Book review

The greatest American Arctic disaster

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In the course of the 19th century, various flotillas of expeditions hastened to the polar regions in little wooden ships which sooner or later expired in the pincers of an ice floe while crewmen ate their shoes. These stories bear retelling for our own age, and Hampton Sides does well to identify the gruesome story of the USS Jeanette, which ended in the greatest American Arctic disaster ever. The idea began with James Gordon Bennett Jr, the proprietor of the New York Herald (the largest circulation daily in America) and a flamboyant character who enjoyed riding round Manhattan in the nude. He had already sponsored numerous expeditions and popularised the now standard technique of creating news, the more sensational the better. (The phrase ‘Gordon Bennett!’ was minted for him.

The fallen idol: seeing Putin in a new light

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The way to think about Russia, Bill Browder told me in Moscow in 2004, using a comparison he recycles in Red Notice, is as a giant prison yard. Vladimir Putin, he argued then, had no choice but to destroy Mikhail Khodorkovsky, the yard’s top dog and country’s richest man. One of a tribe of Western financiers who traversed a hermetic circuit of offices, guarded apartments, upscale restaurants and the airport, Browder would berate reporters for banging on about human rights abuses or atrocities in Chechnya. Putin was already Putin, for anyone who cared to notice — autocratic, corrupt, nationalistic — but, for Browder, Russia was an oil-powered success story, and Putin was a seer.

From prince to pauper: a dramatic overview of Britain on 18 June 1815

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Of all the big battalions of books marking the bicentenary of the battle of Waterloo that have come my way, this has to be the best. David Crane has used the bloody campaign as a telescope, bringing into sharp focus not just the carnage along the Brussels road, but the state of Britain itself: a country on the cusp of vast, irreversible change. He achieves this within the compass of a single summer’s day — Sunday, 18 June 1815 — devoting a chapter to each hour and cutting cinematically between the three armies slaughtering each other in Belgium and the citizens at home. Some anxiously await news of triumph or disaster; others are utterly oblivious of what the cannonade rolling across the Channel, clearly heard by Kentish churchgoers, portends.

Cabinet of curiosity: we do not even know for sure the maker of the Sixtus Cabinet at Stourhead

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Italian cabinets and tables decorated with inlaid semi-precious stones known as ‘pietre dure’ were a ‘must-have’ for English milords returning from their Grand Tours. The finest example is perhaps the Sixtus V cabinet at Stourhead, in Wiltshire, which has just been written up in a thorough, scholarly way by Simon Swynfen Jervis and Dudley Dodd, two eminent furniture and architectural historians. As well as placing the Sixtus V cabinet within the contexts of Roman manufacture and English collecting, the book brings to life its Roman provenance and its subsequent residence at Stourhead after the banker Henry Hoare bought it in about 1740.

The low sculduggery of high Victorian finance

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The whole idea of capitalism, according to Enlightenment philosophers, was that it created a positive spiral of moral behaviour. ‘Concern for our own happiness recommends us to the virtue of prudence,’ wrote Adam Smith. ‘The profits of commerce,’ according to David Hume, carry us towards a state in which ‘the tempers of men, as well as their behaviour, refine apace.’ In the first chapter of Forging Capitalism, Ian Klaus encapsulates this theory as an 18th-century artist might have titled an allegorical painting of intertwined figures: ‘Commerce encouraging Virtue, and Virtue harnessing Commerce.’ But that’s not really the way it was, Klaus goes on to argue — and certainly not the way it is today, he implies.

Drink, drugs and dressing-up: behind the scenes of the fashion industry

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It’s a curious subject, fashion, and those who write about it rarely want to jeopardise future access to it on the altar of clear-eyed analysis. The business must pretend that there is a single genius at work here, whose vision creates not just clothes but the things that actually make the money. The catwalk shows are all very well, but they haven’t been the main business for decades, and it came as rather a surprise to the industry when a great mob of new customers emerged from nowhere, the wives of Russian oligarchs and American hedgefund traders, willing to spend six-figure sums every season on a new wardrobe.

Process of elimination: the horrors of Ravensbrück revealed

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Concentration camps in Nazi Germany were originally set up in 1933 to terrorise Hitler’s political enemies; as war drew near, their function expanded to gratify his obsession (and that of Reichsführer Himmler, as head of the SS which administered them) with ‘purifying the race’ by getting rid of gypsies, Jews, ‘asocials’ — prostitutes, criminals, vagabonds — as well as the mentally ill and handicapped. An all-female camp at Ravensbrück, set up in 1938, soon afforded the prison doctors a steady supply of women — the ‘rabbits’, as these prisoners became known — for medical experiments .

Muriel and Nellie: two radical Christians build Jerusalem in London’s East End

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This is the tale of Muriel Lester, once famous pacifist and social reformer, and Nellie Dowell, her invisible friend. Nellie Dowell is invisible in the sense that Claire Tomalin described Nelly Ternan in The Invisible Woman. While Ternan, the mistress of Charles Dickens, simply ‘vanished into thin air’, Nellie Dowell, who may or may not have been the mistress of Muriel, trod so lightly on the ground that she left barely a footprint behind her. Muriel Lester, the daughter of a Baptist shipbuilder with progressive ideas, has been the subject of several books already, including Vera Brittain’s The Rebel Passion: A Short History of Some Pioneer Peacemakers.

The merry monarch and his mistresses; was sex for Charles II a dangerous distraction?

