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Master of the shrug

Long long ago, they used to say that the difference between the Hohenzollerns and the Habsburgs was this. In Berlin, the situation was always serious, but not hopeless. In Vienna, on the other hand, the situation was invariably hopeless, but not serious. It should never be forgotten that Billy Wilder, that most adorable of film directors, was in origin, and at heart always remained, Viennese. That is the case, despite his long and wonderful career in America, and despite the fact that what, for me, is his best film, One, Two, Three, is a Berlin movie. The subject of the ZmigrZs from Germany and Austria to Hollywood is a fascinating one, and has inspired what ought to be a classic book, Salka Viertel's The Kindness of Strangers.

People + places = life

You may never have heard of David Gentleman, because, unlike so many of the over-publicised charlatans who call themselves artists nowadays, he does not believe in personality cults. He is as modest as he is talented, which is saying something. But, even if you do not know his name, you will almost certainly have licked hundreds of stamps that he has designed, walked past his mural on Charing Cross Underground station, seen his National Trust acorn logo, read a Penguin book adorned with one of his drawings, or been influenced by a hard-hitting Gentleman poster. His work is a force for good. It celebrates the beauty of the world. It is elegant and witty, but also deeply serious. Gentleman has no truck with designers who misuse their talents to promote unworthy products or ideas.

The banditry plays on

Forty years ago V. S. Naipaul enraged Indians by describing India as 'an area of darkness'. He also upset a great many Western liberals who were then discovering in India a land of all-pervading spirituality. Later, he returned to India to write more kindly about 'a wounded civilisation' undergoing a liberation of spirit through 'rage and revolt'. Which leads me to Kevin Rushby's new travel book, subtitled 'Through India in Search of Bandits, the Thug Cult and the British Raj', which takes India's liberation through rage and revolt as its central theme.

When the consumer was king

Books as glossy as this are seldom as good as this. It is a sort of economic miracle in itself: fat, quarto-size, packed with illustrations, maps and plans, wide-margined, legibly typeset, efficiently proof-read, Hong Kong printed and priced under £25 hardback. It would almost be worth buying if it were a politician's memoirs or a cookery book. The difficulty is to explain that late mediaeval commercial history can be worth reading about at any price, even with the assurance that this is the distillation of a life's work by a much-admired master of the subject. Professor Spufford is the currency pundit.

A country to die for

Finland declared independence from Russia in 1917 during the Bolshevik revolution. The subsequent civil war ended in victory by the White forces under Marshal Baron Gustav Mannerheim, a former officer in the uniform of the Tsar, later to become commander-in-chief of the Finnish army in the Winter War of 1939/40. Mannerheim had been a chevalier garde to the Romanov royal court in St Petersburg. Passionate about baroque ceremony, he yet fought well in the savage Russo-Japanese war of 1904-05, travelled for the Tsar for over five years in wild Central Asia, including Tibet, and served with distinction under Bushilov in the first world war, before the imperial defeat by the Bolsheviks.

An eye for the unexpected

After his mountainous Gladstone and Churchill and barely less substantial study of the post-1886 chancellors of the exchequer, Roy Jenkins here enjoys himself in what by his standards is a mere jeu d'esprit. His new book is a collection of essays on 12 cities which he has lived in or often visited and which are in some way intertwined with his life. It is not, he emphasises, a disguised second shot at an autobiography: 'One navel-gazing is wholly permissible,' he writes. 'Two would point to self-obsession.' But the essays are intensely personal: this is Jenkins's Paris, Jenkins's Bonn, seen through his eyes and lit by recollections of his visits. There are surprising omissions.

The snake in paradise

The title is a slight puzzle, a tease. But quickly all becomes clear. Here is a book of painful but fictional recollections recounted by fictional novelist Imogen Bailey, which in turn become a real novel of both power and delicacy. Imogen, a young woman of great sensibility, was traumatised by the loss of her beloved brother Johnny, who swam out to sea when Imogen was in her late teens, and never returned. Rendered speechless by this tragedy, Imogen was sent by her parents to a nursing home to recover from her breakdown. Thirty years after her brother's death, looking back, remembering, she tries to sort out the truth from the imagined: the reality, then, from the reality as she now perceives it. A jumble of elements darken the story. Imogen's parents were both doctors.

Very trying indeed

Ralph Steadman has always employed graphic spatter. The pen jabs, the ink spurts and - yoiks! - how the victims suffer. Eyes popping, they retch, they convulse, they become pinstriped roadkill. The projectile handling has extended from cartoons to illustrations (Fear and Loathing in Las Vegas) to caricature-biographies of Sigmund Freud and Leonardo da Vinci. In Doodaaa the spatter hits the fan. A 'Triography' he calls it, meaning, I guess, a 'Try-anything-once'. My, how he tries. He begins with drinks-all-round acknowledgments and several preambles before introducing the reader to his alter ego 'Gavin Twinge', a name with a Goon Show ring to it, a narrative conceit that one might have expected to find in the late Spike Milligan's wastepaper basket.

Bruiser, cruiser but no boozer

The subject of this intelligent biography was among the founders of the Modern movement in British art before the first world war, and a leading formulator of what he considered to be its principles. A philosopher/aesthetician, he was a friend of Epstein, Wyndham Lewis, Pound, Gaudier-Brzeska, and was thought a great poet by the young T. S. Eliot. Ezra Pound published Hulme's five short poems at the end of one of his own books, entitling them The Collected Poetical Works of T. E. Hulme. A joke, of course, but they consist of the pictorial, of images; publicist Pound borrowed a word from the French and founded the Imagist school. Hulme published no book in his lifetime and his scattered papers were put together in the 1920s by Herbert Read under the title Speculations.

