Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Nan-archy in the UK

Call it ‘nan-archy’: the anarchy of rock’n’roll grafted onto the spirit of the nanny state.  The Red Hot Chili Peppers bounce and rave pleasingly in front of a huge rolling message board which instructs us to recycle our old mobiles, not to wash our towels too often, and to ‘rethink’ how we bring our shopping

Let’s save this funny old world

Almost exactly 24 years ago, in July 1983, the IRA planned to kill Charles and Diana by bombing a Duran Duran concert at the Dominion, Tottenham Court Road.  I was at that gig, aged 15, and here I am again, aged 39, watching the same band and trying to work out whether Simon Le Bon

Rocking for the planet

After a jurassic start, the joint is jumping now: Razorlight were as sharp as their name, and Dundee’s finest, Snow Patrol, turned in a stunning set, the highlight of which was Open Your Eyes. Although lead singer Gary  Lightbody should think twice about the golf jumper. Kasabian up soon. I feel I am doing my

RIP George Melly

  So farewell, George Melly. There isn’t much fun left in jazz any more; it takes itself so seriously. George didn’t — always having fun, listening to his favourite Bessie Smith records. He was one of the last generation of jazz musicians to enjoy his work and to convey that feeling to his audience; he

Can private equity halt EMI’s decline?

Any other business

Amid the acres of coverage devoted to the 40th anniversary of Sergeant Pepper’s Lonely Hearts Club Band, the most celebrated record in pop history, one irony has been overlooked. The album was considered as ephemeral as any other when it came out, but has grown mightier and mightier; the company that made it, on the

Who we are

Where better to spend the last night of the Blair era than in the company of ageing rockers? These days, The Who smash their tambourines rather than their guitars. But, other than that, they are still as sharp as the sharpest Carnaby Street winkle pickers and as taut as the tires on a brand new

Heavy stupidity

If you think Glastonbury is silly, click on the BBC News website and watch the clip of 2,000 heavy metal fans playing Deep Purple’s “Smoke on the Water” in Stuttgart. This, as any fule kno, is one of the most over-rated songs in the history of pop music, plodding and portentous, opening with a mindless

A very parfit gentil knight of music

Any other business

One of the many things which makes me love Edward Elgar is that both the man and his music are so tremendously unfashionable. No wonder tax-funded quangos set up to ‘promote culture’, and run by New Labour bureaucrats, are refusing to mark his 150th birthday. He does not correspond with their criteria of approval at

Am I the only person who hated Glastonbury?

Reading James Delingpole’s fine piece about ‘the best music festival in the universe’ brought it all flooding back. Twenty years ago, buoyed by rave reviews such as James’s, I headed for Glastonbury full of starry-eyed hope and excitement. What followed were three days of  unremitting misery, memories of which haunt me to this day. Torrential rain,

It was forty years ago today…

Sergeant Pepper always cheers me up because – aside from its musical brilliance – it is slightly older than I am. Today’s papers are full of readable celebrations of the album’s anniversary, including a Guardian leader and a “where is she now?” piece in The Times on the Lucy of “Lucy in the Sky with

Time for Elgar to go global

One of the guests at our third Elgar concert at The Spectator’s offices in Old Queen Street last night shrewdly pointed out the oddity that the great composer does not seem to travel as well as, say, Vaughan Williams. Listening to Madeleine Mitchell (violin) and Nigel Clayton (piano) perform the sublime Violin Sonata (Op. 82)

Eurovision diplomacy

I’ve heard the Iraq war blamed for many things but this one takes the biscuit. According to an analyst on the Today Programme, our abject failure in the Eurovision Song Contest is a consequence of the ill-feeling created by the invasion of Iraq. Have a listen here, the clip starts at 7.48am.

