More from Books

Thursday

Boyd Tonkin

Another tale of star-crossed lovers

It’s hard, in Britain, to imagine a popular museum devoted to a single poem. The Polish city of Wrocław hosts just such a shrine. It celebrates Pan Tadeusz, the verse novel written in his Parisian exile by the poet, dramatist and freedom fighter Adam Mickiewicz in the early 1830s, and now taught as a keystone of collective identity to every Polish schoolchild. Even the idea of a ‘national epic’ sounds like a great big bore, especially as the action of this one turns on a sideshow in the Lithuanian backwoods during the Napoleonic wars, while ‘the wide world ran riot/ In blood and tears’.

Mark Amory

A definition of glamour

‘Dark Star’ is a suitable enough title in itself, but the definition makes it a brilliant one: ‘A Dark Star’, we are told in this book, ‘is shadowed, often detectable by its gravitational effect on other bodies. It is often a component of a binary star and can cause the brightness of its visible partner to vary periodically.’ That is to say, Vivien Leigh was bipolar and married Laurence Olivier, and these things dominated her life. She was born in Darjeeling in 1913, her father, Ernest Hartley, a stockbroker. When she was six, she was sent to school in England. This was not unusual, but that does not mean that she did not feel abandoned. She was educated by Roman Catholic nuns and read a lot, including Rudyard Kipling. Vivien had a gift for prophecy.

Alan Judd

Could they have tried harder?

Awareness of German opposition to Hitler is usually limited to Colonel Claus von Stauffenberg’s attempt to blow up the wretched man on 20 July 1944. Hitler was at a briefing in his Wolf’s Lair, a secret forested redoubt, when Stauffenberg entered the room with his briefcase bomb (containing British plastic explosive), placing it beneath the table where Hitler was due to sit. Stauffenberg withdrew, pleading an urgent call, but the unsuspecting subordinate who took his place moved the briefcase further under the table and away from Hitler. Standing and smoking by his car, Stauffenberg — a one-armed, eye-patched veteran of the North African and Russian campaigns — watched as the wooden briefing hut erupted with a flash and roar.

John McEwen

Invasion of the bread-snatchers

Little Toller Books, in Dorset, aims to publish old and new writing on nature by the very best writers and artists, in books of the highest quality at affordable prices. This offering, neat enough to fit an overcoat pocket, ticks every box. Its author, Tim Dee, co-editor of The Poetry of Birds, has been a BBC natural history radio producer, whose first job was in bird conservation. Born and bred in Bristol, notable for its gull population, he has been a dedicated birdwatcher from boyhood. He thus brings expertise as well as broad engagement to his subject. Accordingly, Landfill, like its principal subject, the gulls we see in Britain, ranges far and wide.

Ysenda Maxtone Graham

Where are the snows of yesteryear?

I like a book where you don’t think you’re going to be interested in the subject, but then find it’s so vigorously and engagingly written that you’re enchanted. This is one of those. I’m not a skier —I’m quickly bored when coffee-drinking mothers start recounting their children’s latest achievements on the piste — so I expected to have had enough by page five, as I set off across the blinding whiteness of this ‘biography’ of snow, written by a man who’s wearing ski-goggles in the jacket photo. But in Giles Whittell’s genial company, reading it was a great pleasure.

Roy Foster

Sins of the fathers | 13 December 2018

‘To have a father is always big news,’ according to the narrator of Sebastian Barry’s early novel, The Engine of Owl-Light. Stephen Dedalus puts it differently in Ulysses: ‘A father is a necessary evil.’ But later, he qualifies this: ‘Paternity may be a legal fiction. Who is the father of any son that any son should love him or he any son?’ Colm Tóibín has repeatedly squared up to fathers as well as mothers in his own work (a dead father haunts the family in Nora Webster, and fatherhood is a central theme in The Heather Blazing). His new book takes on the theme of fatherhood in relation to three great Irish writers, supplying a scintillating new perspective on each.