Waiting for the Bogeyman

On 19 August 1805, two months before his death at Trafalgar, Vice-Admiral Lord Nelson rejoined Emma Hamilton at their home in Merton after an absence of almost two and a half years. During that time, he had been continuously at sea, at first in the Mediterranean watching for Admiral Villeneuve to break out of Toulon to join the squadrons from the Atlantic ports, and then in the Atlantic itself, where the French tried to lure him into the Caribbean before dashing back to concentrate in the Channel to cover the invasion of England and Ireland.

Accentuating the positive

There was a time when our man at the BBC was the most famous foreign correspondent in India, his broadcasts reaching one fifth of the world's population. Road-blocks and armed insurgents tended to melt when confronted by Tully-sahib, the man to trust, who understood the problems. For 30 years he trawled the sub-continent, covering its social, political, personal and religious upheavals, but his career with the BBC ended in 1994 after a doomed attempt to point out to John Birt, in a public forum, the error of his broadcasting ways. There have been many journeys in Mark Tully's life, the first from India, where he was born in 1936, going 'home' at ten to a dark, chilly England which he didn't much like after India's warmth and colour.

The young woman and the sea

When Ellen Macarthur was nine she saved her pocket money, by eating less, to buy her first little boat and slept on the floor of her bedroom so as to store the boat's mast and sails. At 18 she decided that sailing round Britain alone 'seemed to be the most natural thing to do'. At 24 she raced alone single-handed around the world, was the fastest woman ever to do so and was only just beaten into second place in the race. Taking on the World is her autobiography. She is 26. The book is a thrilling adventure story, more interesting perhaps if you know a little of sailing and the sea, but written for someone who does not.

Christmas Books II

Hugh Massingberd 'It is difficult', writes A. N. Wilson in The Victorians (Hutchinson, £25), 'for me to conceive of a more agreeable life than that of a Victorian country parson.' Reading his brilliantly panoramic, constantly stimulating and humanely wise portrait of an age and the characters who created it left me longing to have been one of the Reverend Wilson's parishioners - well, all right, the squire.

Growing up the hard way

You don't have to be Jewish to find this book rewarding, but you do need to be interested in humanity: every page seethes with it. There are no gruesome Holocaust testimonies: the youthful authors of these autobiographies, written in Poland in the years leading up to the second world war, had no premonition of the horrors to come. Standing on the threshold of life, they could not know how few of their generation would live to cross it. These writings emerged from three literary contests held in Poland during the 1930s. The organisers invited Jews between the ages of 16 and 22 to write about their everyday lives, their memories and thoughts; minimum length '25 standard notebook pages'. Of the 627 entries submitted, nearly half have survived.

Simple, spray-painted slogans

An awful lot has happened since the Canadian journalist Naomi Klein shot to radical prominence with the publication of No Logo, the first sacred text of the anti-globalisation movement, shortly after her co-religionists besieged the 1999 world trade talks in Seattle. They went on to wreck the World Bank/IMF meeting in Prague and, less successfully, to try to disrupt the G7 Genoa summit in July 2001, though we now know that the extraordinarily heavy security which thwarted them at Genoa was primarily designed to ward off murderous Al-Qaeda terrorists, rather than paint-spraying, slogan-chanting anti-globalisers.

A damned dark dozen

Indelible Acts is A. L. Kennedy's first book of fiction since Everything You Need, which was followed by a spell of suicidal desperation. We know all about that from On Bullfighting, her patchily received foray into the world of the matador which was only partly about matadors and partly about herself and her suicidal desperation. With fiction it's different, of course; you're not supposed to confuse author and content or to assume any link. Still, whatever the state of Kennedy's mind and emotions now, the predominant quality of these 12 stories - the common denominator - is, sad to say, gloom. And not always an interesting gloom at that. The Kennedy gloom tends to have a deep-seated, almost predetermined feel that makes it very hard to shift, let alone see through.

. . . and truncheons and snowdrops

Alistair McAlpine, one-time treasurer of the Tory party, is not a conventional fellow. A picker up of unconsidered trifles, he has in his time collected truncheons, chickens and snowdrops. He gets crazes and then he moves on: whole collections go under the hammer. 'No object or painting has such beauty that I could not bear to part with it,' he writes. Eclecticism is his game. In his houses, the beautiful and the strange come and go, but in Lord McAlpine's head he keeps the oddities that have appealed to his mind. Rich men can go anywhere, whenever they like, and the insatiable curiosity of this one has taken him all over the world. If the mood seizes him, he can hop on a train in the south of France at dusk and be in Venice by dawn.

Skeletons of mermaids . . .

Private collections of miscellaneous oddities, valuable works of art and all sorts of objects, animal, vegetable and mineral, of little if any apparent intrinsic value, are collectors' emblems of the world in miniature, microcosmic claims to the whole macrocosm. This splendid book, elegantly analytical and lavishly illustrated, makes the collectors' obsession understandable to the point of envy. How convenient it would be if all possible books could be comprehended in that hypothetical single Borgesian volume, and how gratifying it would be to own it. The truly dedicated proprietors of cabinets of curiosities seemed to aspire to nothing less, as Patrick MauriŒs demonstrates with fond sympathy.