Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Spreading the good word

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This is a remarkable novel. Written in a beautifully crafted prose, its theme is the resistance of China to Christianity. Missionaries, one of them of mixed blood, make their way into the mind and heartland of China, seeking to bring the good news of the crucified and resurrected Lord to those who are still devoted to other, older, powers. For the river people worship a river god; he after all is responsible for providing their livelihood. The fish are his soldiers. The villagers know they must propitiate him. When they catch a particularly large specimen they lay it on his altar all night, in sorrow at the possibility of his anger, for when he grows angry he swallows men.

Why did she do it?

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We have had to wait seven years for Graham Swift's latest novel. Was it worth it? The hero of The Light of Day might think so. George Webb shares the patience of Job. He is prepared to wait eight or nine years until the woman he loves is let out of prison and re-emerges into the light of day. It is hard to understand the nature of his obsession. Firstly, he has only met Sarah a couple of times before she is jailed for murdering her husband. Secondly, his fixation seems to revolve around her knees. Am I alone in thinking knees are the most unerogenous part of the body? But it is a testimony to Swift's skills as a novelist that he makes Webb's fixation seem plausible. Love represents solace for the past as much as hope for the future. George Webb has lost his wife and his job.

Drifting out of court

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Judge Savage is a dashing mixture of thriller, social comedy and dysfunctional family saga. The dust-cover is misleading. It shows a very black black in a judge's wig, looking thoughtful and gleaming with sweat. Judge Savage is not like that at all. He is 'almond-coloured' (Parks doesn't say whether with or without the shell), of mixed race, and was adopted by an English colonel and his wife who already had a son. They send both boys to Rugby and Oxford. Taxi-drivers recognise Daniel as a toff. He is as humane and good as he is clever and sceptical. His two strongest impulses are for 'helping and leching'. The second is awkward, especially as he is devastatingly attractive to women, which gives leching a good start.

A nasty old person from Persia

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I have to register a strong complaint about the misleading and opportunistic title of this book; it is not about 'the Great Game' as the phrase is usually understood. Various interesting and valuable attempts, such as the studies by Peter Hopkirk, have made the case that the British/Russian rivalry for control over Central Asia not only continued into the Soviet era, but is plausibly still going on. But no one will expect a book with this title to be about 20th-century Iran. Nor is it as general as the title implies; I would love to read a dashing book which deserves this title. There are excellent English books on Persia and the Great Game, pre-eminently M. E. Yapp's brilliant Strategies of British India, but they are all a bit magisterial.

Nothing new on display

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Assuming that a biography is worth writing in the first place, it is often asserted that after 20 years or so another look at the same subject is justified. It is nearly 20 years now since Selina Hastings's subtle and perceptive account of Nancy Mitford appeared; and so even if the heart sank at the thought of revisiting Mitford country - the Hons' cupboard, the 'sewers', the shrieks, 'do tell' - it seemed only fair to approach this new book about her in a positive, hopeful spirit. After all, it was possible, if not very likely given the assiduous cultivation in recent years of the Mitford literary estate, that Laura Thompson had found some new material, or at least scanned the old material with fresh eyes. Unfortunately, the heart sinks further within the first two or three pages.

Living under the volcano

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Regrettably history is not among the core subjects now prescribed by the government's umpteenth overhaul of the national curriculum. The omission is a foolish one, given the nation's unquenchable enthusiasm for the past in whatever form, serious or 'lite'. Does the official mind scent potential troublemakers among those inquisitive as to the fate of vanished civilisations or exuberantly misbehaving royal dynasties? Most people, as it happens, enjoy history not so much for its lessons, hints and warnings as for the how-different-from-us factor, the armchair schadenfreude enhanced by our comforting remoteness from the miseries and privations its pages evoke.

Oppenheimer: fact and fiction

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'Truth of fact and truth of fiction are incompatible,' Virginia Woolf once wrote. She was deploring the decision of her friend, Lytton Strachey, to combine fact and fiction in his book, Elizabeth and Essex, in which, in order to fill in the gaps in the historical record, Strachey used his imagination to invent details of the relationship between the Virgin Queen and her favourite earl. The result, according to Woolf, was neither an honest piece of biography, nor a satisfying work of fiction, but something that was caught in between the conflicting demands of the two genres. Elizabeth and Essex was published as a work of non-fiction.

Down to the last detail

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One might assume that the Oxford novel, like some long-delayed train finally pulling into Paddington, has run its course. Bright young things flee back into their stately towers as tourists prowl the streets in search of Sebastian Flyte and his chums. But today's Oxford student is just as likely to be commuting from London in search of the MBA degree that will allow him to take over the rail network. Moreover, readers of the most successful Oxford fiction of recent years expect a city littered with corpses, with opera echoing among the spires as Inspector Morse sorts out the killers from a very different set of dons. Academic fiction has life beyond Oxford, unlikely as that may seem.