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In a tone of breezy bravado in keeping with their concept of their subject’s character, Don Jordan and Michael Walsh have written a swashbuckling life of Charles II. This is narrative history that seldom slows to accommodate analysis, the Restoration court presented as the stuff of a TV mini-series: febrile, frenetic and vivid. At the centre of the vortex, Charles himself emerges as an amorous roisterer, dominated by his libido. The King’s Bed reminded me of the Ladybird history books of my childhood, biography in bite-size chunks, centred on suitably memorable happenings or themes, the events of the past pithily retold and pared down to externals.

The Nightwatches of Bonaventura: a masterpiece of German Gothic

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In the early 19th century, the Romantic movement was in full swing across Europe. You could probably date its birth from the publication in 1775 of Goethe’s The Sorrows of Young Werther, the gloomy novel of unrequited love that led to a spate of suicides among young men in Germany. Coleridge and Wordsworth’s Lyrical Ballads appeared in 1798, with its Taoist argument for simplicity and the importance of contemplating nature. Kant’s Critique of Pure Reason was published in 1781, William Godwin’s Caleb Williams in 1794 and his daughter Mary Shelley’s extravagant Gothic novel Frankenstein in 1816. The Romantics attacked the new numbers-based utilitarian philosophy which underpinned the Industrial Revolution.

The King Kong of the thriller: the phenomenal output of Edgar Wallace, once the world’s most popular author

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At the time of his death in 1932 Edgar Wallace had published some 200 books, 25 plays, 45 collections of short stories, several volumes of verse, countless newspaper and magazine articles, movie scripts, radio plays and more. His work was dictated, transcribed and sent directly to the publisher. In one year alone (1929) he wrote a dozen books. People joked about getting ‘the weekly Wallace’. Despite their speed of creation, Wallace’s stories were, said The Spectator, written in plain, clear English and ‘read by everyone, from bishops to barmen’. His influence on the thriller genre was extensive, profound and continuous. He inspired a thousand imitators with The Four Just Men, Mr J.G. Reeder, Sanders of the River and Educated Evans.

Tom Eliot — a very practical cat. Did T.S. Eliot simply recycle every personal experience into poetry?

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The musical Cats reopened in the West End in December, with a judge from The X Factor in the lead role. The music is by Andrew Lloyd Webber and the songs are, of course, by T.S. Eliot. Eliot died 50 years ago this year, and retains a curious kind of fame, which encompasses West End musicals and scholarly collections of his letters, lovingly published by Faber (most recently, Volume 5: 1930–1931. At 800 pages, this is for true Eliot-fanciers only). In 1948, a line from one of his poems was used in an ad for Esso petrol (‘Time future contained in time past’). In 1956, he gave a lecture on literary criticism in a baseball stadium in Minnesota, and 14,000 people turned up to listen. He was and remains a strange, paradoxical figure: a famous serious poet.

Patrick George: painting some of his best work at 91

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‘If I see something I like I wish to tell someone else; this… is why I paint.’ Patrick George is 91, still painting ‘some of the best work he’s ever done’, in Andrew Lambirth’s view. ‘His principal aim is to point out, to those of us less well-trained to observe, how marvellous the appearance of things is, and he does this through exquisite landscapes, figure and still-life paintings, of unassuming but stringent beauty.’ After four years in the Navy (he commanded a landing craft in the D-Day landings) George went to Camberwell art school where he imbibed the strict measuring technique associated with William Coldstream, which he has continued to use — though not exclusively — throughout his career.

The really shocking thing about Michel Houllebecq’s Soumission — he rather likes Islam

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Michel Houellebecq’s sixth novel, imagining an Islamic government taking power in France in 2022, has been widely assumed to be an act of pure provocation. He is, after all, the author who faced legal trouble after having said in an interview in 2001: ‘La religion la plus con, c’est quand même l’islam.’ Soumission (Submission) was announced quite suddenly by Flammarion in December for the first week of the New Year, with an initial print run of 150,000 copies. So keen was the interest that it was pirated online before publication. It’s an event — but a literary event, it turns out. For Soumission is a fine, deeply literary work, not a prank.

William Marshal: kingmaker — or just king of the joust?

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In February 1861 a 21-year-old French medievalist called Paul Meyer walked into Sotheby’s auction house near Covent Garden. He had been sent by the Bibliothèque Imperiale to bid on their behalf at the sale of the Savile collection of rare manuscripts, and though he did not have the funds to compete with the big players at the auction, he did at least manage to see, before it disappeared for the next 20 years into the insatiable collector’s maw of Sir Thomas Phillipps, a rhymed verse chronicle of 19,000-odd lines in Norman French that was to become the great obsession of his life.

Politics as an aphrodisiac: the secret of the Disraelis’ happy marriage

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The long, happy and unlikely marriage of the great Conservative leader Disraeli and his wife Mary Anne, 12 years his senior, is analysed thoughtfully in Daisy Hay’s new book. Reading between the lines, it is possible to see the Disraelis as a Victorian power couple not unlike the Underwoods in Netflix’s remade House of Cards — he, high on his own oratory; she, a valuable campaign asset; together, a marriage that is child-free and (with his sexuality in question) built on blackberries at bedtime. Yet — here’s the twist — they truly loved one another. The Underwoods are bound together in sinister ambition, but the Disraelis make an inspiring emblem of marriage as a virtuous circle.

An ill-waged war against the war on drugs

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Since drugs became popular, there have been countless books on what to do with them. The most interesting are those of a creative kind by high-profile writers: De Quincey, Baudelaire, Aldous Huxley, Henri Michaux, William Burroughs, Carlos Castaneda. The most useful, so far as social policy is concerned, are those by low-profile operators in the field: scientists, doctors, psychiatrists, social workers, police. The least interesting or useful prove to have been the polemical books in neither category, so I wasn’t thrilled by the prospect of this one, written by a political journalist, and hyped by Elton John, Noam Chomsky, Stephen Fry and Naomi Klein.