A Decade of Discovery Esoterick Collection, 39a Canonbury Square, London, N1, until 6 April This year, as the Estorick Collection of Modern Italian Art celebrates its tenth anniversary, garlanded with plaudits for the loan exhibitions it has mounted, it is time to focus once again on its greatest asset: its permanent collection. This new display,
Cloverfield 15, Nationwide Cloverfield is tiresome, dumb and horrid, and just in case you didn’t get that I’ll say it again: this film is tiresome, dumb and horrid. Don’t go. Do anything but go. Don’t be swayed, as I was, by the fact that on its opening day in America it grossed $16 million, grossed
The President’s Holiday Hampstead The Sea Haymarket The Vertical Hour Royal Court There’s no such thing as a great script idea. Ideas are equally good or bad, what counts is how they’re treated. Take the 1991 coup against Gorbachev. Pretty dramatic, momentous and gripping, I’d say. And here’s Penny Gold to dramatise it. She may
Peter Grimes Opera North Of all Britten’s operas Peter Grimes is the one I have seen most often, and it remains not only the one that I find it hardest to make up my mind about, but also the one which I still don’t feel I know especially well. There are the famous passages, not
‘Pakistan is a dysfunctional state,’ said the writer Martin Amis in a debate about ideologies and ideologues in our post-9/11 world on Start the Week (Monday, Radio Four). He seemed curiously unaware that he was in conversation with a woman lawyer from Pakistan, Asma Jahangir, who has just been released from house arrest after defying
Jonestown (BBC 2); Moving Wallpaper & Echo Beach (ITV); Harry Hill’s TV Burp (ITV) ‘Shut up and drink the Kool-Aid’ is an American slang phrase — tart, cynical and funny — used for telling people to get on with something they must do but would prefer to avoid. It refers back to the mass suicide of 909 members
You were probably expecting me to review Ross Kemp in Afghanistan (Sky One, Monday) this week but I’m a bit off Afghanistan programmes at the moment. Not to the point where I won’t watch them all the time to the exclusion of almost all else. Just to the point where, at the end, I feel
Tara Arts, a troupe devoted to ‘cross-cultural theatre’, are hauling their Tempest around the country. In a minivan by the look of things. The whole production — cast, cossies and props — could easily squeeze into a Bedford Rascal but, as Mark Rylance has already demonstrated, thrift and The Tempest don’t mix well. Rylance bored
It’s been commonplace ever since the widespread dissemination of sound recording, followed by the rapid growth of broadcasting, to deplore ‘the appalling popularity of music’: its inevitable debasement, when available so easily, into something ordinary rather than special, repeatable rather than unique, cursory rather than concentrated, disposable rather than sacral. A background: ‘music while you
After the cheerlessness and brutality of No Country for Old Men, I’m not sure a film about a serial killer is just what you want. Sweeney Todd: The Demon Barber of Fleet Street 18, nationwide After the cheerlessness and brutality of No Country for Old Men, I’m not sure a film about a serial killer
It’s been really hard getting used to the idea that there’s no more Bach at eight on Radio Three. After 48 mornings, I’ve found myself well and truly addicted. The only way to combat the withdrawal symptoms seemed to be an immersion in something completely different, so I dutifully tuned into Radio Two in the
Rose Hilton: A Selected Retrospective Tate St Ives, until 11 May Rose Hilton was born Rosemary Phipps in the Kentish village of Leigh, near Tonbridge, in 1931. She grew up the dutiful daughter of parents who were strict Plymouth Brethren, but early on she showed distinct signs of artistic talent. Her parents considered that this
There’s a lovely number by Loudon Wainwright III called ‘The Swimming Song’ that evokes the delights of bathing with both sharp wit and faux-naïf innocence. Kate and Anna McGarrigle covered it on their eponymous 1975 debut album — one of the all-time great records in my view, mixing folky exuberance and wrenching heartache in a
Something I didn’t think was possible has happened this last week: I have been strongly moved by a performance of La traviata. That was due very largely, of course, to the way the title role was performed. Anna Netrebko may not have the perfect voice for the part, her vocal technique might be lacking in
La Cage aux Folles Menier Chocolate Factory The British Ambassador’s Belly Dancer Arcola Angry Young Man Trafalgar Studio La Cage aux Folles is a musical based on a classic comedy by Jean Poiret. Terry Johnson’s new version is perfectly agreeable. Nice sets, charming actors and the audience loved it. So what’s wrong? Well, the threadbare
The Adventures of Pinocchio Grand Theatre, Leeds It’s odd how, even if you try to ignore Christmas, it still manages to determine the shape of your end-of-year experiences. Three weeks ago, four days before Christmas Day, Opera North enterprisingly mounted the world première of Jonathan Dove’s 21st opera, Pinocchio. I haven’t seen any opera since,
By the time you read this I shall have watched two days of the 3rd Test between India and Australia at the WACA in Perth, and given a paper on how important good Church music is in the context of modern worship. Both events will not be without their political sides: the novelty of an
Foyle’s War is back on Sundays, sporadically, with Kingdom filling in the gaps on ITV. The BBC has followed Cranford with Lark Rise to Candleford, a series which makes the intervening Sense and Sensibility look harrowing by comparison. The danger to television is not dumbing-down but, on Sunday nights at least, a sort of down-filled
Among the serially misused words of our time — celebrity, passion, caring, genius — we must surely count ‘plantsman’. Thirty years ago, it was a term given only to exceptionally knowledgeable, enthusiastic and botanically inclined amateur or professional gardeners, as well as to particularly experienced and thoughtful nurserymen. However, in recent years, ‘plantsman’ or ‘plantswoman’
The Age of Enchantment: Beardsley, Dulac and their Contemporaries 1890–1930 Dulwich Picture Gallery, until 17 February The Age of Enchantment: Beardsley, Dulac and their Contemporaries 1890–1930 Dulwich Picture Gallery, until 17 February Taste is strictly divided over the enchanted visions currently on view at Dulwich. It seems that people are rarely indifferent to this kind