Never have my asseverations in this column attracted so much attention as those about the Dean and Archbishop of Sydney. If anyone were to think that Anglicanism was a dead topic, they should visit Australia. One has only to scratch the surface and out pour the most passionate arguments, though not from the employees of
Uncle Vanya Rose Theatre, Kingston The Death of Margaret Thatcher Courtyard At last the Rose has burst into bloom in Kingston. Luckily I allowed myself twice the suggested 40 minutes to get there from Waterloo. It took me quarter of an hour to extract a ticket from the computerised machines, which have been brilliantly programmed
Salome Bridgewater Hall Peter Grimes Nottingham Die Zauberflöte Royal Opera House Salome Bridgewater Hall Peter Grimes Nottingham Die Zauberflöte Royal Opera House Does Richard Strauss’s Salome still have the power to shock, as the writers of programme notes like to claim? Not, anyway, in a concert performance, such as was given in the Bridgewater Hall
In the past, television battle scenes consisted of half a dozen men in armour knocking seven bells out of each other. Then the camera angle switched and the same six men were still bashing the others, but from below. Next one of them fell (‘Aaaargh!’) and the other five kept on. It was not altogether
By Leafy Ways: Early Work by Ivor Abrahams Against Nature: The hybrid forms of modern sculpture Henry Moore Institute, Leeds, until 4 May The Henry Moore Institute is one of our foremost sculptural venues, a focus for study and scholarship, equipped with an impressive library and archive specialising in British sculpture. Opened in 1993 on
The Bucket List 12A, Nationwide As Rob Reiner should know better and Jack Nicholson should know better and Morgan Freeman should know better, what you have here is a film which has to make you ask: how come they didn’t? You’d think one, at least, would say somewhere along the line: ‘Thanks, but if it’s
James son of James Barbican Three Short Works Royal Opera House James son of James Barbican Three Short Works Royal Opera House It is a pity that the definition ‘theatre dance’ is commonly used to indicate any choreographic activity that takes place on stage, for it could be much more effectively used to describe those
‘I think continually of those who were truly great,’ wrote Stephen Spender, which must have been awkward when he was trying to read a map, cook the lunch, or write that bloody awful poem about pylons. But I, too, have been thinking, if not continually, then at least often, about two great men, both dead,
There was something ironic about a play entitled The Trial and Death of Socrates being broadcast on the weekend that our own great thinker, Rowan Williams, was undergoing what may turn out to be the biggest trial of his career. Maybe he tuned in on Sunday evening to Drama on 3 and heard Joss Ackland
I have waited several years for this moment — in fact, ever since the late 1990s upsurge in interest in gardening began to fade, the press stopped talking about it as the new sex, and the jeunesse d’orée turned their fickle gaze elsewhere. Now, as partygoers shade their hungover eyes from the glare of financial
From Russia: French and Russian Master Paintings 1870-1925 from Moscow and St Petersburg Royal Academy, until 18 April Sponsored by E.ON It is a salutary and instructive experience to forego the relatively civilised Press View of an exhibition, when only the denizens of the world’s press and assorted successful liggers are allowed in, and attempt
Die Zauberflöte Royal Opera House A Midsummer Night’s Dream Linbury There is a hard core of central works which any major opera house needs to have, in a production that can survive many changes of cast and conductor, even of obtrusive revival director. Die Zauberflöte is unquestionably among them, a work that we constantly need
When I was a boy my father and I used to spend our summer holidays collecting lizards. We’d prop a large bucket at an angle in a suitable spot, grease the rim with butter, put some rotting fruit at the bottom and wait for the lizards to get trapped. It’s the best way, otherwise they
Why would anyone want to listen to a programme about the Oscars? Surely the whole point is to see those ghastly frocks and gimcrack smiles, effortfully put on for-the-camera-only? And yet Paul Gambaccini was sent over to Hollywood to recreate the ‘magic’ of the Oscars for a new Radio Four series (Saturday), And the Academy
Purgatorio Arcola Happy Now? Cottesloe The Lover/The Collection Comedy Purgatorio. Hardly a seductive title and I confess it was curiosity rather than enthusiasm that dragged me to the Arcola in Hackney to see how Ariel Dorfman (best known for his 1992 play Death and the Maiden) had handled the Medea myth. His update transplants the
There Will Be Blood 15, nationwide Juno 12A, nationwide There Will Be Blood (oh, yes) stars Daniel Day-Lewis as Daniel Plainview, a late-19th-century American oilman whose own view could not be plainer: find oil, beat off the competition, buy the land, drill it, get rich. And that’s about it, not that it matters. It’s the
Where do you find your music? Yes, I know, you go to the CD rack and there it is. Or, if you are as obsessed as some of us, you go into almost any room in the house and there is a pile of the stuff, because you can’t get rid of any of it,
A Decade of Discovery Esoterick Collection, 39a Canonbury Square, London, N1, until 6 April This year, as the Estorick Collection of Modern Italian Art celebrates its tenth anniversary, garlanded with plaudits for the loan exhibitions it has mounted, it is time to focus once again on its greatest asset: its permanent collection. This new display,
Cloverfield 15, Nationwide Cloverfield is tiresome, dumb and horrid, and just in case you didn’t get that I’ll say it again: this film is tiresome, dumb and horrid. Don’t go. Do anything but go. Don’t be swayed, as I was, by the fact that on its opening day in America it grossed $16 million, grossed
The President’s Holiday Hampstead The Sea Haymarket The Vertical Hour Royal Court There’s no such thing as a great script idea. Ideas are equally good or bad, what counts is how they’re treated. Take the 1991 coup against Gorbachev. Pretty dramatic, momentous and gripping, I’d say. And here’s Penny Gold to dramatise it. She may