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The return of the native

‘When you look at families, there is no such thing as normal.’ Indeed not. Justin Cartwright gives us the Judds, an apparently ordinary English middle-class family, and examines their response to a private catastrophe. The book begins as Juliet Judd, eldest child and ‘prodigal daughter’, is released from prison in America. She has been locked up for two years, jailed for selling a valuable stained-glass window which she knew to be stolen. Juliet’s prison sentence cast her whole family into a state of suspended emotional animation from which they now begin to stir, as Juliet makes her way home. This awakening is a painful process. Juliet’s father, Charles, is bewildered by the turn of events which landed his favourite child in an American jail.

Short on names, tall on tales

Two or three years ago, I was invited with my rather posh then girlfriend to a grand party up in Yorkshire somewhere, and we were billeted for the night with a fellow guest who lived nearby. Our host was one Sir Tatton Sykes, Bt — known around those parts, as ‘Sir Satin Tights’ — an immensely dapper and personable toff, who showed not a flicker of dismay at our dishevelled clothes and overnight luggage scrunched up into old Woolworths bags. His ancestral pile was really something, too. It seemed to be filled with four-poster beds, cooked breakfasts, servants, eccentrically decorated private chapels and enormous cast-iron Victorian bathtubs with gurgling pipes and weird metal columns instead of plugs.

The impact of the immigrants

In New York in 1920 the writer Hattie Mayer, under her pen name Anzia Yezierska, published her first collection of short stories, entitled Hungry Hearts. Poignant sketches of Jewish family life among the tenements and sweatshops of the Lower East Side, they gain additional impact from the reader’s continuing awareness that English is not the author’s first language. She grew up in a shtetl in the Pale of Settlement speaking Yiddish and Polish, and made the transatlantic voyage with her parents in the wake of Tsar Nicholas’s pogroms. Given such experience, the final story, ‘How I Found America’, seems, for all its sentimentality, the most moving.

Limping to the holy presence

A 12th-century eyewitness at Sant- iago de Compostela described his fellow pilgrims: Some, such as the Greeks, hold the image of the cross in their hands; others distribute their possessions to the poor; some carry iron or lead for the construction of the basilica of the Apostle James; and others, who have been liberated by the Apostle from the prisons of the wicked, bear their shackles and manacles upon their shoulders. Conrad Rudolph bore neither iron nor shackles on his 1,000-mile walk from Le Puy through the Pyrenees to Santiago. His 20lb-pack held a light sleeping-bag, a bottle of water, a towel, soap, lip-balm, nail-clippers, a first-aid item called Second Skin for blisters, a pocket knife and plastic spoon.

The past as good entertainment

The main lesson of history is that we do not learn the lessons of history. Did (for example) anyone at the Pentagon heed the wisdom of Colonel T. E. Lawrence, soundly advising against the military occupation of Iraq? Of course not. That was way back, buddy: this is now. Experience teaches, time and again — and again. The present volume accepts the pragmatic irrelevance of history, and celebrates Clio, a muse. It has historians owning up to the fact that history is good entertainment, with some figures from journalism and the entertainment industry affirming that historians indeed possess the extra-mural potential to fill airtime and column space.

Stranded by the tide of fashion

Colin Wilson is a very great man, ‘the only important writer in Europe’. That is his own estimation, and I do not quarrel with it because Wilson’s self-esteem is not just vanity but necessary to his career. As he sees it, the pattern of our lives is created by ourselves through the use of imagination and will. At the age of 13 he decided to become the greatest writer of all times. His first project, never completed, was an encyclopaedia of science, literature and all human knowledge. In preparation for this, he studied geology, biology and astronomy, mastered the whole of philosophy and psychology and read through the imaginative literature of Europe, with special attention to the Russians.

When the (fish and) chips are down

There is much to commend this book. Charles Clover lays bare the depths of a neglected subject — the rape of our seas — to expose the destruction caused by modern technological fishing. This is an issue which needs populist exposure; Clover has done it admirably. I hope it will attract readers who might otherwise have shown no interest in the subject. The framework of his book is a series of visits to selected fisheries around the world and the lessons he gleaned from them. Every visit seemed to have a gruesomely early start, and to involve eating delicious fish; the author’s obvious pleasure was then mitigated by his guilt. Later he expiates this with fierce criticism of celebrity chefs who seem oblivious to the growing crisis he identifies.

Pioneer in whodunnit country

A crime novel by Chekhov? Professor John Sutherland positively chortles in the introduction at his readers’ likely surprise. Indeed, any novel by Chekhov is probably news for those readers, and Sutherland, who delights in literary mysteries, waves in front of our eyes the date of the only previous translation: 1962. It was the date of The Murder of Roger Ackroyd, whose sensational solution this novel anticipates. And he has a point, even if he does refer to Hercule Poirot as an ‘amateur sleuth’: The Shooting Party is awash with tricks of the detective-story trade, then (1885) in its infancy.

