.

Wednesday

Alex Diggins

Bernadine Evaristo shoulders weighty themes lightly: Girl, Woman, Other reviewed

It’s a slippery word, ‘other’. Taken in one light, it throws up barriers and insists on divisions. It is fearful and finger-pointing: them, not us. But looked at in another way, it is rangy, open and expansive. It suggests horizons, not walls. That first meaning has done much heavy lifting in discussions of Bernardine Evaristo’s Booker-winning Girl, Woman, Other. As the first black British woman to be awarded the prize, this was perhaps inevitable. Evaristo cuts an unmistakable dash through the ranks of past winners: they have been, on the whole, more pale and — damningly — a lot more male.

Lloyd Evans

Full of fascinating data and excellent comedy: Messiah at Stratford Circus reviewed

I’ve joined the Black Panthers. At least I think I have. I took part in an induction ceremony at the start of Messiah at Stratford Circus. ‘Stand up,’ said the actor Shaq B. Grant to the predominantly white crowd. ‘Raise your right fist and repeat after me: “I am a revolutionary.”’ Everyone obeyed and chanted his mantra, some with more sincerity than others. Then the show began. The subject is a notorious police raid on a Panther hideout in Chicago in 1969 which resulted in the death of Fred Hampton, a 21-year-old activist nicknamed ‘the Black Messiah’. The police alleged that the Panthers opened fire first. The Panthers claimed that Hampton sustained survivable wounds during the raid and was later executed by unnamed police officers.

Thursday

Greg Garrett

James Baldwin’s radicalism was part Marxist, part Christian

Great biographies try to answer questions about the complicated relationship between their subjects’ inner life and outer workings. How did Winston Churchill turn the pain of his early life and his years in the political wilderness into the words that galvanised the free world? How did Frida Kahlo’s physical impairment shape her vision as a painter? I am endlessly interested in the inner and outer lives of the African–American writer and activist James Baldwin, for my money not just the most important black writer of the past 100 years, but one of the most important American writers ever.

Thursday

Michael Hann

Mick Hucknall on women, rejection and cultural appropriation

What makes someone become a pop star? Sometimes, it’s true, pop stardom arrives by accident, and its recipient responds not with joy, but horror. More often, though, pop stardom is sought, sometimes to make up for things that are missing in life, and the newly minted star embraces all the benefits fame brings, until those benefits — unlimited sex, unlimited drugs, unlimited drink — become more of a burden than a pleasure. Mick Hucknall appears to fall very much into the latter camp. What was missing was, first, a mother: she left his father when he was an infant, and records became some sort of surrogate as he grew older.

Thursday

Toby Young

Universities don’t need to be lectured about racism

I’ve been contacted by a professor at a leading Russell Group university who is worried about the spread of progressive dogma in the UK’s higher education sector. He highlighted last week’s report by the Equality and Human Rights Commission which claimed that around a quarter of students from ethnic minority backgrounds at Britain’s universities have experienced racial harassment. He fears that this will be used by left-wing activists on campus as ‘proof’ that the higher education sector is ‘systemically racist’ and lead to further calls to ‘decolonise the curriculum’.

Thursday

Lloyd Evans

A 90-minute slog up to a dazzling peak: ‘Master Harold’… and the boys reviewed

Athol Fugard likes to dump his characters in settings with no dramatic thrust or tension. A prison yard is a favourite. He specialises in bored, talkative characters who squirt the time away swapping memories and indulging in bursts of creative play-acting. It’s dull to watch but good fun to perform. Thesps love to step out of character and road-test a range of fictional personalities. ‘Master Harold’… and the boys is classic Fugard. We’re in an empty restaurant in South Africa in 1950. Lunch service has ended. Two waiters twiddle away the afternoon discussing sex, ballroom dancing and beating women (as if this were a standard feature of male behaviour). Enter the boss’s school-age son, Hally, whom both waiters know well.

Saturday

Chadwick Moore

Rednecks are the least racist people in America

From our US edition

A few years ago we were shocked after a family member gave birth. The pregnancy itself wasn’t a surprise, she was about to be a single mom, we were excited and supportive. But the beautiful, brand new creature she brought forth into the world didn’t look exactly as we expected.‘Chad, she’s white,’ the mom told me when I called to congratulate her, as confused and startled as I was. She’d been laid up in the maternity ward doing a bit of math to figure out who the dad was. We were both slightly disappointed. For months we looked forward to the jolt on her own mother’s face when a caramel little baby plopped into the room.

rednecks

Thursday

Taki

An elegy for New York

New York The master of the love letter to New York, E.B. White, eloquently described the city as a place that can ‘bestow the gift of loneliness and the gift of privacy’. Like many of us, he believed that the place would last and that it would always matter. White was an optimist, sophisticated and thoroughly American. He was lucky to die in 1985. I say lucky because fate spared him from seeing the wreckage of his dream city. New York was also my dream place, an indelible part of my youth: a poem of steel-and-limestone majesty, of high-end shops, hotels, theatres and nightclubs, of dandies and high-class women, of hustlers and gents, of tall blond Irish cops, gangsters in fedoras, and kids playing stickball on empty Bronx streets.

Thursday

Lloyd Evans

A decorative pageant that would appeal to civic grandees: The Secret River reviewed

The Secret River opens in a fertile corner of New South Wales in the early 1800s. William, a cockney pauper transported to Australia for theft, receives a pardon from the governor and decides to plant a crop on 100 acres of Aboriginal land. His doting wife, Sal, begs him to take her and their young sons back to her beloved London. They make a deal. William must succeed as a farmer within five years or pay for their passage home. He clashes with a tribe of spear-waving Aboriginals who make it clear that they want him off their ancestral turf. Neither side speaks the other’s language. ‘This is mine now. You lot can have the rest,’ says William, pointing vaguely at Australia.

Thursday

Kate Chisholm

The joys of Radio 4’s Word of Mouth

I first heard Lemn Sissay talking about his childhood experiences on Radio 4 in 2009. At that time he was still fighting Wigan social services for sight of the official dossier on his years as a child in care, fostered at first and then dumped back in the system and institutionalised in care homes and then a remand home. Eighteen years of his life stored in an Iron Mountain data facility. He’d been asking for his files, the story of his life, since he came of age. It was not easy to forget that programme; the banal cruelties of the system and Sissay’s resolute dignity in talking about them. At 18 he was told that the name he had been given by his foster parents was not his birth name.

Tuesday

Toby Young

The Royal Mint’s transphobic decision to snub Enid Blyton

Who knew the Royal Mint, of all places, had been captured by the cult of political correctness? According to the Mail, the Mint’s Advisory Committee decided not to put Enid Blyton on a 50p coin to commemorate the 50th anniversary of her death because she is 'a racist, sexist, homophobe and not a very well-regarded writer'. That’s an odd statement, since it suggests that had she been a better-regarded writer, her racism, sexism and homophobia would have been overlooked. Perhaps that’s the Mint’s rationale for not removing Charles Dickens and William Shakespeare from the £10 note and £20 note respectively, in spite of their liberal use of anti-Semitic caricatures.