Challenge and response

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The first four pages of this novel arouse the highest expectations. Some walkers in the Snowdon area stare up at the boilerplate slabs of a crag up which, far above them, a figure is climbing. He is neither carrying the special equipment nor wearing the protective gear usual for a project so dangerous, and he is, as one of the observers remarks in shocked amazement, 'bloody soloing'. Then all at once he plunges to his death. Everyone expects the body that lands on the grass below the crag to be that of some reckless tyro. In fact, it is that of a man eventually identified as one of the most famous of English mountaineers. At 53, he is long past the age when a climb so exacting should be attempted.

The most interesting of monarchs

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When an honest citizen was shown into King James I's room in Whitehall, the scene of confusion amid which he found the King was no bad picture of the state and quality of James's own mind. Walter Scott, in The Fortunes of Nigel, tells the story and he explains how valuable ornaments were arranged in a slovenly manner, covered with dust; the table was loaded with huge folios, amongst which lay light books of jest and ribaldry; the King was dressed in a doublet of green velvet, over which he wore a sad-coloured nightgown, out of the pocket of which peeped his hunting horn. But such inconsistencies in dress and appointments, Scott explains, were mere outward types of those which existed in the royal character.

A soft tread and a sure touch

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Short stories are best read one a night just before you go to sleep, and this collection by Angela Huth, which brings together work from the last 30 years, would keep you going for nearly a month.

The boy who saw too much and too little

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Already a bestseller in the many countries where it has been published, I'm Not Scared was described to me as a modern version of The Go-Between. After struggling through the wooden introduction to a group of children cycling up a hill somewhere in the south of Italy, I was steeling myself for one of those second-rate bits of whimsy like Silk or Balzac and the Little Chinese Seamstress which unaccountably become international bestsellers. But the secret soon discovered by Michele, the child-narrator, is not just emotionally confusing like the illicit love affair to which the boy is made accessory in L. P. Hartley's novel, but a very real horror.

A palely loitering revenant

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'Reviewers,' laments the Dr Cake of Andrew Motion's title, 'they are devils. Devils. I have seen good men, good authors, broken by their deprecations. The worst of it is their presumption in supposing that those they chastise do not know their own faults, and admonish themselves with a ferocity others can only imagine.' From a Laureate whose (admittedly rotten) recent poems have been kicked gleefully to death in the public prints, this has the ring of something profoundly felt. There's a later, rueful allusion to the superiority of the young Wordsworth over the old Wordsworth - 'the Laureate who now preaches at us'. There is another reason to be wary of approaching this novel as a reviewer: how to do so without giving away the central surprise in the plot?

Bum ego trip

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'Our lives are one endless stretch of misery punctuated by processed fast foods and the occasional crisis or amusing curiosity,' remarks Augusten (pronounced You-gusten, by the way) Burroughs as he creeps towards the end of what must be one of the strangest and most engrossingly repellent memoirs of dysfunctional American family life ever to be published. Who is Augusten Burroughs anyway? Exactly. He is a nobody who is interested in nothing but writing about himself. And this book is that obsession made manifest. Everything is grotesque about it, from first almost to last. I say almost because the last few pages turn a touch poker-faced, if not moralistic - which is quite out of keeping with the freewheeling dottiness of 99 per cent of it.

One man’s prime numbers

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When you are a bestselling novelist you get to do things your way. So this isn't 32 Songs, which would at least be a power of two, or even 30 Songs, but the defiantly prime 31 Songs, because that, says Nick Hornby, is how long the book needs to be. But then the millions of us who read High Fidelity know that Hornby feels rather strongly about pop music. Call it a novel if you wish, but the sorry and thwarted emotional life of that book's protagonist clearly reflected its author's profound dedication to all things rock and, moreover, roll. You do not write so keenly and accurately about the art of making cassette compilations of your favourite songs unless you have made an awful lot of them yourself.

The Russian language front

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During the war against Hitler, secret services recruited on the old boy net: there was no other way of being sure that recruits were not duds, and even on the old boy net bad mistakes could be made - Philby and Maclean were only the most notable examples. All that was supposed to vanish with Ernest Bevin's arrival at the Foreign Office and the Attlee government's clearing away of old boy values for ever. Not a bit of it. Here is a vivacious account of how in the 1950s, under Eden and Lloyd at the Foreign Office, some 5,000 young men doing national service were quietly siphoned off from their units, secluded in Cornwall and Fifeshire, or, more boldly, next door to the Guards depot at Coulsdon in Surrey, and put through crash courses in Russian till they could speak it fluently.

