When does a drama become a psychodrama?
From our UK edition
When Labour blocked Andy Burnham from standing as its candidate last time around, Douglas Alexander, the Scottish Secretary, rejoiced at avoiding ‘three months of psychodrama – who’s up, who’s down, who’s getting on with who…’ But as Gareth Roberts remarked in The Spectator’s Coffee House, ‘I’m not quite sure what the difference is between psychodrama and good old-fashioned plain original-flavour drama.’ Indeed, Mr Alexander’s characterisation of psychodrama sounds like the essential lineaments of pure politics: ‘Who loses and who wins; who’s in, who’s out,’ as King Lear puts it. King Lear itself might be a classic psychodrama, if madness is the defining feature.