Andrew Ross Sorkin reconstructs the 1929 crash
His new tome offers both detail and verve
His new tome offers both detail and verve
These pieces show the author trying her darndest to find her voice
Sleuths rediscovered a stolen painting, galvanizing efforts to uncover even more
His new exhibition at the Guggenheim is a sour birthday party
The Met’s exhibition shows that the artist tried to destroy everything human about himself
Apple’s new paean to the man certainly suggests as much
Masquerade honors and innovates the legacy of Phantom of the Opera
Nobody’s Girl feels authentic, but its claims still require vetting
The octogenarian author can still conjure magical prose
It’s unlikely to change your preconceived notion of the man
Fear was the renaissance man’s guiding principle
The long-unfinished Smile reveals the musician’s talent and madness
The show feels like an undergraduate thesis
Spectrum of Desire is somewhere between blasphemous and libelous
Your eyes and your brain cells will hate you for watching this
There’s no economic incentive not to use AI actors – but doing so is morally repulsive
The general impression in 107 Days is one of listlessness, torpor, a failure to really grasp the stakes of what’s happening
Dominion offers no answers, only the clear recognition of how power corrodes those bound to it
Christopher Shaw Myers outlines his uncle’s story with lesser-known information and anecdotes
Martin Suarez’s storytelling is precise, even surgical. But it’s the content that burrows under the skin