Radiance in suburbia

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Shena Mackay has had a difficult and unconventional career, and it has taken a long time for most readers to register what a powerful and original novelist she is. Several things have counted, unfairly, against her; her subjects are not just domestic, but often suburban, which she presents with a disconcerting rapture. She does not write long books, nor polemical ones; it is hard to say what any given novel by her is 'about', although various fiercely held convictions may, from time to time, be discerned. They are primarily about human beings living their lives, rendered with increasing mastery and a hard-won truth; and there is nothing harder in the world to defend than that.

Only slightly under the influence

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'The Age of Russia,' according to the doom-fraught speculations Oswald Spengler published in 1918, would succeed 'the Decline of the West'. For a while, it looked as if he was right. Russia's non-western credentials became part of the rhetoric of Soviet foreign policy. Hailed as 'the future which works', Russia was earnestly copied by escapers from colonialism, who wanted their newly independent countries to break with the West and bask in the 'white heat' of red technology. It was all illusory. Russia never offered an antidote to western-style modernity, just a variant of it. Now Russians sheepishly avow that they never really left the western fold.

A palpable hit

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If you happen to be one of those maddeningly quick-witted or sideways-thinking readers who can spot at a glance that 'potty train (4)' means LOCO, that 'Where reluctant Scotsman lives (7)' is LOTHIAN, or even - a lovely one, this - that 'Amundson's forwarding address (4)' is MUSH, the pages of Sandy Balfour's memoir will hold few surprises. (Nor, probably, will you need to be told what its title means. Answer, for the rest of us, in the final paragraph below.) For those who find themselves wrestling with the likes of 'canine animal' - three letters, beginning with D - the book will be at the very least a source of mild revelation and at best a delight.

Looking – and looking away

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Sebald is perturbed by the almost complete failure of German writers to describe the devastation of their country by British and American bombers during the second world war. Here, one might have thought, was an inescapable subject, a reality which confronted anyone who was in Germany during or after the war. About 600,000 civilians were killed in the raids and, as Sebald points out, 'even after 1950 wooden crosses still stood on the piles of rubble in towns like Pforzheim, which lost almost one third of its 60,000 inhabitants in a single raid on the night of 22 February 1945'. Among the ruins dreadful smells emanated from the corpses and rats and flies multiplied.

Why is a birch-tree like a melon?

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This is the time of year for armchair gardening. The cold, dark days give one the chance to ignore the muddy plot outside and to sit by the fire with a heap of catalogues. As one reads the thrilling descriptions, next summer's garden comes to life in the mind's eye. There are no rabbits, mice, moles, whitefly or weeds to spoil the picture. Instead, the most difficult plants flourish under a sunny sky. These two mighty tomes add up to the most inspiring catalogue I have ever read even though, unlike commercial lists, the descriptions do not exaggerate. They are strictly truthful, because they are written by Dr Martyn Rix, a distinguished botanist. The illustrations are by Roger Phillips, a painter turned photographer who uses his camera with the eye of a true artist.

She fashioned her future

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Judging by her own ideals of beauty and drama, Diana Dalziel's arrival in the world must have been a bit of a let-down. That her Scottish father's lineage merely went back to 834, or that her mother was part of the narrow 1890s New York society, was not half as picturesque as she'd have liked. Her blood, she felt, should be throbbing with the violent purple corpuscles of a Montezuma or Genghis Khan, her skin as palely violet as that of Diane de Poitiers or Liane de Pougy.

Articles of faith

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Richard Dawkins loves fighting. More precisely, he loves winning. To be Dawkinsed, as this selection from his essays of the past 25 years makes painfully clear, is not just to be dressed down or duffed up: it is to be squelched, pulverised, annihilated, rendered into suitably primordial paste. Those who incur this treatment have one thing in common: all are enemies of truth, Dawkins-style. Which is to say, all are enemies of science. In the current volume, his targets include postmodernists, bishops, religious leaders of other denominations (or 'cloth-heads', as he mollifyingly calls them), faith healers and New Ageists. Arch-rationalists will love these essays: others will find them by turns brilliant, boorish and idiotic. Dawkins hasn't always been like this, of course.

Liquid and solid satisfaction

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Cocoa beans were 'found' by Europeans on Columbus's fourth, final and failed voyage (1502). The beans were sufficiently rare to be used as currency and the beverage made from them was called 'Food of the Gods' and only served to Amerindian grandees like Montezuma - in his case, in gold cups. The liquid was laced, not with sugar, then unknown in the New World, but with capsicum and vanilla, both unknown in Europe, but Europeans soon preferred to make the drink with sugar, and, after a century, with Eastern spices, including cinnamon, cloves and nutmeg. In the early White's, then a Whig club, the drink was made with milk and eggs, beaten into a froth. Dr (later a baronet) Hans Sloane was a collector whose treasures were left to the nation and became the British Museum.