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Play school

Catch ’em young makes sense if you’re selling a product, an organisation or a belief system. Catch ’em young makes sense if you’re selling a product, an organisation or a belief system. And the BBC has never lagged behind the commercial broadcasters and their advertisers in this regard. From its inception children’s programming was seen

Raising Reith

Watching television as a critic is an artificial way of watching television. For the most part we see DVDs supplied by the television companies. We start and finish when we like. If the phone rings, we don’t groan and bark ‘yes?’ — we can press pause and settle down for a leisurely chat about our

The Wagner effect

Henrietta Bredin has put together a series of events to celebrate the Royal Opera House’s Ring cycle It is with considerable trepidation that I venture to write about Richard Wagner in these pages, considering that in doing so I am following a trail well blazed by Bernard Levin — a passionate and lushly articulate devotee

Beguiling mix

Exhibitions: Temptation in Eden: Lucas Cranach’s ‘Adam and Eve’; Work, Rest & Play Amazingly, the Courtauld can claim to have mounted the first exhibition in England devoted to Lucas Cranach the Elder (c.1472–1553). He’s not an artist we know at all well here, though one or two images will be familiar from reproduction, probably elegant,

Fighting Finn

Where does Sibelius stand today? Twenty years ago, the answer would have been not very high. Today, 50 years after his death, I think it would be ‘on the up’ again, especially as we now know not just the symphonies and tone-poems but also the wonderful songs in performances by Karita Mattila, Soile Isokoski, Anne

Past perfect | 8 September 2007

I see Squeeze have reformed and are touring again. In fact, there don’t seem to be many bands who haven’t reformed and aren’t touring again. Out there on the road: that’s where the cash is. There seems to be a particular process here. 1. Band splits up in a spirit of mutual enmity and recrimination.

Misinterpreting Strauss

For its final operatic offering, this year’s Edinburgh Festival presented what it billed as ‘World première of a new production’ of Richard Strauss’s last opera Capriccio. I suppose every new production is a ‘world première’ but they don’t need to say so. Anyway, this turned out to be a dismal affair, part infuriating and part

Tale of two cities

Eternal though they may seem, the Proms and the Edinburgh Festival are susceptible to change. Roger Wright will take over the former next year and Jonathan Mills has just assumed responsibility for the latter. New appointments do not necessarily mean that anything more up-to-date will happen, nor that the change will be for the better

Losing heart

There has been such a lot of fuss and hype around this adaptation of the Ian McEwan novel — as if this is all anybody has ever been waiting for — that I did wonder if I had anything new or useful to say. But then I realised: 1) it’s never stopped me before and

Lights under bushels

Here’s a question for all of you who can claim to be (or would wish to be) English. When was the last time you sold yourself short, modestly claiming, ‘Oh, it’s nothing really. I just botched it together in a rush’? Or, ‘I’m sure I know nothing about politics,’ when in reality you’re an avid

General grumble

Sorry, I’m in Sardinia at the moment and I couldn’t find any preview tapes that really grabbed me before I went away so if you don’t mind I thought I’d just have a general grumble about the state of TV. First, Weekend Nazis (BBC1, Monday), whose undercover team made the truly cataclysmic discovery that one

All that jazz

I’m just back from Edinburgh, my 20th successive year at the festival for the Daily Telegraph, which makes me feel very old indeed. How times have changed. When I started going, the paper put us up in the luxurious Sheraton Grand and no questions were asked about the size of your bar bill, which in

Mutual loathing

Dublin. Terrific to write about, terrible to experience. This was the verdict of Patrick Kavanagh, poet, alcoholic and failure, born in 1904 and now brought back to life in Russell Kennedy’s enjoyable show at the Old Red Lion. Kavanagh’s assessment of Dublin would be better applied to himself. He cuts a shambolic, repellent figure in

World class

Next time you’re bemoaning the TV licence fee, check out the BBC’s World Service. Next time you’re bemoaning the TV licence fee, check out the BBC’s World Service. A different quality appears to prevail in their making of radio documentaries — more time spent on research, less on presentation. No tricks, no smoochy music. Just

The spirit of Almod

In the theatre programme notes for the new play based on Pedro Almodóvar’s film, All About My Mother, the playwright Samuel Adamson observes that the play’s protagonist, Manuela, is drawn towards the world of theatre by an unexpected event. Back in 1999, although I didn’t know it at the time, my own life was about

True colours

Exhibition; Hélio Oiticica: The Body of Colour How diminished our lives would be if suddenly we could only see in black and white. ‘Colour is the first revelation of the world,’ exclaimed Hélio Oiticica (1937–80), a Brazilian artist with a mission to liberate colour and help it to embody itself in other guises. He thought

Shocking cheats

The most egregious example of cheating in wildlife photography was the 1958 Disney film Wild Wilderness. They wanted footage of lemmings throwing themselves off cliffs into the sea — heaven knows why, since lemmings do no such thing. Since the crew were in Alberta, where neither sea nor lemmings can be found, they bought the

Rock of ages

Forty years after his first drug bust in 1967, Keith Richards is still testing the limits of the law. But, as one would expect of a 63-year-old, the substances in question have changed over the years. So it was that, before an enraptured audience at the O2 Centre on Tuesday night, the pirate-captain of the

The nature of power

The weirdest moment on A Royal Recovery (Radio Four, Tuesday) was not hearing the astonished reaction of the Palace to the dramatic flip in public opinion in the days and weeks following the death of Princess Diana or the simmering hostility and blatant criticism of the Queen from Joe Public, but listening once again to