My word, you Spectator readers are an education, and a delightfully idiosyncratic bunch to boot. To celebrate this 100th ‘Olden but golden’ column I invited you to send in your all-time top tens, and three dozen entries have arrived so far, some from as far afield as the US and Australia. In 2002, we confined
Ghosts Duchess, until 15 May Off the Endz Royal Court, until 13 March Ghosts is the most Ibsenite of all Ibsen’s plays. In a sub-Arctic backwater two pairs of lovers pursue doomed romances while outside it drizzles constantly. Oswald can’t marry his mother’s serving-girl because his brain is being attacked by syphilis. Meanwhile, Pastor Manders’s
You can see how difficult it must be for the powers behind BBC Radio. On the one hand, the Corporation is still pumping out programmes that we could have heard 60 years ago. The list is endless but try The Archers and Desert Island Discs for starters, brought together on Sunday (Radio 4) when June
I have been depressed lately and Why Did You Kill My Dad? (BBC1, Monday) wasn’t what I needed at all. I have been depressed lately and Why Did You Kill My Dad? (BBC1, Monday) wasn’t what I needed at all. In it award-winning film-maker Julian Hendy interviewed the families of some of the 100 innocents
The refusal of Manchester City footballer Wayne Bridge to shake the hand of his former Chelsea team-mate John Terry in a dispute over the favours of a lingerie model received roughly the same attention in the media last Saturday as the outbreak of a new war in the Middle East. Racing hardly got a look-in,
Here come the Oscars. Even people who rarely visit the cinema can’t resist the world’s greatest awards ceremony. The collision of extremities makes it compulsive viewing. It’s a sort of morality play where the seven deadly sins, and their contrary virtues, are paraded in dumbshow. Greed, hope, vanity, despair, jubilation, pride, joy, envy and a
Ruddigore Opera North, touring What is wrong with me? I kept asking myself that question as I endured the two hours and 40 minutes of Gilbert and Sullivan’s Ruddigore in the Grand Theatre, Leeds, while most of the audience rocked with laughter and regularly burst into delighted applause. I hadn’t originally intended to go, but
Royal Ballet Triple Bill Royal Opera House The nurturing of home-grown choreographic talent has always played a central role in the history of the Royal Ballet. Undaunted by the possible ups and downs of the experimental approach, Ninette de Valois, the company’s founder, set up a unique platform for budding dance-makers. True, not everything was
The prospect was so inherently unlikely — Nikolaus Harnoncourt fulfilling in the latter days of his career the dream of a lifetime conducting Gershwin’s Porgy and Bess — that I tuned in to Radio Three with low expectations, though with curiosity on high alert. The prospect was so inherently unlikely — Nikolaus Harnoncourt fulfilling in
Serenading Louie Donmar, until 27 March Measure for Measure Almeida, until 10 April Genius detectors, busy in America, want us to meet the playwright Lanford Wilson. He hasn’t made much impact here possibly because his talent is so vast it can’t be hauled across the Atlantic. His 1970s play Serenading Louie focuses on marital infidelity
It was really difficult to tell where Paul Robeson ended and Lenny Henry began. The one-time stand-up comic was playing the black singer with the uniquely deep and passionate voice in Sunday night’s Drama on 3. Annie Caulfield’s intense, intimate play, I’m Still the Same Paul, looked at what happened to Robeson (1898–1976) after he
Things you never hear on Masterchef (BBC1, passim). The presenters: ‘Cooking doesn’t get more basic than this.’ The competitors: ‘Winning Masterchef would, frankly, make little difference to my already satisfactory life.’ And the chef in the restaurant kitchen where the contestants have to make lunch: ‘We’ve got very few people in today, so you lot
We have a picture hanging on a wall at home painted by Roger Fry about the time of the first world war and entitled ‘Pruning Trees’. We have a picture hanging on a wall at home painted by Roger Fry about the time of the first world war and entitled ‘Pruning Trees’. He portrays two
Last year, within the space of five weeks before Christmas, I lost two friends who had illumined the world for me and made it a more enlivening place. Both were artists, both were in their eighties and both were determined individualists who recognised each other’s work without being in any way close allies. John Craxton
Prokofiev’s opera The Gambler adapts Dostoevsky’s novella of the same name, an audacious enterprise. Prokofiev’s opera The Gambler adapts Dostoevsky’s novella of the same name, an audacious enterprise. Unfortunately, it fails, as I think all the composer’s operas do, apart perhaps from The Love for Three Oranges, and mainly because he gives no evidence of
There is something about the music of Arvo Pärt which does not sit well with Italian fascist architecture. There is something about the music of Arvo Pärt which does not sit well with Italian fascist architecture. Perhaps I am oversensitive, but vast stone lions and super-size friezes depicting epic battles conflict with Holy Minimalism in
11 and 12 Barbican, until 27 February A Life In Three Acts: Bette Bourne and Mark Ravenhill Soho, until 27 February Peter Brook, the world’s most maddening theatre director, returns to London with an adaptation of a novel set in the French colony of Mali in west Africa. Brook is never as bad as his
Crazy Heart 15, Nationwide Crazy Heart is the film in which Jeff Bridges plays a broken-down, washed-up, boozy country music singer who may or may not be saved by the love of a good woman (Maggie Gyllenhaal) and while I wanted to love this film, and strived to love this film, and hadn’t really contemplated
After weeks of waiting, it was all over in a matter of seconds. Weeks in which I’ve listened to every episode, just in case. Weeks of enduring night after night the awe-inspiringly-dull Annette and Helen saga. Weeks of wondering how The Archers’ scriptwriters would cope with the death last October of Norman Painting, the actor
The closer we get to the Great Disappointment — aka the forthcoming Heath administration — the more I miss Margaret Thatcher. The closer we get to the Great Disappointment — aka the forthcoming Heath administration — the more I miss Margaret Thatcher. Just how much I was reminded by Michael Cockerell’s new series The Great