Philosophy

I have been reading a new book by Theodore Dalrymple which I highly recommend. Readers of the Spectator will need no introduction to the good doctor, his fresh prose or his startling insight. But even for people like me who read most of what Dalrymple writes, Farewell Fear contains a great collection of unfamiliar — and typically brilliant — writings. I particularly enjoyed the essay ‘Of Termites and Mad Dictators’. In analysing the threats to our freedom he says: ‘It is difficult now to imagine a modern university intellectual saying something as simple and unequivocal as ‘I disagree with what you say, but I defend to the death your right

The 2012 Booker Prize shortlist has been announced. The runners and riders are: Tan Twan Eng, The Garden of Evening Mists (Myrmidon Books) Deborah Levy, Swimming Home (And Other Stories/Faber & Faber) Hilary Mantel, Bring up the Bodies (Fourth Estate) Alison Moore, The Lighthouse (Salt) Will Self, Umbrella (Bloomsbury) Jeet Thayil, Narcopolis (Faber & Faber) The Booker longlist was ambitious, a challenge to readers that was high-brow and out of touch as the world went mad for E.L. James’s easy mix of spanking and wanking. The judges have continued in this high-minded vein with the shortlist, self-consciously so. Chairman Sir Peter Stothard said: ‘We loved the shock of language shown in so many different

Only America, a friend of mine once insisted, could produce the New Criterion. This friend happened to be American, but his point stands nonetheless. America alone is sufficiently large, wealthy and self-confident to sustain a conservative arts journal of such consistent quality. The New Criterion is 30 years old this year. The anniversary has given its editors cause for consideration as well as celebration. They have commissioned a series of essays on the questions prompted by the unnerving nature of the future. The themes of these essays — America’s place in the world, the West’s malaise, the constant tension between continuity and change — might be reduced to this sentence in

Richard Ford published his debut novel A Piece of My Heart in 1976.  But it was The Sportswriter — which introduced the world to Frank Bascombe, and other marginalised characters trapped on the edge of the American Dream — that distinguished Ford as a serious literary force. The two books that followed, Independence Day, which won him the Pulitzer prize in fiction, and Lay of The Land, completed the Frank Bascombe trilogy. Canada, his seventh novel, begins in Montana in 1960. It’s narrated by Dell Parsons, the son of a retired Air Force pilot, and a schoolteacher. The novel begins when Dell’s parents, Bev and Neeva, are sent to jail

Robert and Edward Skidelsky have written a new book for our times, How Much Is Enough? The Love of Money, and the Case for the Good Life, which is published today. In their own words: ‘it is the story of… how we came to be ensnared by the dream of progress with purpose, riches without end.’ But what have this father son combination been reading while penning this and their other books? The answer is: rather more than just John Maynard Keynes. Robert Skidelsky 1) What are you reading at the moment? Laurent Binet, HHhH 2) As a child, what did you read under the covers? J.B.Priestley, The Good Companions

At the end of Dreaming in French, in ‘A Note on Sources’, Alice Kaplan terms her narrative ‘this pièce montée’, which is the only time she neglects to supply an English translation. From a scholar of her eminence — she is a historian and critic of French modernity, a professor at Yale, and the acclaimed author of The Collaborator, The Interpreter and French Lessons — such neglect must surely be deliberate. The term was new to me, and the best I could manage was ‘assembled piece’, which in the context seems to be just a pretentious way of saying ‘book’. So I looked it up, as Kaplan probably hoped her

In 1988 Katherine Swift took a lease on the Dower House at Morville Hall, a National Trust property in Shropshire, and created a one-and-a-half acre garden in what had been a field. In The Morville Hours (2008), she placed that garden in its landscape and wrote one of the finest books about the history, philosophy and the practice of gardening you are likely to read. She is currently working on a sequel, and The Morville Year is a very welcome interim volume, gathering the columns she wrote for The Times between 2001 and 2005. The book is arranged by month, starting not in January but in March: as Swift characteristically

‘Two things fill the mind with ever new and increasing admiration and awe, the oftener and more steadily we reflect on them: the starry heavens above and the moral law within.’ Oren Harman uses this quote from Immanuel Kant to open one of the chapters of The Price of Altruism, and it’s an observation that — after the steady reflection on moral law that Harman’s book invites and encourages — only seems more true by the end. ‘Two things fill the mind with ever new and increasing admiration and awe, the oftener and more steadily we reflect on them: the starry heavens above and the moral law within.’ Oren Harman

On the southern edge of Kensal Green cemetery, beneath the wall that separates the graves from the Grand Union Canal, is a memorial inscription that would stop a Duns Scotus in his tracks. At the top of the heart-shaped marble there is a fading photograph of a man in his middle years, and then beneath some touching messages of love and regret, a single, enigmatic line of inscrutable theological subtlety ‘FROM ODDS ON TO ODDS AGAINST.’ It is hard to know what to make of that — ‘From certainty to doubt?’ ‘From scant rewards to a last, triumphant pay-out?’ — but for any self-respecting angler still on the other side

‘It’s hard in letters quite to hit the mean between being earnest and sounding damn silly’ — as Iris Murdoch admits on page 205 of this book. ‘It’s hard in letters quite to hit the mean between being earnest and sounding damn silly’ — as Iris Murdoch admits on page 205 of this book. It is extraordinary to read these journals and letters written by Murdoch in her very early twenties. Her tone of voice, and the preoccupations, and the turns of phrase are exactly as they were when I, a shy teenager, first met her in her late forties. Even her handwriting — reproduced in the end papers —

Probably my opinion of this bold book is worthless. Peter Carey, having decided to write a novel about Alexis de Tocqueville’s visit to the United States in 1831-2, read, among many other works, my biography of Tocqueville, which was published two years ago in, he says, ‘the nick of time’. He is kind enough to call it ‘delightful’, and has plundered it assiduously. What I myself find delightful is the way in which Carey has picked up the signals. I never expected such a close, intelligent reader, and I’m glad to think my work has been of use to him. But this does not make me a dispassionate reviewer. And