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“Woke is officially DEAD,” Donald Trump announced last summer. That has been a common refrain since the 2024 election: the anti-western, anti-white, pro-transgender ideology is over. The excesses of left-wing radicalism have been rejected. Sadly, nothing could be further from the truth. We’re all still living under the yoke of woke. Just look at Chicago. Over the Memorial Day weekend, 38 people were injured by gunfire and two were shot dead. Five police officers were hurt when a car drove into a crowd amid widespread disorder. This happened in a city where the Democratic mayor, Brandon Johnson, promised to defund the police.
“Woke is officially DEAD,” Donald Trump announced last summer. That has been a common refrain since the 2024 election: the anti-western, anti-white, pro-transgender ideology is over. The excesses of left-wing radicalism have been rejected. Sadly, nothing could be further from the truth. We’re all still living under the yoke of woke. Just look at Chicago. Over the Memorial Day weekend, 38 people were injured by gunfire and two were shot dead. Five police officers were hurt when a car drove into a crowd amid widespread disorder. This happened in a city where the Democratic mayor, Brandon Johnson, promised to defund the police.
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On May 30, 1966, the Beatles released “Paperback Writer” – a fortnight after “Paint It Black” by the Rolling Stones and only days before Bob Dylan released “I Want You” as a single. Paul Simon wrote and recorded (with Art Garfunkel) “A Hazy Shade of Winter” not long after. Yes, yes, what bliss it was in that dawn etc. But anyone predicting back then that, 60 years later, all four artists would still be releasing new music and touring to large and appreciative audiences would have been laughed clean out of the Bag O’Nails. Even when glossy monthly music magazines such as Q started appearing in the 1980s, 40 was regarded as the dark side of the moon for the foundational pop stars of the 1960s.