Book Reviews

Those who have read Madeleine Thien’s bestselling Do Not Say We Have Nothing will recognise The Book of Records as being the title of the manuscript at its heart – a dangerously dissenting history of China. In her latest novel, Thien uses the title to explore the future rather than the past – or so it seems at first. Extensive flooding has caused Lina and her father to leave Foshan and retreat to ‘the Sea’, a labyrinthine ‘nothing place’ where people usually shelter just for a short while before moving on. It resembles Kowloon Walled City, the immense, densely populated structure that, before being demolished, was close to where Thien’s

To most people, the salient qualities of Gertrude Stein are unreadability combined with monumental self-belief. This is the woman who once remarked that ‘the Jews have produced only three original geniuses – Christ, Spinoza and myself’. Of the reading aloud of her works, Harold Acton complained: ‘It was difficult not to fall into a trance.’ Even if you are as good a writer as Francesca Wade, it is still difficult to avoid the influence of what she herself calls Stein’s ‘haze of words’. So the first half of this impressively researched biography is cerebral rather than colourful. Stein’s writing career really began when, aged 28 (she was born in 1874),

‘The publisher who writes is like a cow in a milk bar,’ Arthur Koestler once declared. For some reason this put-down has never stopped publishers from fathering their memoirs, and the book trade titan’s life and times used to be as much a staple of the library shelf as slim volumes of nature poetry. As in other branches of life-writing, the procedural approach tends to vary. There are practical primers – Stanley Unwin’s The Truth about Publishing, say, from the year of the general strike, or Anthony Blond’s The Publishing Game (1971); there are delightful vagaries in the style pioneered by Grant Richards’s Author Hunting (1934); and there is the

Richard Ellmann’s acclaimed life of James Joyce was published in 1959, with a revised and expanded edition appearing in 1982. The first edition, the work of an ambitious young American academic, received what Ellmann’s editor at Oxford University Press described as ‘the most ecstatic reaction I have seen to any book I have known anything about’. Ellmann’s work would ‘fix Joyce’s image for a generation’ wrote Frank Kermode in The Spectator, a prediction described by Zachary Leader as ‘if anything, too cautious’. By the time of the second edition, Ellmann had become a lionised Oxford don and the image of Joyce he had fixed was starting to chafe. Post-structuralism was

As a subscriber-only special, get exclusive access to The Spectator’s Book Club Live: an evening with Max Hastings. Join The Spectator’s literary editor, Sam Leith, and the military historian and former Telegraph editor-in-chief Max Hastings, to uncover the real story of D-Day. They will be discussing Max’s new book, Sword: D-Day – Trial by Battle, which explores – with extraordinary vividness – the actions of the Commando brigade, Montgomery’s 3rd Infantry and 6th Airborne divisions at Sword beach in June 1944. It will also be an opportunity to celebrate the 80th anniversary of VE Day. Following the discussion, attendees put their own questions to Max.