Thursday

Zoë Apostolides

Vanished without trace Zoë Apostolides

From Colette to Rudyard Kipling, celebrities flocked for front-row seats at the 1921 trial of Henri Landru, the notorious ‘lonely hearts’ killer. By the time he was apprehended, France’s answer to Jack the Ripper had swindled his way to contact with almost 300 women, using a variety of aliases, and murdered ten of them at his country pied-à-terre outside Paris. A century later, the suicide of Rey Rivera at the Belvedere Hotel in Baltimore created no such sensation except in the minds of conspiracy theorists and those who missed him, but the two stories reveal more similarities than might be expected. Trawling through 7,000 pages of archive material, Richard Tomlinson’s account spans many years, witness statements, forensic records and court documents.

Kapil Komireddi

A nation of beggars and plutocrats

Picture India in 1991. You need to make several trips to Delhi and wait three years to import a computer. Coca-Cola is contraband; there is a 22-month waiting list for a car, and an interminable queue for admission to the exclusive club of telephone owners: there are only five million active connections in a country of 900 million people. Post-colonial India elevated suspicion of private business into a public virtue. But with the collapse of the Soviet Union, which maintained a vital $6 billion trade relationship with India, the rhetoric of economic self-reliance and political non-alignment became insupportable. All that stood between India and bankruptcy when the government was compelled to throw open the economy in the summer of 1991 was $2 billion.

Brian Martin

Flights of fancy | 6 December 2018

In the opening pages of Turbulence, a woman in her seventies, who is visiting her sick son in Notting Hill, thinks how easy ‘it was, these days, to acquire a plane ticket’. Instead of a ticket to take us around the world, we have David Szalay’s novel, which takes us across continents in a series of 12 connected stories. The chapter headings are the acronyms of international airports; thus the first chapter is LGW-MAD and the last BUD-LGW. Each episode arises from a personal connection to a character in the previous one. Szalay might have been conscious of Forster’s dictum: ‘Only connect the prose and the passion.’ He is a clever craftsman.

Ian Sansom

A hero to worship

If you don’t know who Lionel Messi is you won’t enjoy this book much. If you do, you probably will. But if you know who Messi is and you’ve got at least a 2:1 in English, comp. lit. or similar, you are going to absolutely love it. This is definitely one for the football aficionado as well as for fans of fine writing. Messi is an Argentinian footballer who’s played for Barcelona for his entire professional career. He’s short. He’s modest. And he never takes a dive. Apart from his appalling tattoos, he’s the very opposite of what you might expect of the modern footballer — an Argentinian Roy of the Rovers.

Tim Martin

Commies and comics

Its Booker-longlist nomination meant that Nick Drnaso’s Sabrina (Granta, £16.99) was the comic that everyone has heard of this year, even if it’s also the one most likely to give them post-traumatic stress. Drawn in deliberately bland colours and small, often wordless panels, this story about the human aftermath of a grisly American killing takes in internet paranoia, conspiracy theorists and the internet’s hyperspeed appetite for atrocity. But it’s also an intensely withdrawn book, full of desperate characters whose emotions vibrate at near-subperceptible frequencies. I admired it deeply, and I’d be happy never to think about it again.

Suzi Feay

The pursuit of beauty

Michelangelo seems never to have travelled to Turkey to advise the Sultan on a bridge to span the Golden Horn, but he was asked to provide an architectural drawing after the design of his great rival, Leonardo da Vinci, was rejected. An ‘Author’s Note’ to this enigmatic novella references a sketch attributed to Michelangelo ‘recently discovered in the Ottoman archives’, together with a list purporting to be an inventory of possessions he left behind. From these intriguing if flimsy historical traces, Mathias Enard imagines the 30-year-old Michelangelo in Constantinople in 1506, transfixed by the majestic city and its captivating people, but baffled by court ritual and the scale of the engineering problem at hand.

Sara Wheeler

Too clever by half

This book — the title is from Pasternak —is billed as ‘literary fiction’. The narrator, a Russian gambler and drinker who has settled in the West, leaves his rich American wife of two decades when he falls hard for a Russian prostitute he meets in London (‘the first and last love of my life’). Andrei Navrozov has worked as an editor and journalist (he has written for this magazine) and published several books, including a poetry collection with the same title as his new volume. As the subtitle indicates, he and his narrator are keen on self-deprecation — a sure sign that one thinks oneself frightfully clever.

