Culture

The cohorts of Hamas have invaded my neighbourhood. I was walking my dog, Maxi, in the afterglow of a shower that had lit the pavements with a pearlescence you normally see only in the piazzas of Syracuse, when I paused to look at the posters of kidnapped Israelis that someone had hung opposite Gail’s. I was thinking that I should have brought flowers, when they were upon us. Two women, their faces slack with the stupidity of hate, started tearing at the sad tributes with their carmine fingernails, screaming obscenities about Israel and the Jews. I didn’t know what the etiquette was on occasions like these, so I picked up Maxi, whose ears were back, and shouted obscenities at the women as they disappeared into the night like monstrous beetles.

Gstaad A reader’s inquiry as to why I think Paris belongs to yesterday (12 August) has me remembering times past. When did the party end? According to many night owls it was when the ‘Queen of the Night’, Regine, shut down her club New Jimmy’z and moved to London in the 1970s, where she flopped. Others believe it was ‘les événements de soixante-huit’, the student-worker revolt against De Gaulle that did Paris in. Certainly, any way one looks at it, the events of 1968 did signal that the party was over; and it has stayed over ever since. Mind you, the high jinks had been waning for some time. I first arrived in Paris as a tennis player in 1957, but moved permanently to the City of Light on November 11 1958, Poppy Day. The place was jumping.

The word ‘wokescreen’ is (like its naughty older sibling, the carelessly carbon-producing smokescreen), an alibi which hides the truth about a nefarious action. But what marks it out from old-fashioned hypocrisy is that – rather than being a mere rogue – the wokescreener poses as a social justice hero, looking down from a great height at the great unwoked. From the Sussexes’ private planes to Justin Trudeau’s blackface antics, the wokescreen is a fine example of modern Magical Thinking – if you identify as good, you can then be bad to your sanctimonious little heart’s content.

The Guardian kindly tells us that green is a colour whose time has come: ‘A blazer or a cotton shirt in Wimbledon grass-court green as a pop of saturated colour against white jeans and chunky flat boots is very Copenhagen Fashion Week.’ For the Express, it’s nails: ‘With polish costing from as little as £1, you can add a pop of colour to an outfit for next to nothing.’ This is the sassiest usage just at the moment of that vastly productive word pop. Yet in the papers, the predominant references by far are still to pop stars or (heaven help us) pop culture. That kind of pop simply comes from the abbreviated popular. Yet I suspect it props up etymologically unconnected uses of pop in, pop-up (restaurants), eye-popping or popping out.