That woman again

The meteoric rise and swift fall of Anne Boleyn, she of the thousand days, has gripped the imagination even of sober-minded academic historians, Eric Ives describing it as ‘the most romantic, the most scandalous tragedy in English history’. Much of the fascination derives from the fact that the evidence is confusing, and no explanation appears to reconcile all contradictions. Even her contemporaries could not agree about her. Was she a delicate beauty, as Sir Thomas Wyatt’s poetry suggests, and as she herself insinuated in her allusion to her long slender neck ever so convenient for the headsman? Or was she only moderately attractive, as some foreign diplomats reported in their dispatches home?

An enemy of stuff and nonsense

Just how unhappy was Jane Welsh’s 40-year marriage to Thomas Carlyle? For decades after the publication of J. A. Froude’s scandalously revealing biography in 1883, it was widely regarded as one of the dirtier secrets of Victorian literary history. She never wanted him in the first place, he was sexually impotent, she was bitterly jealous of his friendship with Lady Harriet Ashburton, he was either morosely taciturn or explosively violent. This new collection of Jane’s letters — a one-volume offshoot of the gigantic and still incomplete Duke edition — follows a revisionist line and paints a more ambiguous picture. Jane’s warmer feelings towards Lady Harriet are presented, and her possibly lesbian inclinations explored (to no plausible end).

Axeman on the rampage

A curious volume, this, and you would be right in thinking that anyone writing a book review of someone else’s book reviews needs to justify himself. (Indeed, the first essay in this book is a review of Sven Birkerts’s book reviews, at which point we seem an unnecessarily remote distance from literature itself — I mean, I’d be thrilled if anyone were interested in my views of Dale Peck’s views of Sven Birkerts’s views of Robert Musil, but you could perfectly well go and read Musil yourself, so let’s not kid ourselves.) The point about Dale Peck is that he has earned himself a notoriety by writing some fairly unforgiving book reviews.

Tales of a Scottish spa

I will cheerfully own to having struggled in the past with Ronald Frame’s novels. Brooding once over a stack of photographs brought back from a fortnight’s holiday in Kerry, I realised that lurking among the margins of practically every snap — here flung down on a bathing-towel, there wedged beneath the picnic basket — was a copy of Penelope’s Hat, read at an ever more slower rate, and ultimately very nearly chucked into the Atlantic. Frame’s short stories, on the other hand, are a different matter.

A coalition that failed

Miles Hudson is a military historian with several interesting books to his credit, especially his War and the Media (1981), written with Field Marshal Sir John Stanier. He gives his latest book the subtitle ‘A Cautionary Tale’, and so indeed it is. It tells the story of the various forces sent to Russia in 1918–19 by the Allies for what seemed at the time good reasons. Each was a separate expedition within the vast geographical range of Russia’s western frontier. Eventually all of them ended in humiliating failure, and their presence was used by the Bolsheviks (or Bolos as they were often called at the time) as patriotic propaganda in their struggle to win their own power. The British were of course not alone in this venture (except in the Baltic sector).

Me and my white mates

Michael Collins, he tells us, was brought up in a terraced street south of the River Thames in Southwark, a district I don’t know very well. I have been there a few times, usually visiting west African friends and acquaintances, a fact that might strike Michael Collins as ironic. For if you look closely at his book’s title, you will not see ‘A biography of the working class’ but ‘A biography of the white working class’. Infirm of purpose, Collins wavers between a history of the entire working class, an autobiography, a history of Southwark, and a biography of his grandmother, spiced up with quotes from other authors. This confused book seems to have been inspired by a Julie Burchill article in the Guardian of 5 May 2001.

South Africa: rejection and rapprochement

This book, republished after almost 40 years, has survived as a South African classic while most other memoirs about life under apartheid have been forgotten. It’s not just because it’s beautifully written, in a plain, unpretentious style, but also because it conveys, with acute observation, the combination of ordinariness and danger which is implicit in any totalitarian state. The author quotes W.H. Auden: ‘Suffering...takes place while someone else is eating or opening a window or just walking dully along.’ And she quietly conveys her own suffering as a political activist who was also a dedicated mother of young children, facing growing persecution, fear and eventual exile.

Mistress of the royal game

Marie of Romania (1875–1938), though little known to most readers today, was probably the most dynamic and effective royal consort of the 20th century, and certainly the most glamorous. A granddaughter of both Queen Victoria and the Tsar Alexander II, she was brought up in England by her parents, the Duke and Duchess of Edinburgh. Among her many gifts were vitality, courage, leadership and a great sense of duty, as well as of humour. She was also a prolific author, of novels, short stories, poetry and children’s books. But what brought her literary fame were the first three volumes of The Story of My Life, covering the years down to 1918.