The Romantic poets
From our UK edition
People can be mightily protective of their Romantic poets. When I worked at the Keats Shelley House, overlooking the Spanish Steps in Rome, one of my colleagues developed a callus on her hand where the daily task of locking the museum door — emphatically — caused the key to abrade her skin. And when I last visited Keats’s grave, with a friend, in the city’s Non-Catholic Cemetery, a middle-aged Italian woman snapped at us to shut up as she muttered through a printout of ‘To Autumn’. It’s strange in a way that Keats should inspire such devotion in Rome, since he wrote no poetry in Italy and only a handful of letters survive from the four months that he spent dying there.