The devil has all the best tunes

There’s an article in The Guardian today on Sir Simon Rattle, conductor of the Berlin Philharmonic, that’s well worth reading. The thesis of the piece is: “What Rattle is attempting is a musical form of multiculturalism, in which the orchestra’s brilliance lies not so much in their competence in one repertoire, but how the musicians

Recreating an Elgar premiere

What is the peculiar magic of string quartets? Ian McEwan posed this question when I interviewed him recently. It came to mind again during an enchanting evening at the Spectator’s Westminster offices last night, as the Bridge Quartet gave a sublime performance of Elgar’s music, including the String Quartet in E minor. The event renewed

A celebration of ‘Porgy and Bess’

Features

Gershwin’s Porgy and Bess is a masterpiece, whatever other category one finds for it. It is bursting with vitality, it has a larger number of memorable, indeed unforgettable tunes than any work of comparable length in the 20th century, whether opera or musical. And what counts still more for its stature is that the great

Ancient & Modern – 1 September 2006

The sixtysomething Mick Jagger is currently bringing tears of nostalgia to all eyes as he relives his glory days of 40 years ago, singing pop songs. In one respect, at any rate, Cicero would have applauded him, as he explains in his essay On Old Age (44 bc). De senectute is an imaginary conversation staged

Dark side of the Hoon

Features

Pink Floyd — Leicester — 1972. You will always recall the first time you saw your favourite bands. Pink Floyd were not then mainstream — still less known all around the world. Dark Side of the Moon was one continuous piece of music that filled the first half of the show before they went on

The sound of silence

Features

The musical profession has never recognised borders. Composers, performers and ensembles have moved from city to city and country to country, learning and teaching, experimenting with local styles, adding to the repertoire and delighting patrons and the public. This cosmopolitanism belongs to the spirit of Western music, which is an art without frontiers, flowing unhindered

Feedback | 30 July 2005

Letters

Matthew’s sad gospel Matthew Parris has decided to sing yet another chorus of the same sad atheistical song (Another Voice, 23 July). What is the basis of his comment that ‘religion often seems to have more of a purchase on those who have become dissatisfied with the way they are living their lives than with

Harmless old buggers

Features

Despite the not guilty verdict, Michael Jackson’s reputation has collapsed as dramatically as the ravaged features on his face. The revelations about his fondness for boyish company will haunt him for the rest of his life, even though he was cleared of charges of molestation. It cannot be happily ever after in Neverland. For all

Everyone benefits | 29 January 2005

Any other business

Douglas Alexander tells UK music industry: Government pledges continuing help to reach US and China.This year 20 music events are being organised (up six on last year) and UK Trade & Investment will allocate nearly half a million pounds to promote the industry overseas in key markets like the US and China…. Douglas Alexander, minister

The strange potency of bad music

Features

A lesson is learnt. Good music, as we hear it, tends to be ours and ours alone. But bad music is everyone’s: we all suffer together. Last month I related the harrowing tale of a recent family holiday in St Ives, where my girlfriend and I, while not buying beach balls in a tourist-tat emporium,

Ancient and Modern – 5 September 2003

The pop singer Sir Mick Jagger thinks that the Greek god whom he most resembles is Dionysus. Oh dear! One wonders if Dionysus will be pleased when he discovers that the national treasure on earth whose voice keeps giving up (bless) has likened himself to the terrifying god of transformation on Olympus. Dionysus had the

Words fused with music

Features

Why would anyone want to write an opera libretto? The words are generally held to be at the service of the music, relegated therefore to second place, so what would make any self-respecting writer choose to offer up their skills to the peremptory demands of a composer? The reason is probably quite simply because it’s

Who’s Hugh?

Features

The country-and-western singer Kinky Friedman has a song called ‘They Ain’t Making Jews Like Jesus Anymore’. ‘They don’t turn the other cheek the way they done before,’ sings Kinky. Had he met The Right Reverend Hugh Montefiore, the former Bishop of Birmingham, Kinky might have changed his tune. ‘It happened out of the blue.’ Montefiore,

Rock of ageism

Features

There were four of us on the shortlist: three women in their twenties and me. We sat in a row while a Home Office cheerleader told us what a great life awaited one of us in the press office. The jolly-along lasted for perhaps ten minutes, and not once did the beaver pause in his