Melanie McDonagh

Family favourites | 6 December 2018

There’s no shortage of magical rings in the children’s canon, the sort of things that usefully make you invisible or beautiful. But rings that can turn objects into a pile of excrement are something else. So one warms to Bianca Pitzorno’s Lavinia and the Magic Ring, translated from the Italian by Laura Watkinson (Catnip, £5.99) whose heroine, an orphaned match girl, is given one. Her subsequent adventures have more than a touch of Roald Dahl, being illustrated by Dahl’s co-creator, the ever fabulous Quentin Blake. The sublime Judith Kerr is 95 and razor-sharp with it. Her latest, Mummy Time (HarperCollins, £12.99), is about the wonderful adventures, real and imagined, of a little boy in a park while his mother is on her mobile phone to a friend.

Jeff Noon

Bodies pile up

A young girl finds the body of her nanny, brutally murdered, and the barely moving form of her mother, a second victim of the attack. The perpetrator of these deeds is the child’s father, who manages to flee the country and has never been seen since. This is the wound at the heart of Flynn Berry’s A Double Life (Weidenfeld, £14.99). Adulthood has given Claire Spenser no respite from her pain. Haunted by the horror she witnessed as a child, she now obsesses over every scrap of information about her father. She investigates his close friends and family, suspecting them of helping him to escape trial. But this isn’t a quest for revenge, more a personal search for justice, and above all, understanding.

William Shawcross

Our greatest ambassador

In her 66 years on the throne the Queen has represented Britain on official visits to at least 126 countries or territories, some of them many times. Robert Hardman has had the idea to write about her reign, and about Britain, through these myriad voyages. He is right to call his book Queen of the World. There is no other. He quotes Neil MacGregor, now the director of Berlin’s Humboldt Forum, pointing out that the Queen has officially entered the German language. The correct word for ‘queen’ used to be ‘die Konigin’; but now German grammar lists a new entry ‘die Queen’ and states: ‘There is no plural.

Thursday

Susannah Clapp

Offstage dramas

It is, proclaimed Charles Wyndham in 1908, ‘an institution alien to the spirit of our nation’. The alien having long since landed, it’s easy to snicker. After all, what would English (British? — that’s another question) theatrical life be without the National? It has become crucial to the way audiences think about themselves — and imagine what they might become. Wyndham was partisan: he was an actor-manager. But as Daniel Rosenthal’s absorbing collection of letters to and from people at the theatre makes apparent, he was not alone. He still isn’t.

Alan Murrin

Singular narrative voices

The large number of novels written in the first person would suggest it’s an easy voice to pull off: that the closeness of ‘I’ to ‘me’ means it can be accessed by the novelist without much difficulty. But in fact, the writer must come up with a legitimate reason for why a character is giving a first-hand account of their experience. For fiction to thoroughly convince the illusion needs to be seamless — and if for a second the reader is jolted out of the narrative by wondering why this person suddenly decided to tell me this story, then the author has failed. It is a voice that must justify its own existence. Why else are so many first-person narrators writers themselves?

James Crabtree

The great Chinese power grab

Five years ago President Xi Jinping gave a speech in Kazakhstan, launching the ‘Silk Road Economic Belt’, a wildly ambitious set of Chinese-backed infrastructure projects stretching through the steppes of central Asia to the Baltic Sea. Hundreds of billions of dollars later, this project more than any other has come to define China’s radical ambitions to upend a world order long dominated by Americans and Europeans. In 2015, Peter Frankopan, a dashing Oxford academic, wrote The Silk Roads, a weighty and widely acclaimed history of the ancient trading routes that once linked China to the world. It became a bestseller, partly because Frankopan, unusually for an academic, knows how to tell a yarn.

Colin Freeman

Courage and conviction

When Britain finally lowered the flag in the Iraqi city of Basra in 2007, the army’s top brass valiantly claimed that they were leaving it to ‘self-rule’ rather than all-out anarchy. Despite the militiamen in the streets and the mortars in the skies, this was what success looked like in Iraq they told the invited press pack. Nobody really believed them, of course; but only Marie Colvin of the Sunday Times could actually prove them wrong. Ignoring the ceremony invites, she donned an abaya and went into Basra to report unembedded, the first western correspondent to dare to do so in nearly two years.